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Arsenal (excerpts)
Release: [Place of publication not identified] : [publisher not identified], 1929
Physical description: 1 film reel (9…
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1929 |
Dovzhenko |
9:00 |
UCLA Film & Television Archive |
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Earth
…wealthy landowners) try to protect their land. Dovzhenko is concerned with the lyrical expression of a…
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1930 |
Audio Brandon |
54 |
New York Public Library |
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Shadows of forgotten ancestors
Set in the early 1900's in a small Carpathian village, this impressionistic film tells of…
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1964 |
Dovzhenko Studios. |
99 |
New York Public Library |
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Shchors
…A protracted shoot proved taxing to Dovzhenko who was forced to submit every creative idea and…
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1939 |
Oleksandr Dovzhenko, Yuliya Solntseva |
142 min |
Australian Centre for the Moving Image |
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The birth of Soviet cinema
…from the masterworks of Eisenstein, Pudovkin, and Dovzhenko. Explains why the 1920's was a productive…
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1972 |
Films for the Humanities |
49 |
New York Public Library |
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The Birth of Soviet cinema
…excerpts from masterworks of Eisenstein, Pudovkin and Dovzhenko by film critic Richard Schickel. Explains why the…
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1972 |
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Australian Centre for the Moving Image |
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The Birth of Soviet Cinema ▶
…from the masterworks of Eisenstein, Pudovkin, and Dovzhenko. Explains why the 1920's was a productive…
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1972 |
Films for the Humanities (Firm) |
Genre:Documentary films |
AV Geeks Archive |
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The End Of St Petersburg
A view of changing conditions in Russia as interpreted by a young peasant who lived through…
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1927 |
Sovkino |
89 min |
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The End Of St. Petersburg
NOTE: Two (or more) records have been merged together to create this data.
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1927 |
Vsevolod Pudovkin, Mikhail Doller |
85 |
Kinonik |
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Zemlya = Earth
…However, rather than a concern with discontinuity that was central to his earlier films Dovzhenko suggests…
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Australian Centre for the Moving Image |
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Zvenigora
NOTE: Two (or more) records have been merged together to create this data.
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1927 |
VUFKU |
1:24:00 |
Indiana University Library Moving Image Archive +1 |
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Zvenigora (Musical Soundtrack)
…For Dovzhenko the fresco-like narrative was what he described as ‘a catalogue of my creative…
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Australian Centre for the Moving Image |