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1,860 results for "Animation" in Title.

Found in catalogs (50+)

• Business Screen 1970 — page 435

  …Sandstiom, Animation Director Ronald D. Schwartz, Animation Director Albert E. Young, Animation Cameraman Jack Pohto, Service Manager Services: Technical and cartoon animation for motion…

• Business Screen 1944,1945,1946 — page 492

  project ANIMATION FOR ARMY FILMS by Coptain Rodell C. Johnson B I FORE The \\'ar most of the 8,000,000 men and women…

• Business Screen 1967,1968 — page 706

  …Full cartoon animation & ani- mated graphic material, i.e. animated design, technical animation, photo animation and other giaphic techniques. PAGANELLI ANIMATION & TITLES 21 W…

• Business Screen 1965,1966 — page 640

  …graphics animation, animated advertis- ing art. animated cart(«)iis, i)li()to ainmation, in- sert footage, live and animated. Facilitites' for 3omm shooHng, editing…

• See and Hear, May 1949 — page 16

  is fascinating as a treasure hunt was our search for specimens of the animals we had seen in the films UR Stupy OF ANIMALS…

• Mogulls Bros Educational Film Catalog 1936 — page 116

  …See Ani- mals—Habits and be- havior Animal camouflage 591.57 Animal coloration. See Color of animals Animal life 590 Animal locomotion From creeping…

• See and Hear, 1949, 1951 — page 164

  As fascinating as a treasure hunt was our search for specimens of the animals xce had seen in the films. OUR Study of Animals…

• Business Screen 1969 — page 715

  …Sandstrom, Animation Director Ronald D. Scchwartz, Animation Director Albert E. Young. Animation Cameraman Services: technical and cartoon animation for motion pictures, stripfilms, slidefilms, story…

• Business Screen 1969 — page 407

  …For fresh, effective, visual communications, lis year consider animation. • Joseph Barbera (right) reviews storyboard with Alex Lovy, animation director, during production of an animated…

• See and Hear 1948 — page 506

  …At *Saby Animals, How Animals Move, How Animals Eat, How Animals Defend Themselves, (8 min each) sd. purchasr. Young America Film*. Inc.. U F…

• See and Hear 1945-1946 — page 48

  I Itlciuif\— learn names of animals— differences. How do tlicv look alike? Matching and reading names of animals. .\M.\I.\L STORIES I see…

• Business Screen 1965,1966 — page 1429

  …Taylor, Animation Director Services: technical and cartoon animation for motion pictures, stripfilms, slidefilms, storj'- boards, special effects, titles. ANIMATION STAND, INC. 2 \V. 46th…

• Business Screen 1969 — page 406

  case for animation continued cost such as actors, props, sets, locations or weather. Moreover, the sets, backgrounds, appear- ances of actors and many other…

• See and Hear, May 1949 — page 17

  …One group was interested in making an animal alphabet book and another developed a book for recording information about animals that lived in or…

• See and Hear 1948 — page 507

  …One group was interested in making an animal alphabet book and another dcxeloped a book for recording information about animals that lived in or…

• Business Screen 1963,1964 — page 1148

  …TEL-Animaprint Hot Press, Animation Discs, Inking Boards. Peg Bars. Acme-punched Cells. Acetate paints in colors and gray scale, animation ruler, exposure charts…

• See and Hear, 1949, 1951 — page 165

  …One group was interested in making an animal alphabet book and another developed a book for recording information about animals that lived in or…

• See and Hear 1945-1946 — page 47

  …ANIMAL ABSURDITIES Use pictures of animals. Use different heads on animals. Children enjoy humorous elements involved here and will tell what is wrong. ANIMAL…

• Business Screen 1970 — page 436

  …Animation, animatics, test films, titles, 16 and 35mm production of business films. Physical Equipment: 3 0.\berry animation stands. SEMPLE FILMS, LTD. 1079 Nelson…

• Mogulls Bros Educational Film Catalog 1936 — page 36

  …A short picturization of the beginning of life." Producer 591.5 Habits and behavior of animals Animals of the zoo. lOmin 16-sd-$S0…

• Business Screen 1963,1964 — page 1433

  …motion picture animation, storyboard-on- film, art, photography, filmstrips, slides. 0.\berr>' animation stand. ANICAM Animation Camera Service 63.11 llomewood A\e., Hollvwood…

• Business Screen 1953 — page 360

  …Animation production and 479 Sixth Avenue, New Y'ork 11 experimental animation. Have evolved new tech- .■^ee complete listing under "Animation " niques in animated…

• See and Hear 1947,1948 — page 329

  …What is the name ol the mother animal? 2. What is the name of the bab\ animal? ,S. What does the animal eat? How…

• Business Screen 1965,1966 — page 1430

  ^^Ti^iii^TDiG^SE^WKgl MILLS ANIMATION 712 Sansonio Street, San FrantiMO. Califoniiu 94111 Phone: 362-1149 AC: 415 Holnrt J. Mills. Ounrr I…

• Educational Screen 1936 — page 283

  PROJECTOR ^%> 1 NOT AT ANY PRICE con these, and otheT valuable features responsible for Animatophone leadership, be had in any Sound Projector other than…

