| 1942 |
Strictly In The Groove. |
Vernon Keays |
7 reels |
|
B&W |
|
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sunday Punch. |
David Miller |
8 reels |
|
B&W |
sound |
| 1942 |
Sunset On The Desert. |
Joseph Kane |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Sunset Serenade. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Surprised Parties. |
Edward L. Cahn |
995 ft. |
|
B&W |
sound |
| 1942 |
Sweetheart Of The Fleet. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
Symphonies in Stone #7 |
An Inspiration Film Production Directed by Horace Shepherd |
300 ft. |
|
|
|
| 1942 |
Syncopation. |
William Dieterle |
88 min. |
|
B&W |
|
| 1942 |
Taxi, Mister. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
Tenting Tonight On The Old Camp Ground. |
Lewis D. Collins |
6 reels |
|
B&W |
|
| 1942 |
The Avenging Rider. |
Sam Nelson |
56 min. |
|
B&W |
|
| 1942 |
The Battle Of Midway |
John Ford |
18 |
|
Color & B&W |
|
| 1942 |
The Battle of Russia |
FDR Presidential Library |
83 min |
16mm/video file |
B&W |
|
| 1942 |
The Big Shot. |
Lewis Seiler |
82 min. |
|
B&W |
|
| 1942 |
The Big Street. |
Irving Reis |
88 min. |
|
B&W |
|
| 1942 |
The Boss Of Big Town. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
The Cyclone Kid. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
|
| 1942 |
The Farmer's Daughter. |
James P. Hogan |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The farmer's wife. |
Norman Lee |
2:50 |
16mm |
B&W |
sound |
| 1942 |
The Fleet's In. |
Victor Schertzinger |
9 reels |
|
B&W |
|
| 1942 |
The Girl From Alaska. |
Nick Grinde |
8 reels |
|
Color |
|
| 1942 |
The Hungry Wolf. |
Hugh Harman |
844 ft. |
|
|
sound |
| 1942 |
The Impatient Patient. |
Warner Bros. presents ; supervision [direction], Norman McCabe ; produced by Leon Schlesinger ; story by Don Christensen ; animation, Vive Risto. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The lady or the tiger? |
Encyclopaedia Britannica Educational Corp. |
175 |
16mm |
|
sound |
| 1942 |
THE LOAN STRANGER |
Alex Lovy |
|
|
|
|
| 1942 |
The Lone Prairie. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
The Lone Rider And The Bandit. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1942 |
The lone rider in Cheyenne. |
Sam Newfield |
6 reels |
16mm |
|
sound |
| 1942 |
The Lone Rider In Texas Justice. |
Sam Newfield |
6 reels |
|
|
|
| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
|
B&W |
|
| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
|
| 1942 |
The Man In The Trunk. |
Malcolm St. Clair |
6 279 ft. |
|
Color |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Wouldn't Die. |
Herbert I. Leeds |
5 880 ft. |
|
B&W |
|
| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The New Spirit |
Walt Disney Productions. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The Night Before The Divorce. |
Robert Siodmak |
6032 ft. |
|
B&W |
|
| 1942 |
The Old Chisholm Trail. |
Elmer Clifton |
6 reels |
|
B&W |
|
| 1942 |
The Old Homestead. |
Frank McDonald |
7 reels |
|
Color |
|
| 1942 |
The Omaha Trail. |
Edward Buzzell |
3 reels |
|
B&W |
sound |
| 1942 |
The Ox-Bow Incident. |
William A. Wellman, James Tinling |
6776 ft. |
|
B&W |
|
| 1942 |
The Panther's Claw. |
William Beaudine |
8 reels |
16mm |
B&W |
sound |
| 1942 |
The Phantom Plainsmen. |
John English |
6 reels |
|
B&W |
|
| 1942 |
The Pied Piper |
Percy Stow, Irving Pichel |
12:00 |
|
B&W |
|
| 1942 |
The Pied Piper. |
Percy Stow, Irving Pichel |
7 859 ft. |
16mm |
B&W |
sound |
| 1942 |
The Postman Didn't Ring. |
Harold D. Schuster |
6 131 ft. |
16mm |
Color |
sound |
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|