| 1942 |
MRS. WIGGS OF THE CABBAGE PATCH. |
Ralph Murphy |
9 reels |
|
B&W |
|
| 1942 |
My Sister Eileen |
Contemporary Films |
96 min |
16mm |
B&W |
sound |
| 1942 |
My Sister Eileen. |
Alexander Hall |
10 reels |
|
B&W |
|
| 1942 |
Night Monster. |
Ford Beebe |
7 reels |
|
B&W |
|
| 1942 |
Once Upon A Honeymoon |
Fairbanks (Jerry) Productions |
117 min |
16mm |
B&W |
sound |
| 1942 |
Orchestra Wives. |
Archie Mayo |
8 784 ft. |
|
B&W |
|
| 1942 |
Prelude to War |
U S War Dept |
52 min |
16mm |
B&W |
sound |
| 1942 |
Princess Cinderella |
Castle Films |
72 min |
16mm |
B&W |
sound |
| 1942 |
Ride 'em' Cowboy |
Arthur Lubin |
80 min |
|
B&W |
|
| 1942 |
Rings on Her Fingers |
Twentieth Century-Fox Film Corporation |
86 min |
16mm |
B&W |
sound |
| 1942 |
Rings On Her Fingers. |
Rouben Mamoulian |
7 761 ft. |
|
B&W |
|
| 1942 |
Rock river renegades. |
S. Roy Luby |
2400 |
16mm |
B&W |
sound |
| 1942 |
Rock River Renegades. |
S. Roy Luby |
6 reels |
|
B&W |
|
| 1942 |
Sappy Birthday. |
Harry Edwards |
1 496 ft. |
|
B&W |
|
| 1942 |
Secrets Of The Underground. |
William Morgan |
7 reels |
|
B&W |
|
| 1942 |
Shadow Of A Doubt. |
Alfred Hitchcock |
11 reels. |
|
B&W |
|
| 1942 |
Shepherd Of The Ozarks. |
Frank McDonald |
7 reels |
|
Color |
|
| 1942 |
Sherlock Holmes and the Secret Weapon |
Roy William Neill |
68 min |
16mm |
B&W |
|
| 1942 |
Sherlock Holmes And The Secret Weapon. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Sherlock Holmes In Washington. |
Roy William Neill |
7 reels |
|
B&W |
|
| 1942 |
Ships With Wings. |
Sergei Nolbandov |
10 reels |
|
B&W |
|
| 1942 |
Smith Of Minnesota. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sock-A-Bye Baby. |
Jules White |
1 619 ft. |
|
B&W |
|
| 1942 |
Spy Ship. |
B. Reeves Eason |
62 min. |
|
Color |
|
| 1942 |
Stagecoach Express. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Stormy Weather. |
Andrew L. Stone |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sullivan's travels |
Universal Pictures Co. Inc. |
90 |
16mm |
B&W |
sound |
| 1942 |
Syncopation. |
William Dieterle |
88 min. |
|
B&W |
|
| 1942 |
That Other Woman. |
Ray McCarey |
6852 ft. |
|
Color & B&W |
|
| 1942 |
The Battle Of Midway |
John Ford |
18 |
|
Color & B&W |
|
| 1942 |
THE BATTLE OF MIDWAY |
John Ford |
18 min |
16mm |
Color & B&W |
|
| 1942 |
The Battle of Russia |
FDR Presidential Library |
83 min |
16mm/video file |
B&W |
|
| 1942 |
The Big Street. |
Irving Reis |
88 min. |
|
B&W |
|
| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The Farmer's Daughter. |
James P. Hogan |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
|
B&W |
|
| 1942 |
The Mad Martindales. |
Alfred L. Werker |
5824 ft. |
|
Color |
|
| 1942 |
The Magnificent Ambersons. |
Orson Welles |
88 min. |
|
B&W |
|
| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The Omaha Trail. |
Edward Buzzell |
3 reels |
|
B&W |
sound |
| 1942 |
The Ox-Bow Incident. |
William A. Wellman, James Tinling |
6776 ft. |
|
B&W |
|
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1942 |
The Traitor Within. |
Frank McDonald |
6 reels |
|
Color |
|
| 1942 |
THE WHITE CLIFFS OF DOVER |
R C M Productions |
127 min |
16mm |
B&W |
sound |
| 1942 |
The White Cliffs Of Dover. |
Clarence Brown |
1 reel |
16mm |
B&W |
sound |
| 1942 |
They Died With Their Boots On. |
Raoul Walsh, B. Reeves Eason |
140 min |
|
B&W |
|
| 1942 |
They Got Me Covered. |
David Butler |
94 min. |
|
B&W |
|
| 1942 |
This Gun For Hire. |
Frank Tuttle |
8 reels |
|
B&W |
|