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9 results for "Artists' Film Productions" in Creator.
Found in catalogs (50+)
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Educational Screen 1936 — page 290
…Mass. "We Are All Artists"—Film Review An excellent title for one of the most notable films among the productions of 1936 for the…
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Educational Screen 1923 — page 140
…Zukor will offer at the conference to those elements contributing most to the motion pic- ture's artistic development during the year. "While the…
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Educational Screen 1922 — page 204
…TURN TO THE RIGHT (Metro) (May) Of itself a flawless production. Our re- mark gains in significance when we add that in film form…
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Educational Screen 1928-1929 — page 260
…correspondent—on European film productions. Mr. Blalteston is well linown as a student and critic of artistic pic- ture-production, and we hope to…
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Mogulls Bros Educational Film Catalog 1936 — page 86
749-778 EDUCATIONAL FILM CATALOG 749 Artistic furniture For cabinet making, see class 684 American wing. 45min 16-si-$90 35-si-nf- $180…
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Educational Screen 1926-1927 — page 1015
…original and artistic "Overture," the main productions are bound to follow. New Educational Productions from UFA The production of six biological films has been…
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Educational Screen 1943 — page 300
…Thus art arose from diverse needs." QUESTION BOX ON SCHOOL FILM PRODUCTION Question: Can you give us some suggestions on making titles for a…
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Educational Screen 1954,1955,1956 — page 324
…filmstrip EDUCATION FOR CHILDBIRTH Series • Four films, 16 mm, sound, bl, wh. • Senior high and college use write for infortnation: MEDICAL ARTS PRODUCTIONS 414…
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Educational Screen 1954,1955,1956 — page 1163
…Artists, meet the highest standards in color. You, too, may hove the some service. A scene in the Manhattan Color Lab filmstrip production for…
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Educational Screen 1957-1958 — page 550
…then as an independent filmstri]) |)roducer; then as director of religious filmstrip production for SVE: and now going as of Sc])tember 1st to…
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Educational Screen 1923 — page 137
…Fairbanks and Miss Pickford are turning their attention more and more to production, their intention being to include in the United Artists' Corporation a…
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Educational Screen 1924-1925 — page 600
…Reviere, made a comprehensive study of cellulose acetate films and reported in Chimie et Industrie (1922) that these products are not inferior to cellulose…
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Educational Screen 1954,1955,1956 — page 816
…Produced by United Europe Films, Ltd. Presents the seldom noticed genre of Mexico's su- perabundant artistic production; num- berless figurines, masks and paintings…
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Educational Screen 1928-1929 — page 518
…The work of the private film societies, who specialise in showing "unus- ual" and artistic films not avail- able for the general public is…
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Educational Screen 1926-1927 — page 712
…of sincere artistry in their production?" It cannot be gainsaid that important strides have been made by pro- ducers in creating films which make…
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Educational Screen 1934 — page 14
…products, but we are unable to give these criticisms weight by an equal ability to point out flaws in the film when judged artistically…
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Educational Screen 1926-1927 — page 568
…The film is just about 30 years old and the real filmplay in its full artistic and cultural value is still to come. . . As…
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Educational Screen 1926-1927 — page 884
…A new production peak will soon be re- corded at the Paramount studios in Holly- wood, with twenty-six pictures in production within the…
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Educational Screen 1954,1955,1956 — page 69
…surveys the finished products of tlicir creative eflorts, and suggests liow these works reflect the distinctive (haracteristics of each artist. Opening scenes showing Cecil…
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Educational Screen 1951,1952,1953 — page 254
FULL COLOR FILMSTRIPS Artists of Many Lands and Many Times The basic thought in this new series of nine FULL COLOR FILMSTRIP is that…
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Educational Screen 1922 — page 117
…picture production. They are almost entirely mechanical; but upon their efficient performance depends the success or failure of the dramatic and artistic achievements of…
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Educational Screen 1939 — page 279
…1917, ap- peared with another development, the Barre-Bowers Film Corporation, of Jer- sey City, N. J. One artist who really had not been…
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Educational Screen 1922 — page 22
…But the occasionally good foreign film is of such flawless artistry that only the rarest of American productions can touch it. Three such films…
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Educational Screen 1951,1952,1953 — page 1323
…each) — film studies based on the lives and works of fa- mous artists: Grant Wood, Van Gogh, Goya, Toulouse-Lautrec, Manet, Gau- guin, Leonardo…
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Educational Screen 1939 — page 278
…artists to develop and perfect the magic of "animation," one of the most useful and po- tent phases of non-theatrical film production. OF…
