| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
Your Money Or Your Life |
New York |
94 min |
(14 min.) (14 min.) 3/4 in. |
|
sound |
| 1983 |
A Shocking Accident |
Direct Cinema Ltd. |
25 min |
16mm |
Color |
sound |
| 1983 |
Classic creatures: return of the Jedi |
Films inc. |
:48 |
16mm |
Color |
sound |
| 1983 |
Danton |
SWANK |
136 mi |
16mm |
Color |
sound |
| 1983 |
Death Valley |
Kaw Valley Films Inc |
26 |
16mm |
Color |
|
| 1983 |
Electric Boogie |
Green Room Productions |
30 |
16mm |
Color |
sound |
| 1983 |
Electric Boogie |
Freke Vuijst |
1200 ft. |
|
|
|
| 1983 |
Flamenco at 5:15 |
Direct Cinema Ltd. |
30 |
16mm |
Color |
sound |
| 1983 |
Fort Apache, The Bronx |
Time-Life Video Distribution Center |
125 min |
16mm |
Color |
sound |
| 1983 |
Jan Amos Comenius. |
Barrandov Film Studios |
150 min |
16mm |
|
sound |
| 1983 |
Joe's Bed-Stuy barbershop: we cut heads |
FIRST RUN FEATURES |
60 |
16mm |
Color |
sound |
| 1983 |
Le Bal |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1983 |
Scarface |
Caddo Co Inc | Howard Hughes |
93 1:33:00 |
16mm |
B&W |
sound |
| 1983 |
Sugar Cane Alley |
New Yorker |
103 mi |
16mm |
Color |
sound |
| 1983 |
When the mountains tremble |
New Yorker |
83 |
16mm |
Color |
sound |
| 1982 |
A Shocking accident |
Direct Cinema Ltd. |
25 |
16mm |
Color |
sound |
| 1982 |
A Shocking Accident |
Flamingo Pictures |
25 min |
|
Color |
|
| 1982 |
Ace of aces |
Gérard Oury |
96 min |
16mm |
Color |
sound |
| 1982 |
Against All Odds |
Lauron Productions |
119 min |
16mm |
Color |
sound |
| 1982 |
Americas in transition. |
Americas in Transition Inc |
10:44 |
16mm |
Color |
sound |
| 1982 |
Best Friends |
Perrenial |
109 min |
16mm |
Color |
sound |
| 1982 |
Chan is missing |
Wayne Wang Productions ; directed, produced, and edited by Wayne Wang ; narration, Isaac Cronin, Wayne Wang ; script, Terrel Seltzer, Wayne Wang. |
80 |
16mm |
B&W |
sound |
| 1982 |
Death Valley |
Kaw Valley Films Inc |
87 min |
|
Color |
|
| 1982 |
Diva |
MGM/UA |
123 mi |
16mm |
Color |
sound |
| 1982 |
Fanny and Alexander |
Ingmar Bergman |
188 |
|
Color & B&W |
|
| 1982 |
Miles of smiles, years of struggle |
Benchmark |
59 |
16mm |
Color |
sound |
| 1982 |
Sans soleil |
New Yorker |
100 mi |
16mm |
Color |
sound |
| 1982 |
Splash |
Natl Film Board Of Canada |
111 min |
16mm |
Color |
sound |
| 1982 |
Tango |
Ifex Films |
8 |
16mm |
Color |
sound |
| 1982 |
The Atomic cafe |
New Yorker |
88 |
16mm |
Color & B&W |
sound |
| 1982 |
The Atomic Cafe. |
Kevin Rafferty, Jayne Loader, Pierce Rafferty |
3073 |
16mm |
Color |
sound |
| 1982 |
The Cotton Club |
2482 Sutter |
121 min |
16mm |
Color |
sound |
| 1982 |
The Earthling |
Filmways TV Pictures |
97 min |
16mm |
Color |
sound |
| 1982 |
The endocrine system : |
second edition an Encyclopaedia Britannica film ; produced by Encyclopaedia Britannica Educational Corporation ; producer, Bruce D. Hoffman. |
21 |
16mm |
Color |
sound |
| 1982 |
The Klan: A Legacy of Hate in America |
Guggenheim Productions Inc. |
|
16mm |
|
sound |
| 1982 |
The Sound Collector |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1982 |
The Sound collector |
The Board |
12 |
16mm |
Color |
sound |
| 1982 |
Up The Creek |
ODN Productions |
92 min |
16mm |
Color |
sound |
| 1981 |
A War Story |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1981 |
Americas in Transition |
Icarus Films |
28 min |
16mm |
Color |
sound |
| 1981 |
Americas in transition |
Icarus |
29 |
16mm |
Color |
sound |
| 1981 |
Americas in Transition |
Obie Benz |
12:00 |
|
Color |
|
| 1981 |
Blow Out |
Brian De Palma |
107 min |
16mm |
Color |
|
| 1981 |
Chariots of Fire |
Hugh Hudson |
118 min |
16mm |
Color |
|
| 1981 |
Father and Son |
Allen Fong |
97 min |
|
|
|
| 1981 |
La tendresse du maudit / |
un film de Jean-Manuel Costa. |
9 |
16mm |
Color |
sound |
| 1981 |
Marianne and Juliane |
New Yorker |
106 mi |
16mm |
Color |
sound |