| 1922 |
A BLIND BARGAIN. |
Goldwyn Pictures Corp. |
5 reels |
|
B&W |
|
| 1922 |
Cops |
First National Pictures Inc. |
18 min |
16mm |
B&W |
sound |
| 1922 |
Foolish Wives |
Universal Pictures Co. Inc. |
14 reels |
16mm |
B&W |
sound |
| 1922 |
Foolish Wives |
FESTIVAL |
1:17 |
16mm |
B&W |
silent |
| 1922 |
Häxan |
Svensk Filmindustri |
12000 |
16mm |
B&W |
silent |
| 1922 |
Nanook of the north |
Films |
0:51:00 |
16mm |
B&W |
sound |
| 1922 |
Nanook of the north. |
Pathe Exchange Inc. |
1796 |
16mm |
B&W |
sound |
| 1922 |
Nanook Of The North. |
Robert J. Flaherty |
50 min. |
35mm |
B&W |
silent |
| 1922 |
PARISETTE. |
Société des Établissements Gaumont |
380 min |
|
B&W |
|
| 1922 |
Pay Day |
Santa Fe Film Bureau |
26 min |
16mm |
B&W |
sound |
| 1922 |
Saturday Night |
Famous Players-Lasky Corporation |
90 min |
16mm |
B&W |
silent |
| 1922 |
THE COUNTRY FLAPPER. |
Producers Security Corp. |
50 min |
|
B&W |
|
| 1922 |
The Pilgrim |
Charles Chaplin Productions |
0:59:00 |
16mm |
B&W |
silent |
| 1922 |
The seventh day. |
Inspiration Pictures Inc. |
6 reels |
16mm |
B&W |
silent |
| 1921 |
CONCEIT. |
Selznick Pictures Corp. |
5 reels |
|
B&W |
|
| 1921 |
Dream Street |
United Artists Corporation |
2:20:00 |
16mm |
B&W |
silent |
| 1921 |
DREAM STREET. |
David Wark Griffith |
9 reels |
|
B&W |
|
| 1921 |
FOOL'S PARADISE |
Cecil B. DeMille |
1:30 |
16mm |
B&W |
|
| 1921 |
Forbidden Fruit |
Famous Players-Lasky Corporation |
87 min |
16mm |
Tinted |
silent |
| 1921 |
O'malley Of The Mounted |
William S Hart Co |
60 min |
16mm |
B&W |
sound |
| 1921 |
Orphans of the Storm |
D.W. Griffith Inc |
2:30:00 |
16mm |
B&W |
silent |
| 1921 |
THE CHILD THOU GAVEST ME. |
First National. |
6 reels |
|
B&W |
|
| 1921 |
THE GIRL IN THE TAXI. |
Carter DeHaven |
|
|
B&W |
|
| 1921 |
The Idle Class |
Charlie Chaplin |
32 |
|
B&W |
|
| 1921 |
The kid |
Charlie Chaplin |
68 min |
16mm |
B&W |
sound |
| 1921 |
The Kid |
Charlie Chaplin |
68 |
|
B&W |
|
| 1921 |
The Kid |
Charlie Chaplin |
68 |
|
B&W |
|
| 1921 |
Tol'Able David |
Henry King |
99 |
|
B&W |
|
| 1921 |
Tol'able David |
Blackhawk |
84 |
16mm |
B&W |
silent |
| 1921 |
WHITE OAK. |
The William S. Hart Co. |
7 reels |
16mm |
B&W |
|
| 1920 |
EVERYBODY'S SWEETHEART. |
Selznick Pictures Corp. |
5 reels |
|
B&W |
|
| 1920 |
HEARTS ARE TRUMPS. |
Metro Pictures Corp. |
6 reels |
|
B&W |
|
| 1920 |
HELD IN TRUST. |
Metro Pictures Corp. |
6 reels |
|
B&W |
|
| 1920 |
HER KINGDOM OF DREAMS. |
Associated First National Film Corp. |
7 reels |
|
B&W |
|
| 1920 |
L'Homme du Large |
Soci_t_ des _tablissements Gaumont |
86 min |
16mm |
B&W |
silent |
| 1920 |
THE GREAT SHADOW. |
Republic Distributing Corp. |
1 min |
|
B&W |
|
| 1920 |
The Idol Dancer |
D.W. Griffith Inc |
1:44:00 |
16mm |
B&W |
silent |
| 1920 |
The Mark of Zorro |
Douglas Fairbanks Picture Corp. |
77 |
16mm |
B&W |
|
| 1920 |
The Mark of Zorro |
Blackhawk Films |
91 min |
|
B&W |
|
| 1920 |
The Scarecrow |
Edward F. Cline, Buster Keaton |
19 |
|
B&W |
|
| 1920 |
THE SIX BEST CELLARS. |
Famous Players-Lasky Corp. |
5 reels |
|
B&W |
|
| 1920 |
The Toll Gate |
William S Hart Co |
73 min |
16mm |
B&W |
sound |
| 1920 |
The Toll Gate |
William S. Hart Co |
1:13:00 |
16mm |
B&W |
silent |
| 1920 |
Way down East |
Thunderbird |
100 mi |
16mm |
B&W |
silent |
| 1920 |
When we were twenty-one. |
Pathe Exchange Inc. |
11 |
16mm |
B&W |
silent |
| 1919 |
A Day's Pleasure |
Charlie Chaplin |
18 |
|
B&W |
|
| 1919 |
Broken blossoms |
Museum of Modern Art |
102 mi |
16mm |
Color |
silent |
| 1919 |
Destiny. |
Universal Film Mfg. Co. Inc. |
6 reels |
16mm |
B&W |
silent |
| 1919 |
For Better for Worse |
Cecil B. DeMille, Sam Wood |
12:00 |
|
B&W |
|
| 1919 |
L'APACHE. |
Thomas H. Ince |
6 reels |
|
B&W |
|