| 1943 |
Yankee Doodle Dandy. |
Michael Curtiz |
126 min |
|
B&W |
|
| 1943 |
You Can't Beat The Law. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1942 |
A - Haunting We Will Go |
Twentieth Century-Fox Film Corp |
2600 |
16mm |
B&W |
sound |
| 1942 |
A Close Call For Ellery Queen. |
James P. Hogan |
7 reels |
16mm |
B&W |
sound |
| 1942 |
A Desperate Chance For Ellery Queen. |
James P. Hogan |
7 reels |
|
B&W |
|
| 1942 |
A letter from Bataan |
Inc.: Publisher | United States Office of War Information: Publisher |
0:14:00 |
16mm |
B&W |
sound |
| 1942 |
A Letter From Bataan. |
Coronet Films |
14 min. |
16mm |
color |
sound |
| 1942 |
A Man's World. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
A Night For Crime. |
Alexis Thurn-Taxis |
8 reels |
|
B&W |
|
| 1942 |
A Ship is born |
Jean Negulesco |
22 min |
|
Color |
|
| 1942 |
A Tornado In The Saddle. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
A Tragedy At Midnight. |
Joseph Santley |
8 reels |
|
Color |
|
| 1942 |
A Yank At Eton. |
Norman Taurog |
9 reels |
|
B&W |
sound |
| 1942 |
A Yank On The Burma Road. |
George B. Seitz |
7 reels |
|
B&W |
sound |
| 1942 |
About Face. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
All Together |
Navy |
3 min |
16mm |
Color |
sound |
| 1942 |
Almost Married. |
Charles Lamont |
7 reels |
|
B&W |
|
| 1942 |
Along the Sundown Trail. |
Sam Newfield |
|
16mm |
B&W |
sound |
| 1942 |
ANY BONDS TODAY? |
Minoco Productions |
1:00 |
16mm |
|
sound |
| 1942 |
Arizona Terrors. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Atlantic Convoy. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Baby Face Morgan. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
Bad Men Of The Hills. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
Bambi |
James Algar, David Hand, Bill Roberts, Graham Heid, Samuel Armstrong, Norman Wright, Paul Satterfield |
69 min |
|
Color |
|
| 1942 |
Bandit Ranger. |
Lesley Selander |
56 min. |
|
B&W |
|
| 1942 |
Bats In The Belfry. |
Jerry Brewer |
639 ft. |
|
|
sound |
| 1942 |
Below The Border. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
BENGASI. |
Istituto Luce |
495 |
16mm |
B&W |
sound |
| 1942 |
Benjamin Franklin, Jr. |
Bert Glazer |
4:00 |
16mm |
B&W |
sound |
| 1942 |
Berlin Correspondent. |
Eugene Forde |
6 380 ft. |
|
B&W |
|
| 1942 |
Between Us Girls. |
Henry Koster |
9 reels |
|
B&W |
|
| 1942 |
Billy The Kid's Smoking Guns. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1942 |
Blondie For Victory. |
Frank R. Strayer |
8 reels |
|
B&W |
|
| 1942 |
Blondie's Blessed Event. |
Frank R. Strayer |
8 reels |
|
B&W |
|
| 1942 |
Blues In The Night. |
Minoco Productions |
1 reel |
16mm |
B&W |
sound |
| 1942 |
BORROWED HERO. |
Lewis D. Collins |
4:00 |
16mm |
B&W |
|
| 1942 |
Borrowed Hero. |
Lewis D. Collins |
7 reels |
|
B&W |
|
| 1942 |
Boss Of Hangtown Mesa. |
Joseph H. Lewis |
6 reels |
|
B&W |
|
| 1942 |
Broadway Big Shot. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
Builders,. |
Pat Jackson |
|
16mm |
B&W |
sound |
| 1942 |
Bullet Scars. |
D. Ross Lederman |
59 min. |
|
B&W |
|
| 1942 |
Bullets For Bandits. |
Wallace Fox |
6 reels |
|
B&W |
|
| 1942 |
Butch Minds the Baby |
Albert S. Rogell |
12:00 |
|
B&W |
|
| 1942 |
Butch minds the baby |
Albert S. Rogell |
75 min |
|
B&W |
|
| 1942 |
Butch minds the baby |
Albert S. Rogell |
75 min |
|
B&W |
|
| 1942 |
Cactus Makes Perfect. |
Del Lord |
1 572 ft. |
|
B&W |
|
| 1942 |
Cadets On Parade. |
Columbia Pictures. |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Calaboose. |
Hal Roach, Jr. |
5 reels |
|
B&W |
|
| 1942 |
Call Of The Canyon. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Canal Zone. |
Lew Landers |
8 reels |
|
B&W |
|