| 1946 |
Blonde for a day. |
Sam Newfield |
2260 |
16mm |
B&W |
sound |
| 1946 |
Blondie Knows Best. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
Blondie's Lucky Day. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
Border Bandits. |
Lambert Hillyer |
58 min |
16mm |
Color & B&W |
sound |
| 1946 |
Boys' Ranch. |
Roy Rowland |
10 reels |
|
B&W |
sound |
| 1946 |
Breakfast in Hollywood. |
Harold D. Schuster |
|
16mm |
B&W |
sound |
| 1946 |
Breakfast In Hollywood. |
Harold D. Schuster |
91 min. |
|
B&W |
|
| 1946 |
Brief Encounter. |
David Lean |
9 reels |
35mm |
B&W |
sound |
| 1946 |
Bringing Up Father. |
Edward F. Cline |
8 reels |
35mm |
|
sound |
| 1946 |
Brotherhood of Man |
United Productions of America; AFL-CIO. |
10 |
16mm |
Color |
sound |
| 1946 |
Buffalo Bill Rides Again. |
Bernard B. Ray |
70 min. |
35mm |
B&W |
sound |
| 1946 |
Burma victory |
Roy Boulting |
61 min |
|
|
|
| 1946 |
Bush Pilot. |
Sterling Campbell |
58 min |
|
B&W |
|
| 1946 |
Cadet Rousselle |
International Film Bureau |
7 |
16mm |
Color |
sound |
| 1946 |
California Gold Rush |
R. G. Springsteen |
12:00 |
|
Color |
|
| 1946 |
California Gold Rush. |
R. G. Springsteen |
6 reels |
|
Color |
|
| 1946 |
Claudia And David. |
Walter Lang |
7 025 ft. |
35mm |
B&W |
sound |
| 1946 |
Cloak and dagger. |
Fritz Lang |
3800 |
16mm |
B&W |
sound |
| 1946 |
Cluny Brown |
Ernst Lubitsch |
1:00 |
|
B&W |
|
| 1946 |
Cluny Brown. |
Ernst Lubitsch |
9100 ft. |
35mm |
B&W |
sound |
| 1946 |
Colorado Serenade. |
Robert Emmett Tansey |
7 reels |
16mm |
|
sound |
| 1946 |
Conquest Of Cheyenne. |
R. G. Springsteen |
6 reels |
35mm |
B&W |
sound |
| 1946 |
Craftsmen At Work |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1946 |
CRIME DOCTOR'S MAN HUNT. |
William Castle |
61 min |
16mm |
B&W |
|
| 1946 |
Crime Of The Century. |
Philip Ford |
6 reels |
35mm |
B&W |
sound |
| 1946 |
Cuban Pete. |
Jean Yarbrough |
6 reels |
35mm |
B&W |
sound |
| 1946 |
Danger Woman. |
Lewis D. Collins |
60 min. |
35mm |
B&W |
sound |
| 1946 |
Dangerous Business. |
D. Ross Lederman |
6 reels |
|
B&W |
|
| 1946 |
Danny Boy. |
Terry O. Morse |
7 reels |
35mm |
B&W |
sound |
| 1946 |
Days Of Buffalo Bill. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
Deadline For Murder. |
James Tinling |
5 882 ft. |
35mm |
B&W |
sound |
| 1946 |
Death mills |
Museum of Modern Art |
21 |
16mm |
B&W |
sound |
| 1946 |
DETOUR |
R C M Productions |
67 min |
16mm |
B&W |
sound |
| 1946 |
Detour. |
Edgar G. Ulmer |
1 reel |
16mm |
B&W |
sound |
| 1946 |
Dizziness |
Professional Research Inc / Altschul Group |
82 min |
16mm |
B&W |
sound |
| 1946 |
Don Ricardo Returns. |
Terry O. Morse |
7 reels |
35mm |
B&W |
sound |
| 1946 |
Don't Gamble With Strangers. |
William Beaudine |
7 reels |
35mm |
B&W |
sound |
| 1946 |
Down Missouri Way |
unknown |
|
16mm |
B&W |
sound |
| 1946 |
Down Missouri Way. |
Josef Berne |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Drifting Along. |
Derwin Abrahams |
7 reels |
|
|
|
| 1946 |
Earl Carroll Sketchbook. |
Albert S. Rogell |
90 min. |
35mm |
Color & B&W |
sound |
| 1946 |
El Ahijado De La Muerte. |
Importadora Inc. |
78 min. |
35mm |
B&W |
sound |
| 1946 |
Fenlands |
ENGLAND Greenpark Productions |
|
16mm |
B&W |
sound |
| 1946 |
Flight to nowhere. |
Golden Gate Pictures Inc. |
8 reels |
16mm |
B&W |
sound |
| 1946 |
Fool’s Gold. |
Hopalong Cassidy Productions Inc. |
3 reels |
16mm |
B&W |
sound |
| 1946 |
G. I. WAR BRIDES. |
George Blair |
8 reels |
35mm |
Color |
sound |
| 1946 |
Gallant Bess |
Andrew Marton |
|
|
|
|
| 1946 |
Galloping Thunder. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1946 |
Gas house kids. |
Sam Newfield |
71 min |
16mm |
B&W |
sound |