| 1942 |
Man From Cheyenne. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Man From Headquarters. |
Jean Yarbrough |
7 reels |
|
|
|
| 1942 |
Marching the colours |
Guy Glover |
|
|
|
|
| 1942 |
Matri-Phony. |
Harry Edwards |
1 558 ft. |
|
B&W |
|
| 1942 |
Meet The Stewarts. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1942 |
Men Of San Quentin. |
William Beaudine |
8 reels |
|
B&W |
|
| 1942 |
Men Of The Sky. |
B. Reeves Eason |
20 min. |
|
B&W |
sound |
| 1942 |
Menace Of The Rising Sun. |
Thomas Mead, Joseph O'Brien |
2 reels |
|
|
|
| 1942 |
Mexican Spitfire At Sea. |
Leslie Goodwins |
73 min. |
|
B&W |
|
| 1942 |
Mexican Spitfire Sees A Ghost. |
Leslie Goodwins |
70 min. |
|
B&W |
|
| 1942 |
Mexican Spitfire's Elephant. |
Leslie Goodwins |
64 min. |
|
B&W |
|
| 1942 |
Mighty Lak A Goat. |
Bert Glazer |
888 ft. |
16mm |
B&W |
sound |
| 1942 |
MISS V. FROM MOSCOW. |
producers-releasing-corp |
7 reels |
|
B&W |
|
| 1942 |
Mississippi Gambler. |
John Rawlins |
7 reels |
|
B&W |
|
| 1942 |
Moresby under the blitz |
Ken G. Hall |
|
|
|
|
| 1942 |
Morning paper |
Donald Carter |
|
|
|
|
| 1942 |
MOSCOW STRIKES BACK. |
Central Studios Artkino |
1950 |
16mm |
B&W |
sound |
| 1942 |
Mr. And Mrs. North. |
John W. Loveton. |
30 min. |
16mm |
B&W |
sound |
| 1942 |
MR. BLABBERMOUTH! |
Teaching Film Custodians, Inc |
2 reels |
16mm |
B&W |
Sound |
| 1942 |
MR. WISE GUY. |
William Nigh |
7 reels |
|
B&W |
|
| 1942 |
MRS. MINIVER. |
William Wyler |
14 reels |
|
B&W |
sound |
| 1942 |
MRS. WIGGS OF THE CABBAGE PATCH. |
Ralph Murphy |
9 reels |
|
B&W |
|
| 1942 |
Mug Town. |
Ray Taylor |
6 reels |
|
B&W |
|
| 1942 |
My Favorite Spy. |
Tay Garnett |
86 min. |
|
B&W |
|
| 1942 |
My Sister Eileen |
Contemporary Films |
96 min |
16mm |
B&W |
sound |
| 1942 |
My Sister Eileen. |
Alexander Hall |
10 reels |
|
B&W |
|
| 1942 |
Native land |
Museum of Modern Art |
88 |
16mm |
B&W |
sound |
| 1942 |
Native Land. |
Paul Strand, Leo Hurwitz |
105 min |
|
B&W |
|
| 1942 |
Nazty Nuisance. |
Glenn Tryon |
5 reels |
|
B&W |
|
| 1942 |
Night Monster. |
Ford Beebe |
7 reels |
|
B&W |
|
| 1942 |
North Of The Rockies. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1942 |
North to the klondike. |
Universal Pictures |
1900 |
16mm |
B&W |
sound |
| 1942 |
Not A Ladies' Man. |
Lew Landers |
6 reels |
|
B&W |
|
| 1942 |
Now, voyager |
Irving Rapper |
117 min |
|
B&W |
|
| 1942 |
Once Upon A Honeymoon |
Fairbanks (Jerry) Productions |
117 min |
16mm |
B&W |
sound |
| 1942 |
Ossessione |
Produced by Libero Solari ; directed by Luchino Visconti. |
141 |
16mm |
B&W |
sound |
| 1942 |
Out of the frying pan into the firing line |
a Walt Disney production | Conservation Division |
0:04:00 |
16mm |
Color |
sound |
| 1942 |
Outlaws Of Pine Ridge. |
William Witney |
6 reels |
|
Color |
|
| 1942 |
Over My Dead Body. |
Malcolm St. Clair |
6 100 ft. |
|
B&W |
|
| 1942 |
Overland To Deadwood. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
Pacific Rendezvous. |
George Sidney |
7 reels |
|
B&W |
sound |
| 1942 |
Pardon My Gun. |
William Berke |
6 reels |
|
|
|
| 1942 |
Pardon My Stripes. |
John H. Auer |
7 reels |
|
Color |
|
| 1942 |
Perils Of The Royal Mounted. |
James W. Horne |
2 reels |
|
B&W |
|
| 1942 |
Phantom Killer. |
William Beaudine |
6 reels |
16mm |
B&W |
sound |
| 1942 |
PHONEY CRONIES |
Harry Edwards |
|
16mm |
B&W |
|
| 1942 |
POLICE BULLETS. |
Jean Yarbrough |
5100 |
16mm |
|
|
| 1942 |
Prairie Chickens. |
Hal Roach, Jr. |
5 reels |
|
B&W |
|
| 1942 |
Prairie Gunsmoke. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1942 |
Prairie pals. |
Sam Newfield |
|
16mm |
B&W |
sound |