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3 results for "First Artists Production Co" in Creator.

Found in catalogs (50+)

• Educational Screen 1936 — page 290

  …The bringing of the machine under control through the design of manufactured products is de- picted. The position of the artists of today is…

• Educational Screen 1928-1929 — page 260

  …the first time in The Kducational Sciu:en, some of the comments of Oswell Blalieston I^ondon correspondent—on European film productions. Mr. Blalteston…

• Mogulls Bros Educational Film Catalog 1936 — page 86

  …the sketching of the first 'cartoon' to the 'pull- ing' of the artist's proof from the finished copper plate. Posed by Walter Raymond…

• Educational Screen 1922 — page 204

  …with the earnest artist's cautious regard for effects. 2. FOREVER (Famous Players) (Feb.) The first picture to treat convincingly the maudlinized subject of…

• Educational Screen 1954,1955,1956 — page 816

  …The Sumi Artist mp LOB '54 lOmin sd col sale. Chiuro Obato, dressed in na- tive costume, demonstrates sumi paint- ing, working first in…

• Educational Screen 1954,1955,1956 — page 324

  …this artist does, and all artists should, know and un- derstand the subject being painted is implicitly developed. GEOGRAPHY OF YOUR COMMLMTY (Coronet Instructional…

• Educational Screen 1922 — page 50

  …that colossal example of an intricate mechanism standing ineluctably between the artist and his artistic production! So far our readers might conclude we did…

• Business Screen 1957 — page 233

  nniER PRODUCTS THROUGH IMAGINATION Bell & Howell formation and motivational film- maker of the future." Similarly, in showing how an al- ready successful film could…

• Educational Screen 1957-1958 — page 550

  …This production was split almost evenly between the de- nominations (and their agencies), and the independent concerns, with a re- tent u|)-swing in…

• See and Hear 1948 — page 32

  …Paris— City of Art (11 min) Color & B&W. Sale: apply. Simmel-Meservey. • The first color interiors of the Louvre: views of Montmartre artists…

• Educational Screen 1926-1927 — page 557

  …J Production Notes for November OHN BARRYMORE'S first starring photo- play for United Artists will be entitled The Vagabond Lover. The story deals…

• Business Screen 1944,1945,1946 — page 245

  …com- pounding. (1) The Truth About a Condition or Set of Conditions.—Obviously, this is the first thing to be determined in the production…

• Educational Screen 1939 — page 279

  …Tlie |)cg-and-perforation idea is said to have come from Raoul Uarre, a French-Canadian artist then working in New Vork ; and there…

• Educational Screen 1923 — page 137

  …Fairbanks and Miss Pickford are turning their attention more and more to production, their intention being to include in the United Artists' Corporation a…

• Business Screen 1970 — page 411

  …proved that the sponsored film could indeed reach great heights of artistic achievement, too many of the end products throughout the 30"s and…

• Educational Screen 1943 — page 300

  …And today—after thousands of years—the composition of the deer is brilliant still." "Finally another artist draws what the magician told them would…

• Educational Screen 1928-1929 — page 518

  …This is said to be the first time the Czechoslovak Govern- ment is financially interested in film production. In addition, a British company will…

• See and Hear 1948 — page 413

  …EBFilms. • Cowboys are presented, as seen through the eyes of a red-blooded American boy who is visiting a ranch for the first time…

• See and Hear, 1949, 1951 — page 27

  …EBFihns. • Cowboys are presented, as seen through the eyes of a red-blooded American boy who is visiting a ranch for the first time…

• Educational Screen 1954,1955,1956 — page 69

  …Views of the artist shajjing a portrait of Admiral Bidl Halsey and the com- ))leted statues of Katharine Cornell, James Montgomery Flagg, the sculp…

• Educational Screen 1944-45 — page 758

  …This collection consists of representative works, from the academic to the abstract, by out'itanding American artists who have painted during the 20th Century…

• Educational Screen 1954,1955,1956 — page 1163

  …Money -back Guarantee Alexander the Greot — A full-color biography of the first man to conquer the civilized world, based on the United Artists…

• Educational Screen 1924-1925 — page 600

  …We turn out very few professional artists but many happy people." And this wise friend of the finest in edu- cation considers child art…

• Educational Screen 1922 — page 205

  Theatrical Film Critique 203 is are rare occurrences in the present Id! POLLY OF THE FOLLIES (First National) (Mar.) Constance Talmadge has never had…

• Educational Screen 1926-1927 — page 712

  …a movement? Are not the producers themselves concerned with injecting elements of sincere artistry in their production?" It cannot be gainsaid that important strides…

