| 1950 |
Undercover girl. |
Universal Pictures Co. Inc. |
83 min. |
35mm |
B&W |
sound |
| 1950 |
Understand Your Emotions |
Coronet Films |
22 |
16mm |
Color |
sound |
| 1950 |
Understanding Your Ideals |
Coronet Instructional Films |
14 min. |
16mm |
B&W |
sound |
| 1950 |
V. S. Government |
UNLESS otherwise indicated the sets of slides listed a catalog are black-and-white slides. Color slides are s Each set of slides is described as follows: (a) the ti name of the producing agency and the date of productio title if the slides are part of a series; content of the slides; (e) references number of the set of slides if it has such a number, t in the set, the size of the slides, and special notati Following these descriptive data are several numbers i These code numbers refer to specific instructions for slides which are explained on pages 306-329 of this ca to obtain the first set of slides listed below, for ex where under code number 27, directions are given for b slides from the U. S. Public Health Service. Activated Sludge Process U.S. Public Health Service |
|
Filmstrip |
|
|
| 1950 |
Vein stripping |
film produced by Orbit Films ; directed by Dean K. Crystal, MD and Van Kirk Hillman, MD. |
14 |
16mm |
Color |
sound |
| 1950 |
Vigilante Hideout. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Wabash Avenue. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
Color |
sound |
| 1950 |
Ways To Better Conversation |
Coronet |
3:50 |
16mm |
B&W |
sound |
| 1950 |
Ways to Settle Disputes |
Coronet Films |
11 |
16mm |
B&W |
sound |
| 1950 |
What Makes a Good Party |
Coronet Films |
10 min |
|
Color |
|
| 1950 |
When Willie Comes Marching Home. |
Twentieth Century-Fox Film Corp |
82 min. |
35mm |
B&W |
sound |
| 1950 |
Where Danger Lives |
John Farrow |
82 |
|
B&W |
|
| 1950 |
Where The Sidewalk Ends. |
Twentieth Century-Fox Film Corp |
95 min. |
35mm |
B&W |
sound |
| 1950 |
WHIRLPOOL. |
Twentieth Century-Fox Film Corp |
97 min. |
35mm |
B&W |
sound |
| 1950 |
Who's boss. |
Affiliated Film Producers. |
560 |
16mm |
|
sound |
| 1950 |
Why We Respect The Law |
Coronet |
14 min. |
16mm |
B&W |
sound |
| 1950 |
William Shakespeare: Background for His Works |
Coronet Films |
14 min |
|
Color |
|
| 1950 |
Winchester ’73. |
Universal Pictures Co. Inc. |
92 min. |
35mm |
B&W |
sound |
| 1950 |
Winter Storage |
National Geographic |
7 min |
16mm |
Color |
sound |
| 1950 |
Wise Buying |
Coronet Films |
11 min |
16mm |
Color |
|
| 1950 |
Working through college |
U.S. Army Motion Picture Section Reorientation Branch ; producer, Karl W. Hinkle. |
|
16mm |
B&W |
sound |
| 1950 |
Writing better social letters. |
David A. Smart |
11 min. |
16mm |
B&W |
sound |
| 1950 |
Yo Quiero Ser Tonta. |
Importadora Inc. |
73 min. |
35mm |
B&W |
sound |
| 1950 |
You can change the world. |
Leo McCarey |
11:50 |
16mm |
B&W |
sound |
| 1950 |
Your Friend, the Doctor |
Coronet Films |
11 |
16mm |
B&W |
|
| 1949 |
17. S. Government Films |
ALL of the filmstrips listed and described in this cat Unless otherwise indicated, they are silent, black-and frame filmstrips. Color filmstrips and double-frame fi labeled and sound filmstrips are identified by the phr disc" which is, unless otherwise indicated, a 16-inch playing speed of 3353 rpm. Each filmstrip is described as follows: (a) the title the name of the producing agency or agencies and the d (c) title if the filmstrip is part of a seri the series summary of the content of the filmstrip; (e) referenc and (f) the order number of the filmstrip if it has su length in frames, and special notations for color film filmstrips, and sound filmstrips, i.e., the existence recording. Following these descriptive data are several numbers i These code numbers refer to specific instructions for filmstrips which are explained on pages 306-329 of thi how to obtain the first filmstrip listed below, for ex where, under code number 5, directions are given for o Acres in This Place No. 4) R U.S. Bureau of the Census |
30 frames |
16mm |
|
|
| 1949 |
A Double Life |
Universal Pictures Co. Inc. |
104 min |
16mm |
B&W |
sound |
| 1949 |
A Visit from St. Nicholas |
Coronet Films |
11 |
16mm |
B&W |
sound |
| 1949 |
Abbott & Costello Meet Frankenstein |
Universal Pictures Co. Inc. |
83 min. |
16mm |
B&W |
sound |
| 1949 |
Act Your Age |
Coronet Instructional Films |
600 |
16mm |
B&W |
sound |
| 1949 |
Adam's rib |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:41:00 |
16mm |
B&W |
sound |
| 1949 |
Ancient Rome |
Coronet Films |
11 |
16mm |
B&W |
|
| 1949 |
And Baby Makes Three. |
Santana Pictures |
83 min. |
35mm |
B&W |
sound |
| 1949 |
Archery for girls |
Coronet Films |
10 min |
16mm |
B&W |
sound |
| 1949 |
Are you a good citizen? |
Coronet |
3:50 |
16mm |
B&W |
sound |
| 1949 |
Attitudes and health |
Coronet Films |
10 min. |
16mm |
B&W |
sound |
| 1949 |
Background For Literature: The Lady Of The Lake. |
Coronet Films |
11 min. |
16mm |
B&W |
sound |
| 1949 |
Background For Reading: Stories Of Holland. |
Coronet Films |
10 min. |
16mm |
B&W |
sound |
| 1949 |
Basic Court Procedures |
Coronet Films |
14 min |
|
Color |
|
| 1949 |
Begone Dull Care |
National Film Board of Canada. |
9 min. 0:08:00 |
16mm |
Color |
sound |
| 1949 |
Brighton Rock |
John Boulting |
92 |
|
B&W |
|
| 1949 |
Calamity Jane And Sam Bass. |
Universal Pictures Co. Inc. |
85 min. |
35mm |
Color |
sound |
| 1949 |
Carbon and Its Compounds |
Coronet Films |
10 min |
|
B&W |
|
| 1949 |
Celia. |
Francis Searle |
|
16mm |
|
sound |
| 1949 |
Charles Dickens: Background for His Works |
Coronet Films |
11 |
16mm |
Color |
|
| 1949 |
Chicago Deadline. |
Paramount Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Choosing Your Occupation. |
Coronet Films |
10 min. |
16mm |
B&W |
sound |
| 1949 |
Cities: why they grow. |
Coronet Films |
1 |
16mm |
B&W |
sound |
| 1949 |
Cleanliness and Health |
Coronet Films |
0:11:00 |
16mm |
Color |
sound |
| 1949 |
Cow and the Sprite |
Coronet Films |
10 min |
|
B&W |
|