| 1978 |
Summer Of My German Soldier |
Highgate Pictures |
|
16mm |
|
sound |
| 1978 |
Summer of my German soldier |
Learning Corporation of America |
97 |
16mm |
Color |
sound |
| 1978 |
Superfine Brush |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
Teach Me To Dance |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1978 |
Teach me to dance |
Films inc. |
28 |
16mm |
Color |
sound |
| 1978 |
Teenage father |
CHILDRENS HOME SOCIETY FOR CALIFORN |
26 |
16mm |
Color |
sound |
| 1978 |
Teenage Father |
Children’s Home Society of California |
25 min |
|
Color |
|
| 1978 |
Teenage Father |
Taylor Hackford |
12:00 |
|
Color |
|
| 1978 |
Thampu |
General Pictures ; directed by Govindan Aravindan. |
130 |
16mm |
B&W |
sound |
| 1978 |
The alternative = |
L'alternative Boyama Film ; directed, Rumen Petkov ; script, Iosif Perets. |
7 |
16mm |
Color |
sound |
| 1978 |
The Ballet Tickets |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Bees |
Alfredo Zacarías |
93 min |
16mm |
Color |
sound |
| 1978 |
The Boys From Brazil |
Twentieth Century-Fox Film Corporation |
2:07:00 |
16mm |
Color |
sound |
| 1978 |
The Broken Clock |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Classified Ad |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Cricket and the spider |
Phoenix Film Productions |
6 |
16mm |
Color |
sound |
| 1978 |
The Dance Studio |
Tony Marshall, Arthur Silver; directed by Ray DeVally, Jr |
30 min |
|
|
sound |
| 1978 |
The Dead Are Not Silent |
German Democratic Republic |
76 min |
16mm |
|
sound |
| 1978 |
The Devil and Daniel Mouse |
Clive A. Smith |
12:00 |
16mm |
|
|
| 1978 |
The Divided Trail - A Native American Odyssey |
Aronson (Jerry) And Goldman (Michael) |
|
16mm |
|
sound |
| 1978 |
The Driver |
Professional Arts Inc |
87 min |
16mm |
Color |
sound |
| 1978 |
The Eyeglass |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Flight of the Gossamer Condor |
Shedd Productions |
27 |
16mm |
Color |
sound |
| 1978 |
The Girl Upstairs |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
THE GREAT BRAIN |
Sidney Levin |
4800 |
16mm |
|
sound |
| 1978 |
The Happy Stevenses |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Informed Patient--Hysterectomy |
Medical Disclosure Systems; directed by Gail Reagan |
20 min |
|
|
sound |
| 1978 |
The Kingfish Buys A Chair |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Kingfish Goes To Work |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Kingfish Sells A Lot |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Last Review |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by James Sheldon] |
30 min |
|
|
sound |
| 1978 |
The Lodge Brothers Complain |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Man Who Made Volcanos |
The Douglas S. Cramer Company; in association with Warner Brothers Television; [producer, Charles B. FitzSimons; directed by Alan Crosland] |
60 min |
|
|
sound |
| 1978 |
The Mind Stealers From Outer Space |
The Douglas S. Cramer Company; in association with Warner Brothers Television; [producer, Charles B. FitzSimons; directed by Michael Caffey] |
60 min |
|
|
sound |
| 1978 |
The Pain Of No Return |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced & directed by Alan Rafkin] |
30 min |
|
|
sound |
| 1978 |
The Piggy Bank |
produced through the facilities of Hal Roach Studios: under the supervision of Sidney VanKeuren: directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Race Horse |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
B&W |
sound |
| 1978 |
The Sand Castle |
Natl Film Board Of Canada |
14 min |
16mm |
Color |
sound |
| 1978 |
The Scenic Route |
FIRST-RUN FEATURES 144 BLEEKER ST NEW YORK NY 10012 |
|
16mm |
Color |
sound |
| 1978 |
The Silent Partner |
Daryl Duke |
12:00 |
|
Color |
|
| 1978 |
The Small One |
Walt Disney Productions. |
26 min |
16mm |
Color |
sound |
| 1978 |
The Summer Of '69 |
written, produced, and directed by Gene R. Kearney |
60 min |
|
|
sound |
| 1978 |
The Talking Parcel |
Thames Television |
40 min |
16mm |
|
sound |
| 1978 |
The Tap dance kid |
Learning Corporation of America |
49 |
16mm |
Color |
sound |
| 1978 |
The Tap Dance Kid |
Barra Grant |
12:00 |
|
|
|
| 1978 |
The Thirty-Nine Steps |
Don Sharp |
102 min |
16mm |
Color |
sound |
| 1978 |
The War Is Over |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1978 |
The Whole Shootin' Match |
First Run / Icarus Films |
109 min |
16mm |
|
sound |
| 1978 |
The whole shootin' match. |
Eagle Pennell |
109 min |
16mm |
|
sound |
| 1978 |
The Winslow Woman |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
B&W |
sound |