| 1947 |
Two Blondes And A Redhead. |
Arthur Dreifuss |
70 min. |
35mm |
B&W |
sound |
| 1947 |
Unconquered |
Florida Dept Of Commerce Film Library |
147 min |
16mm |
Color |
sound |
| 1947 |
Unconquered |
Cecil B. DeMille |
12:00 |
|
Color |
|
| 1947 |
Unconquered. |
Paramount Pictures Inc. |
147 min |
35mm |
Color |
sound |
| 1947 |
Under Colorado Skies. |
R. G. Springsteen |
65 min. |
35mm |
Color |
sound |
| 1947 |
Under The Tonto Rim. |
Lew Landers |
61 min. |
35mm |
B&W |
sound |
| 1947 |
Vacation Days. |
Arthur Dreifuss |
7 reels |
35mm |
B&W |
sound |
| 1947 |
Valley Of Fear. |
Lambert Hillyer |
54 min. |
35mm |
B&W |
sound |
| 1947 |
Vigilantes Of Boomtown. |
R. G. Springsteen |
56 min. |
35mm |
B&W |
sound |
| 1947 |
Voyage-Surprise |
Coop_rative G_n_rale du Cinema | Synops |
1:25:00 |
16mm |
B&W |
sound |
| 1947 |
Web Of Danger. |
Philip Ford |
58 min. |
35mm |
B&W |
sound |
| 1947 |
Wedlock Deadlock. |
Edward Bernds |
2 reels |
35mm |
B&W |
sound |
| 1947 |
West Of Dodge City. |
Ray Nazarro |
57 min. |
35mm |
B&W |
sound |
| 1947 |
West To Glory. |
Ray Taylor |
61 min. |
35mm |
B&W |
sound |
| 1947 |
When A Girl's Beautiful. |
Frank McDonald |
68 min. |
35mm |
B&W |
sound |
| 1947 |
Where There's Life. |
Sidney Lanfield |
75 min. |
35mm |
B&W |
sound |
| 1947 |
Whispering City |
Fedor Ozep |
98 |
|
B&W |
|
| 1947 |
Wild Country. |
Ray Taylor |
57 min. |
35mm |
B&W |
sound |
| 1947 |
Wild Harvest. |
Tay Garnett |
92 min. |
35mm |
B&W |
sound |
| 1947 |
Wild Horse Mesa. |
Wallace Grissell |
65 min. |
35mm |
B&W |
sound |
| 1947 |
Women In The Night. |
William Rowland |
90 min. |
35mm |
B&W |
sound |
| 1947 |
Yankee Fakir. |
W. Lee Wilder |
71 min. |
35mm |
B&W |
sound |
| 1946 |
'Neath Canadian Skies. |
B. Reeves Eason |
5 reels |
35mm |
B&W |
sound |
| 1946 |
[Tomorrow is forever--excerpts] |
International Pictures, Inc. ; directed by Irving Pichel. |
10 |
16mm |
B&W |
sound |
| 1946 |
A City speaks |
Paul Rotha |
|
|
|
|
| 1946 |
A Girl In A Million. |
London Film Productions Inc. |
86 min. |
35mm |
B&W |
sound |
| 1946 |
A Study In Choreography For Camera |
Grove Press-Cinema 16 Film Lib |
3 min |
16mm |
B&W |
sound |
| 1946 |
A Study in choreography for camera |
Maya Deren |
3 min |
|
B&W |
|
| 1946 |
Abc Of Hand Tools |
Disney |
|
16mm |
|
sound |
| 1946 |
ABC of Hand Tools |
Bill Roberts |
|
16mm |
|
|
| 1946 |
ABC of Hand Tools |
Disney |
1188 ft. #33 |
|
|
|
| 1946 |
Affairs Of Geraldine. |
George Blair |
8 reels |
35mm |
Color |
sound |
| 1946 |
Alias Billy The Kid. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
ALIAS MR. TWILIGHT. |
John Sturges |
69 min. |
35mm |
B&W |
sound |
| 1946 |
Along The Navajo Trail. |
Frank McDonald |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Ambush Trail. |
Harry L. Fraser |
6 reels |
|
B&W |
|
| 1946 |
Angel on my Shoulder |
Archie Mayo |
100 min |
16mm |
B&W |
|
| 1946 |
Beale Street Mama. |
Spencer Williams |
2188 |
16mm |
B&W |
sound |
| 1946 |
Beauty And The Bandit. |
William Nigh |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Betty Co-Ed. |
Arthur Dreifuss |
7 reels |
35mm |
B&W |
sound |
| 1946 |
Blonde Alibi. |
Will Jason |
7 reels |
|
B&W |
|
| 1946 |
Blonde for a day. |
Sam Newfield |
2260 |
16mm |
B&W |
sound |
| 1946 |
Blondie Knows Best. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
Blondie's Lucky Day. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
Border Bandits. |
Lambert Hillyer |
58 min |
16mm |
Color & B&W |
sound |
| 1946 |
Boys' Ranch. |
Roy Rowland |
10 reels |
|
B&W |
sound |
| 1946 |
Breakfast in Hollywood. |
Harold D. Schuster |
|
16mm |
B&W |
sound |
| 1946 |
Breakfast In Hollywood. |
Harold D. Schuster |
91 min. |
|
B&W |
|
| 1946 |
Brief Encounter. |
David Lean |
9 reels |
35mm |
B&W |
sound |