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Educational Screen 1937 — page 197
…each stamp framed with a square drawn with india ink, properly labeled with the name of the artist, the date of its production, and…
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Educational Screen 1924-1925 — page 202
…Much commendation must b( accorded to Frank Tuttle of the Film Guild who directed the production. (3 reels). Dis tributed by Pathe. School Film…
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Educational Screen 1944-45 — page 758
…I have been hoping to apply both my pre-war experience and my army training to post- war production of instructional films. Is this…
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Educational Screen 1926-1927 — page 1123
…yrs) Amusing Beyond them No No Hardly Production Notes for December NORMA TALMADGE'S second United Artists feature will be The Woman Dis- puted…
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Educational Screen 1922 — page 233
…The artistic and spiritual quality of the nbject cannot fail to make it welcome herever something truly educational is demand. John Greenleaf Whittier American…
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Educational Screen 1928-1929 — page 10
…Appreciation of the beautiful and artistic belongs in truth to the more restricted sphere of esthetics. The original tendencies which are built up into…
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Educational Screen 1954,1955,1956 — page 1312
…Tragic Pursuit of Perfection mp FILM IM '55rel 27min sd b&w $150 r$15. Anglo-French production based on biography of Leonardo da…
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Educational Screen 1954,1955,1956 — page 814
…The film tells something of the history of 200 years in the production of this English pot- tery. Demonstrates process from the mining and…
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Educational Screen 1926-1927 — page 351
…political, educational, economic, artistic, and technical. The program will include dis- cussion of legal and corporation problems, film technique, production and distribution, education and…
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Educational Screen 1934 — page 75
…the most eminent international artistic authorities connected with the cinema, as well as a collection of photographs of the films that will be shown…
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Educational Screen 1924-1925 — page 875
…These Four Productions Are Moral, Clean and Wholesome and should be shown wherever there is a Projector. Film Booking Offices of America 723 Seventh…
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Educational Screen 1924-1925 — page 811
…These Four Productions Are Moral, Clean and Wholesome and should be shown wherever there is a Projector. Film Booking Offices of America 723 Seventh…
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Educational Screen 1922 — page 205
…Unclassified LITTLE LORD FAUNTLEROY (United Artists) (Jan.) We did not include this film in Group A cause of its primary appeal for children, ary…
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Educational Screen 1946-1947 — page 296
…The expensive cost of production is seen particularly clearly in the field of the entertainment film. A com- mercial entertainment film, produced for popular…
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Educational Screen 1957-1958 — page 1279
CONTEMPORARY FILMS presenfs . . . INDIAN ARTIST of the SOUTHWEST \ fiiiniiictt* history ul AmeriiMii liiilian itaiiitiiin Imm tlie earliest i-\;ifi|ilfs (if sniiif jiainiing t…
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Educational Screen 1922 — page 41
…7he sole commendable elements in his production are the pictorial harm of certain pastoral scenes and he cleverness with which the snow nd ice…
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Educational Screen 1926-1927 — page 687
…Jackie Coogan has joined Metro-Goldwyn-Mayer, to star in a series of productions. The French film Napol- eon, now being completed by the…
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Educational Screen 1928-1929 — page 308
…From the Film "The Artist," in the course on Vocational Guidance In this subject a narrative form is adopted, following the career of a…
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Educational Screen 1924-1925 — page 521
…truly fine product. Not only should most of the slides used be colored but they should be ex- quisitely colored, artistically composed, beautifully finished…
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Educational Screen 1938 — page 50
…A section de- voted to "Suggestions at Large," includes hints for sound production (although the Horace Mann film was silent) the filming of animated…
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Educational Screen 1926-1927 — page 1113
…of this out- standing production of the Societe Generale de Films next spring. The entire length of the film is 11,000 meters, and…
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Educational Screen 1922 — page 35
Theatrical Film Ccitique 31 Briefer Mention REAM STREET ust how the man who gave us the incom- able "Broken Blossoms" could turn about 1…
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Educational Screen 1951,1952,1953 — page 1050
…Teachers of French have in- dicated that this film sets a highly desirable pattern for future productions. The color photography is unusually good, the…
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Educational Screen 1924-1925 — page 887
…the hold that American films have obtained on the British pub- lic to the practical exclusion of the native product) , in which he says…
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Educational Screen 1937 — page 123
…Outstanding subjects were selected from our collection of three thousand films, and these were enlarged for painting. Chinese artists were trained in a special…