|
American Pattern [1938] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a partial view of a stage…
|
1938 |
|
27:56 |
Chicago Film Archives |
|
Americans in Paris [1950] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with an apparently Parisian scene--a backdrop…
|
1950 |
|
12:33 |
Chicago Film Archives |
|
Beauty and the Beast [1949] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with opening credits, laid over a still…
|
1949 |
|
25:00 |
Chicago Film Archives |
|
Bells [1950, Paris, Théâtre des Champs-Elysées] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a shot of a chapel roof…
|
1950 |
|
27:45 |
Chicago Film Archives |
|
Carmen (4th Act from Balcony) ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a blurry view of a stage…
|
|
|
3:02 |
Chicago Film Archives |
|
Carmen (4th Act) [1960, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, full…
|
1960 |
|
11:28 |
Chicago Film Archives |
|
Carmen (Tour Rehearsal) [1960] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a fairly distant view of a…
|
1960 |
|
46:23 |
Chicago Film Archives |
|
Carmen [1959] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a distant view of a stage…
|
1959 |
|
4:44 |
Chicago Film Archives |
|
Carmen [1962, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, full…
|
1962 |
|
16:21 |
Chicago Film Archives |
|
Daughter of Herodias [1954, Chicago, St. Alphonsus Theatre] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a stage, lined…
|
1954 |
|
25:45 |
Chicago Film Archives |
|
Frankie and Johnny [1938, Chicago, Great Northern Theatre] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a view of a stage, set…
|
1938 |
|
22:02 |
Chicago Film Archives |
|
Guns and Castanets [1939, Chicago, Great Northern Theatre] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a stage with…
|
1939 |
|
27:37 |
Chicago Film Archives |
|
Harlequinade (Part I) [1947] ▶
…The film begins with a shot of a stage, in which a man (presumably Bentley Stone…
|
1947 |
|
8:32 |
Chicago Film Archives |
|
Harlequinade [1947?] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with Page (presumably in the role of…
|
1947 |
|
16:55 |
Chicago Film Archives |
|
Love Song [1947, Chicago, Blackstone Theatre] ▶
…Blackstone Theatre, Federal Ballet, Ruth Page and Bentley Stone." It then cuts to an angled view…
|
1947 |
|
17:45 |
Chicago Film Archives |
|
Possessed[?] (Talley Beatty excerpt) ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a shot of an empty stage…
|
|
|
3:07 |
Chicago Film Archives |
|
Repertoire Workshop From Chicago: Carmen and Jose [1963] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of the clapperboard for…
|
1963 |
Arthur Thorsen |
27:47 |
Chicago Film Archives |
|
Reunion ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a dance studio…
|
|
|
17:30 |
Chicago Film Archives |
|
Revenge [1951, Chicago, University of Chicago, Mandel Hall] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens during a scene toward the end of…
|
1951 |
|
11:48 |
Chicago Film Archives |
|
Ruth Page: an American original
…Page's reminiscences of her life and associates (Anna Pavlova, Diaghilev, Adolph Bohm, Bentley Stone and…
|
1978 |
Films inc. |
59 |
New York Public Library |
|
Salome and Herod [1952] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a woman (presumably Salomé) in an…
|
1952 |
|
11:06 |
Chicago Film Archives |
|
Valse Cécile ▶
…like a flapper) and a man (presumably Bentley Stone, in a suit) dance together. This dance…
|
1940 |
|
1:59 |
Chicago Film Archives |