• Business Screen 1959,1960 — page 162

  EUROPE'S LEADINO ANIMATION STUDIO* M(d(ui mii^atokh/^ ^17 MAJOR INTERNATIONAL AWARDS INVITE ENQUIRIES FOR PRODUCTION IN LATIN- AMERICA Lysbeth House, Soho…

• See and Hear 1946,1947 — page 381

  …Animation, especially good animation, is more expensive than its equivalent footage of live-ac- tion; also, the pool of trained and able talent is…

• Business Screen 1955 — page 624

  AflT & MIMATIDN Animation, Inc. 8564 Melrose Ave., Hollywood 46 Phone: CRestview 4-5821 Dafe of Orgonizafion: 1955 Earl Klein. I'huIulci Rod Scri!)ncr…

• Educational Screen 1936 — page 215

  …Forestry Ser- vice, where sound pictures are widely used, sturdy, "foolproof", easy-to-use l6mm Animatophone has almost entirely excluded other projection equipment. INDUSTRY…

• Educational Screen 1934 — page 141

  …Next, and more importantly, "Animal Studies" is concerned with the things animals do. Animals must grow up. Ani- mals must get food. Animals exhibit…

• Business Screen 1963,1964 — page 642

  PROPUCEil SiHViCES ANIMATION SERVICES: CREATIVE ART STUDIO, INC. 814 H. St., N.W., Washington 1, D. C. Phone: REpublic 7-7152 AC: 202 Milton…

• Business Screen 1958 — page 660

  THE NEW PORTMAN ANIMATION STAND . . $3,670 with 50" Zoom Here is the all new Port- man Animation Stand with features and accessories found…

• Educational Screen 1936 — page 315

  …For definite PROOF, ask to see and hear ANIMATOPHONE per- form. Why not NOW ? CTOR ANIMATOGRAPH CORPORATION In INDUSTRY, light weight, compact and efficient…

• Business Screen 1969 — page 403

  …We had demonstrated that animation as an effective communication tool in ad- tion to its obvious entertainment values. After a particularly lengthy meeting one…

• Business Screen 1969 — page 716

  …Taffet, Producer-Director Peter Dakis, Animation Jack Hadle\', Anim. Production Asst. Boris Bode, Editing Ser\'ices: animation and live action, production facilities. Scripts, storyboards…

• Educational Screen 1948-1949 — page 69

  …Type of food and method of getting it of animals, including various insects, reptiles, birds, and a few small animals. Hozv Animals Get Air…

• Business Screen 1959,1960 — page 1162

  …TV commercials, a I features, the Hollywood animatii industry and the University ; Southern California are cooper ing in a unique course of study animation…

• Business Screen 1970 — page 589

  …Animator's discs, inking boards, checking boards, anima- tion punches and camera stands. NATIONAL CINE EQUIP. 361 Animation motors constructed of cast aluminum assure…

• See and Hear 1946,1947 — page 379

  …Animation uses pictorial analogy to demonstrate llial the reaction to an action is equal in force regardless of environ- mental influences. {Animated pictures above…

• Business Screen 1961,1962 — page 1239

  …Services Wilham Sturm, Animation Director Services: newly-organized full animation depart- ment. PICTOCRAFT, INC. 408 Mamaroneck Ave., Mamaroneck, New York Phone: OW 8-3437…

• Business Screen 1967,1968 — page 267

  ARRIFLEX SERIES ARRIFLEX plays dual role— shoots animation and live action for Multiple Sclerosis Society of America How do you convey the crippling effects…

• Educational Screen 1957-1958 — page 625

  …Plants and Animals Series 5fs YAF si col. Plants and the Things We Use, Plants Help Us, Animols and the Things We Use, Animals…

• See and Hear 1945-1946 — page 43

  …For example, in n animal game, the child is ask- lI, "Which animal do you choose ) be?" It is surprising how many incepts of…

• Business Screen 1961,1962 — page 1268

  …It deals with the animated film, not as a techni- cal book — the same authors sup- plied that in "The Technique of Film Animation…

• See and Hear 1946,1947 — page 380

  …The completion of the atitil- ogy then includes the drawing, again ; animation, of the jet plane in flight. • Right: The animator may choose live…

• Business Screen 1963,1964 — page 1434

  …Technical, instructional and theatrical animation services; animation integrated witli live-action. Art. «litorial and camera equipment for animation work. PICTOCRAFT, INC. 408 Maniaroneek A…

• See and Hear, May 1950 — page 33

  …How Animals Get Food 16. How Animals Get Air 17. How Animals Protect Themselves 18. How Animals Grow Up 19. How Animals Reproduce Themselves…

• See and Hear 1947,1948 — page 46

  …Many differ- ent examples from the animal king- dom are shown. Teacher's guide. How Animals Defend Themselves - (10 min.) BfLW Sound .S.18…

• Business Screen 1954 — page 460

  …Animation production and experimental animation. Have evolved new tech- niques in animated films. References: Columbia I niversily. Science Pic- tures. International Kihn Foundation. .Sound…

• Educational Screen 1938 — page 280

  …TINY WATER ANIMALS Grade 5L-5H 1. What are protozoa? 2. What instrument has to be used to observe these animals ? 3. On what…