| 1913 |
THROUGH THE TEST OF FIRE. |
Nordisk Film Co. |
|
|
|
|
| 1913 |
TIGRIS. |
Itala Film. |
4 reels |
|
B&W |
|
| 1913 |
Traffic In Souls |
unknown |
20:27 |
16mm |
B&W |
sound |
| 1913 |
Traffic in Souls |
Imp |
1:28:00 |
16mm |
B&W |
silent |
| 1913 |
UNJUSTLY ACCUSED. |
Nordisk Films Co. |
58 min |
|
B&W |
|
| 1913 |
UNTIL THE SEA. |
Selig Polyscope Co. |
|
|
B&W |
|
| 1913 |
WHAT IS THE USE OF REPINING? |
Biograph Co |
|
|
|
|
| 1913 |
WHAT THE GODS DECREE. |
Société Française des Films et Cinématographes Éclair |
|
|
B&W |
|
| 1913 |
WHEN JIM RETURNED. |
American Film Mfg. Co. |
|
|
B&W |
|
| 1913 |
WHEN PARIS LOVES. |
Eclectic Film Co. |
|
|
B&W |
|
| 1913 |
WHEN THE LIGHT FADES. |
American Film Mfg. Co. |
|
|
B&W |
|
| 1913 |
When The Studio Burned |
Thanhouser Film Corp |
|
16mm |
B&W |
sound |
| 1913 |
WHERE'S THE BABY? |
Biograph Co |
|
|
B&W |
|
| 1913 |
WHICH WAY DID HE GO? |
Vitagraph Co Of America |
1 reel |
|
B&W |
|
| 1913 |
WHO WILL MARRY MARY? |
Thomas A. Edison Inc. |
1 reel |
|
B&W |
|
| 1912 |
A Beast At Bay |
D. W. Griffith |
17 |
|
B&W |
|
| 1912 |
A change of spirit |
Biograph Co. (Publisher) |
0:10:00 |
16mm |
B&W |
sound |
| 1912 |
A Dash Through The Clouds |
Mack Sennett |
12 |
|
B&W |
|
| 1912 |
A Feud In The Kentucky Hills |
Biograph Co |
17 min |
16mm |
B&W |
sound |
| 1912 |
A Japanese idyll |
Universal Film Mfg. Co. (Publisher) |
0:10:00 |
16mm |
Color |
silent |
| 1912 |
A Pueblo Legend |
Biograph Co |
13 min |
16mm |
B&W |
sound |
| 1912 |
A SAILOR'S HEART |
Biograph Co |
|
|
B&W |
|
| 1912 |
A Vitagraph romance |
Museum of Modern Art |
8 |
16mm |
B&W |
silent |
| 1912 |
An Indian Summer |
D. W. Griffith |
17 min |
|
B&W |
|
| 1912 |
Blind Love |
D. W. Griffith |
12:00 |
|
B&W |
|
| 1912 |
Camille |
MGM/UA |
1:09 |
16mm |
B&W |
sound |
| 1912 |
Canned harmony. |
Alice Guy-Blaché |
3:03 |
16mm |
B&W |
|
| 1912 |
Children Who Labor |
Thomas A. Edison |
|
|
B&W |
|
| 1912 |
CUSTER'S LAST FIGHT |
Bison (Firm) |
632 |
16mm |
B&W |
silent |
| 1912 |
Fate's Interception |
Biograph Co |
4:00 |
16mm |
B&W |
sound |
| 1912 |
GERONIMO'S LAST RAID. |
American Film Mfg. Co. |
2 reels |
|
B&W |
|
| 1912 |
Hands Across the Sea |
Girl Scouts of America |
0:18:00 |
16mm |
Color |
sound |
| 1912 |
HEAVEN AVENGES |
D. W. Griffith |
4:00 |
16mm |
|
silent |
| 1912 |
Help! Help! |
Biograph Company. |
192 |
16mm |
B&W |
|
| 1912 |
IT IS NEVER TOO LATE TO MEND. |
Thomas A. Edison Inc. |
2 reels |
|
B&W |
|
| 1912 |
Life Or Death |
Film Communicators |
|
16mm |
B&W |
sound |
| 1912 |
Lincoln's Gettysburg Address |
Art Evans Productions. |
16 |
16mm |
B&W |
sound |
| 1912 |
LULU'S DOCTOR |
The Vitagraph Company of America |
|
16mm |
B&W |
silent |
| 1912 |
Man's genesis |
Blackhawk |
10 |
16mm |
B&W |
silent |
| 1912 |
Max And The Statue |
Max Linder |
10 |
|
|
|
| 1912 |
On The Firing Line |
Courier Productions Inc. |
|
16mm |
B&W |
sound |
| 1912 |
Romance and Reality |
Harry A. Pollard |
12:00 |
|
B&W |
|
| 1912 |
So Near, Yet So Far |
Biograph Co |
17 min |
16mm |
B&W |
sound |
| 1912 |
THE ADVENTURES OF LIEUTENANT PETROSINO. |
Feature Photoplay Co. |
|
|
|
|
| 1912 |
THE AVIATOR'S GENEROSITY |
Urban Gad |
875 |
16mm |
B&W |
silent |
| 1912 |
The baby and the stork |
Museum of Modern Art |
12 |
16mm |
B&W |
silent |
| 1912 |
The Conquest of the Pole |
Georges Méliès |
33 |
|
B&W |
|
| 1912 |
THE COPPER BEECHES. |
Société Française des Films & Cinématographes Éclair |
25 min |
|
B&W |
|
| 1912 |
THE EMPTY WATER KEG. |
Thomas H. Ince |
390 |
16mm |
B&W |
|
| 1912 |
the first violin |
Van Dyke Brooke |
|
|
B&W |
|