| 1942 |
Canal Zone. |
Lew Landers |
8 reels |
|
B&W |
|
| 1942 |
Captain Midnight. |
James W. Horne |
2 reels |
|
B&W |
|
| 1942 |
Casablanca |
Films Inc. Warner Bros. Pictures Inc. (Publisher) |
102 min 102 1:42:00 |
16mm |
B&W |
sound |
| 1942 |
Casablanca |
Michael Curtiz |
102 min |
|
B&W |
|
| 1942 |
Cheyenne Roundup. |
Ray Taylor |
6 reels |
|
B&W |
|
| 1942 |
Clay in action |
Vanguard Productions ; [directed by] John Ott, Jr. |
12 |
16mm |
B&W |
sound |
| 1942 |
Come On Danger. |
Edward Killy |
58 min. |
|
B&W |
|
| 1942 |
Danger in the Pacific. |
Universal Pictures |
1600 |
16mm |
B&W |
sound |
| 1942 |
Deep In The Heart Of Texas. |
Minoco Productions |
1 reel |
16mm |
B&W |
sound |
| 1942 |
DER ABWEHRKAMPF IM WINTER |
Berlin |
576 |
16mm |
B&W |
sound |
| 1942 |
DER FÜHRER UND SEIN VOLK |
Degeto-Schmalfilm Schrank |
4:00 |
16mm |
|
sound |
| 1942 |
DESERT VICTORY |
Roy Boulting, David MacDonald |
62 min |
16mm |
B&W |
|
| 1942 |
DESERT VICTORY |
Roy Boulting, David MacDonald |
62 min |
16mm |
B&W |
|
| 1942 |
Destination Unknown. |
Ray Taylor |
7 reels |
|
B&W |
|
| 1942 |
DIE ENTLASSUNG |
Tobis Filmkunst GmbH |
107 min |
16mm |
B&W |
sound |
| 1942 |
Dixie Dugan. |
Otto Brower |
5 997 ft. |
|
B&W |
|
| 1942 |
Doin' Their Bit. |
Bert Glazer |
999 ft. |
|
B&W |
sound |
| 1942 |
Don't Lie. |
Edward L. Cahn |
985 ft. |
16mm |
B&W |
sound |
| 1942 |
Down Rio Grande Way. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
Down Texas Way. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
DR. BROADWAY. |
Paramount Pictures Inc. |
7 reels |
|
B&W |
|
| 1942 |
Drums Of The Congo. |
Christy Cabanne |
7 reels |
|
B&W |
|
| 1942 |
Dudes are Pretty People |
BLACK |
55 min. |
16mm |
B&W |
sound |
| 1942 |
Dudes Are Pretty People. |
Hal Roach, Jr. |
5 reels |
|
B&W |
|
| 1942 |
Duke Of The Navy. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
El Gaucho Goofy |
Jack Kinney |
8 min |
|
|
|
| 1942 |
En Passant |
New York |
1 min |
16mm |
|
sound |
| 1942 |
Enemy Agents Meet Ellery Queen. |
James P. Hogan |
8 reels |
|
B&W |
|
| 1942 |
Escape From Crime. |
D. Ross Lederman |
51 min. |
|
B&W |
|
| 1942 |
Fighting Frontier. |
Lambert Hillyer |
57 min. |
|
B&W |
|
| 1942 |
Fly-By-Night. |
Robert Siodmak |
8 reels |
|
B&W |
|
| 1942 |
Flying With Music. |
George Archainbaud |
5 reels |
|
B&W |
|
| 1942 |
Food—Weapon Of Conquest. |
Stuart Legg |
2 reels |
|
B&W |
|
| 1942 |
For children only |
John Eldridge |
|
|
|
|
| 1942 |
Forbidden Trails. |
Robert N. Bradbury |
6 reels |
|
B&W |
|
| 1942 |
Foreign Agent. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
Frisco Lil. |
Erle C. Kenton |
6 reels |
|
B&W |
|
| 1942 |
Gallant Lady. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
Ghost Town Law. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
Girls' Town. |
Victor Hugo Halperin |
7 reels |
|
|
|
| 1942 |
Give Out, Sisters. |
Edward F. Cline |
8 reels |
16mm |
B&W |
sound |
| 1942 |
GOVERNMENT FILMS |
aerial navigation; utilization of weather reports, radio compasses, directional an- (OE tenna, and automatic compass. (TF l- 327; 30 minutes) 2, 41 7 Radio Antennas: Creation and Be- 1943. havior of Radio Waves Series) U.S. Department of the Air Force |
|
16mm |
|
|
| 1942 |
Heart Of The Golden West. |
Joseph Kane |
7 reels |
|
B&W |
|
| 1942 |
Hello, Annapolis. |
Lew Landers |
6 reels |
|
B&W |
|
| 1942 |
Hen Hop |
NFBC |
5 min |
16mm |
Color |
sound |
| 1942 |
Hen hop |
Norman McLaren |
4 min |
|
|
|
| 1942 |
Henry Aldrich, Editor. |
Paramount |
8 reels |
|
B&W |
Sound |
| 1942 |
Henry And Dizzy. |
Hugh Bennett |
7 reels |
|
B&W |
|
| 1942 |
Henry Browne, Farmer |
U.S. Department of Agriculture |
10 min |
16mm |
B&W |
sound |
| 1942 |
Here Comes The Circus |
?pathe |
11 |
16mm |
B&W |
sound |