| 1966 |
Torn curtain |
Alfred J. Hitchcock Productions: Publisher | Universal Pictures: Distributor |
2:09:00 |
16mm |
Color |
sound |
| 1966 |
Torn Curtain. |
Universal Pictures |
122 min |
35mm |
Color |
sound |
| 1966 |
Traitor's gate. |
Summit Film Productions Ltd. |
85 min |
35mm |
B&W |
sound |
| 1966 |
Triple Cross |
Ideal Pictures Inc |
140 min |
16mm |
Color |
sound |
| 1966 |
Two For The Road. |
Stanley Donen Films Inc. & Twentieth Century-Fox Film Corp. |
111 min |
35mm |
Color |
sound |
| 1966 |
United Fund |
Foothill College, Department of Mass Communication, Los Altos Hills, California |
15 min |
|
B&W |
|
| 1966 |
Upward Bound — the War on Talent Waste |
Texas Western College of the University of Texas, School of Journalism, El Paso, Texas |
28 min |
|
B&W |
|
| 1966 |
Urbanissimo |
McGraw-Hill Films |
|
|
|
|
| 1966 |
Vergette Making A Pot |
Southern Illinois Univ |
2 min |
16mm |
Color |
sound |
| 1966 |
Waco. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
68 min. |
35mm |
Color |
sound |
| 1966 |
War of the gargantuas |
$h [motion pictures]/ Henry G. Saperstein Enterprises ; presenter, United Productions of America ; executive producer, Tomoyuki Tanaka, Henry G. Saperstein and Reuben Bercovitch ; writer, Kaoru Mabuchi and Inoshiro Honda ; direction, Inoshiro Honda. |
89 |
16mm |
Color |
sound |
| 1966 |
War Toys |
Foothill College, Department of Mass Communication, Los Altos Hills, California |
3 min |
|
B&W |
|
| 1966 |
Warning shot. |
Paramount Pictures Corp. & Bob Banner Associates Inc. |
100 min |
35mm |
Color |
sound |
| 1966 |
Watching Them Learn |
Michigan State University, Film Production, Instructional Media Center, East Lansing, Michigan |
2 min |
|
B&W |
|
| 1966 |
Waterfowl - A Resource In Danger |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1966 |
Way Way Out. |
Way Out Co. & Twentieth Century-Fox Film Corp. |
105 min |
35mm |
Color |
sound |
| 1966 |
Wayleggo |
New Zealand Government Travel Commission |
|
16mm |
|
sound |
| 1966 |
What Can You Find |
Karl B Lohmann Jr / Lohmann Films |
2 min |
16mm |
Color |
sound |
| 1966 |
What Is Work |
Southern Illinois Univ Film Productions |
20 min |
16mm |
Color |
sound |
| 1966 |
What on earth! |
Kaj Pindal, Les Drew |
325 |
16mm |
Color |
sound |
| 1966 |
Who's Afraid of Virginia Woolf? |
Chenault Productions |
2:11:00 |
16mm |
B&W |
sound |
| 1966 |
Wholly Communion |
Contemporary Films |
33 min |
16mm |
B&W |
sound |
| 1966 |
Wholly Communion |
McGraw-Hill |
41 |
16mm |
Color |
sound |
| 1966 |
Why Do You Smile, Mona Lisa |
Fleetwood Films Inc |
14 |
16mm |
Color |
sound |
| 1966 |
WILD, WILD WINTER |
Universal Pictures Co. Inc. |
|
35mm |
Color |
sound |
| 1966 |
Wszelkie podobieństwo do znanych sytuacji jest absolutnie przypadkowe / |
Studio Miniatur Filmowych w Warszawie ; Przedstawia Żart Filmowy ; opracowanie plastyczne i reżyseria, Sofia Oraczewska ; scenariusz, A. Kamieńska- Kapińska. |
7 |
16mm |
Color |
sound |
| 1966 |
Years of Glory, Years of Growth |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
22 min |
|
Color |
|
| 1966 |
Yesterday, Today and... |
University of Maryland, Office of University Relations, College Park, Maryland |
23 min |
|
Color |
|
| 1966 |
You'd Like Missoula |
Curran William F |
23 min |
16mm |
Color |
sound |
| 1965 |
[Hi-con street and boat footage] |
directed by Dion Vigne. |
7 |
16mm |
Color & B&W |
silent |
| 1965 |
[Sacred heart of Jesus] |
directed by Freude Bartlett. |
6 |
16mm |
Color |
sound |
| 1965 |
[Ten second film] |
[filmmaker, Bruce Conner]. |
0.17 |
16mm |
B&W |
silent |
| 1965 |
A Challenge to Greatness |
University of Kentucky, Department of Radio-TV-Films, Lexington, Kentucky |
15 min |
|
B&W |
|
| 1965 |
A Charlie Brown Christmas |
Bill Melendez |
25 min |
16mm |
Color |
sound |
| 1965 |
A high wind in Jamaica |
Twentieth Century-Fox Film Corp. (Publisher) |
103 min |
16mm |
Color |
sound |
| 1965 |
A Multifaceted Approach for Teaching Botany |
Purdue University, Film Production, Audio-Visual Center, Lafayette, Indiana |
17 min |
|
B&W |
|
| 1965 |
A patch of blue. |
Metro-Goldwyn-Mayer Inc. & Pandro S. Berman Productions Inc. |
105 min |
35mm |
B&W |
sound |
| 1965 |
A Quarter Million Teenagers |
Churchill Films |
|
16mm |
|
sound |
| 1965 |
A Very Special Favor. |
Universal Pictures Co. Inc. (in notice: Universal Pictures Co. Inc. & Lankershim Co.) |
105 min |
35mm |
Color |
sound |
| 1965 |
Alphaville |
Jean-Luc Godard |
99 |
|
B&W |
|
| 1965 |
Alphaville. |
Chaumiane Productions |
3561 |
16mm |
B&W |
sound |
| 1965 |
An Illustration of Aphasia |
University of South Dakota, Film Production, Vermillion, South Dakota |
6 min |
|
Color |
|
| 1965 |
An Ounce Of Pink. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1965 |
Aortomyocardial Autogenous Vein Grafts |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
12 min |
|
Color |
|
| 1965 |
Arizona Raiders. |
Admiral Pictures Inc. |
88 min |
35mm |
Color |
sound |
| 1965 |
Around The World Under The Sea. |
Metro-Goldwyn-Mayer Inc. & Ivan Tors Enterprises Inc. |
110 min |
35mm |
Color |
sound |
| 1965 |
At The End Of The Rainbow |
Handy (Jam) Organization |
|
16mm |
|
sound |
| 1965 |
Atithi. |
Tapan Sinha |
112 min |
16mm |
|
silent |
| 1965 |
BALLERINA. |
National Broadcasting Co. |
29 min. |
35mm |
Color |
sound |
| 1965 |
Be My Guest |
Lance Comfort |
82 min |
16mm |
|
sound |