• See and Hear 1946,1947 — page 417

  …the work of the British Columbia artist, Emily Carr. A theatrical version in 35 mm is also in production of an earlier title in…

• Business Screen 1940 — page 80

  …and trade previews, first showings to boards of directors, sales conferences, dealers' conventions, style shows and announcements of new products and manufacturing pro- cesses…

• Educational Screen 1943 — page 299

  …After a ceremonial dance they prepare their colors and paint the famous deer of Font-de-Gaume. one of man's first artistic compositions…

• Educational Screen 1928-1929 — page 10

  …From the enjoyment of the crude and elemental the child must be raised gradually to the en- joyment of the artistic and complex. Because…

• See and Hear 1946,1947 — page 50

  …With the 116 2x2 Kodachromes of the Collection of Contemporary .Ameri- can Painting, is a catalog which gives a picture of each artist, a…

• See and Hear, 1949, 1951 — page 360

  …JUST COMPLETED — an artistic achievement in the realm of color photography — "BRITISH COLUMBIA" Canada's Pacific Gateway PAUL HOEFLER PRODUCTIONS Sales Division 7934 Santa…

• Educational Screen 1954,1955,1956 — page 814

  …Works and methods of sculpture in wood and stone of contemporary ab- stract artist, Barbara Hepworth, are compared and contrasted with their natural and…

• Educational Screen 1934 — page 75

  …xechoslovakia, and the Committee is in communication with Spain and Argentine. Italy will also he represented, but first it is necessary tor the Italian…

• Business Screen 1956 — page 662

  Your Production Cost Justifies Color Reproduction Co. 16mm Color Prints Mr. Prothicer . . . rloii't forget that your aiulienoe sees only A PRINT of your…

• Educational Screen 1934 — page 14

  …educators should concern themselves more with the social and ethical aspects of motion pictures than with their value as artistic products. Frequently what one…

• Educational Screen 1951,1952,1953 — page 1323

  …Kumak — The Sleepy Hunter (color) — an Eskimo legend. Braque — an intimate visit with the famous artists. □ McGraw-Hill Book Company, Text- Film Dept, 330…

• Educational Screen 1939 — page 278

  …Holbrook- Smith Productions launched into a com- fortably prosperous business, with offices in 61st Street, just a little west of Columbus Circle. Among other…

• Business Screen 1961,1962 — page 1031

  …communicating the sponsor's message (and our production artistry, efficiency, and experience.) JOBSSBOi AT HOME OR ABROAD, FOR EFFECTIVE COMMUNICATION OF YOUR CORPORATE IMAGE…

• Educational Screen 1926-1927 — page 884

  …CORINNE GRIFFITH has joined United Artists, and June Mathis has been signed to prepare her first story, which, it is rumored, will be The…

• See and Hear 1948 — page 86

  …Mahnke Productions 215 East Third St. Des Moines, Iowa Aviili more than one color, breaks in color, and the white areas left. All tiicse…

• Educational Screen 1924-1925 — page 202

  …No less excellent, and all the more artistic fo the contrast it oilers, is the picture of the cour life of Charles II — the…

• Educational Screen 1948-1949 — page 620

  …This has only recently be- come true. For example, on my first visit to Chicago in 1926, the people there had a hard time…

• Educational Screen 1923 — page 386

  …this than seems at first evident. I think Mr. Fair- banks is putting into his picture ideals and con- victions that he has clung…

• See and Hear 1947,1948 — page 31

  …Starting with a live model, the artist first makes his pre- liminary sketches and gradually com- pletes the figure painting. Mr. Yeh shows other…

• Educational Screen 1937 — page 123

  …Outstanding subjects were selected from our collection of three thousand films, and these were enlarged for painting. Chinese artists were trained in a special…

• Educational Screen 1924-1925 — page 521

  …truly fine product. Not only should most of the slides used be colored but they should be ex- quisitely colored, artistically composed, beautifully finished…

• Business Screen 1959,1960 — page 1199

  …animated TV commer- cials in the major New York mar- ket, has entered into live action motion picture production for the first time. Marc…

• Educational Screen 1923 — page 188

  …Church, comnmnity, school use.) (Family.) MARCH Robin Hood (United Artists) — Fine in every sense of the word. (Any use.) The Hottentot (First National) — Good…

• Educational Screen 1926-1927 — page 687

  …ready to start production. When complete, the studio will house all United Artists' units, including Doug, Mary, Norma and Constance Talmadge, John Barrymore, ind…

• Educational Screen 1946-1947 — page 913

  …The coatis, which are Central American relatives of the racoon and are officially named "coatamundi," are first seen as they awaken from a nap…