| 1984 |
Lulu in Berlin |
Kino International Corp. |
50 |
16mm |
Color |
sound |
| 1984 |
More Bloody Meetings |
Indiana University Audio-Visual Center | Video Arts Inc. | Video Arts |
0:28:00 |
16mm |
Color |
sound |
| 1984 |
My Urban Garden |
NFBC |
|
16mm |
|
sound |
| 1984 |
Nineteen Eighty Four |
unknown |
113 min |
16mm |
Color |
sound |
| 1984 |
Partners |
MORSE ALLEN INC |
12 |
16mm |
Color |
|
| 1984 |
Peter And The Magic Egg |
Perspective Films/Esquire/Simon & Schuster |
|
16mm |
Color |
sound |
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Quilombo |
New Yorker |
114 mi |
16mm |
Color |
sound |
| 1984 |
Remembering life |
Varied Directions |
58 |
16mm |
Color |
sound |
| 1984 |
Sequence And Story |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
Sequence and Story |
Don White |
|
|
|
|
| 1984 |
Six Characters In Search Of An Author |
Films for the Humanities (Firm) |
|
16mm |
|
sound |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Stone Carvers |
direct |
29 min. |
16mm |
Color |
sound |
| 1984 |
Streetwise |
Angelika Films |
92 |
16mm |
Color |
sound |
| 1984 |
Thanks For The Memory |
Seven Dimension Films Of Australia |
|
16mm |
|
sound |
| 1984 |
The Arrest |
Atef El Tayeb |
|
|
|
|
| 1984 |
The Children of Soong Ching Ling |
Gary Bush |
12:00 |
|
|
|
| 1984 |
The Deadly Game Of Nations |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
The Joy That Kills |
Chopin Kate 1851-1904. Story of an hour |
|
16mm |
|
sound |
| 1984 |
The Joy that kills |
Films for the Humanities |
56 |
16mm |
Color |
sound |
| 1984 |
The Man Who Loved Machines |
Bullfrog Films Inc |
|
16mm |
|
sound |
| 1984 |
The Masculine Mystique |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1984 |
The Painted Door |
Atlantis Films. |
24 min |
16mm/video file |
Color |
|
| 1984 |
The Point |
direction, David Ehrlich. |
3 |
16mm |
Color |
sound |
| 1984 |
The Statue of Liberty |
Direct Cinema |
58 |
16mm |
Color |
sound |
| 1984 |
The Stone carvers |
Direct Cinema Ltd. |
29 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
Tortured dust |
direction, Stan Brakhage. |
23 |
16mm |
Color |
silent |
| 1984 |
Why Mosquitoes Buzz in People's Ears |
Weston Woods |
|
16mm |
|
sound |
| 1984 |
Why Mosquitoes Buzz in People's Ears |
Weston |
10 min. |
16mm |
Color |
sound |
| 1984 |
Your Money Or Your Life |
New York |
94 min |
(14 min.) (14 min.) 3/4 in. |
|
sound |
| 1983 |
A Christmas Story |
Bob Clark |
93 min |
|
Color |
|
| 1983 |
A Shocking Accident |
Direct Cinema Ltd. |
25 min |
16mm |
Color |
sound |
| 1983 |
A Time To Die |
New York |
91 min |
16mm |
|
sound |
| 1983 |
About tap |
Direct Cinema |
28 |
16mm |
Color |
sound |
| 1983 |
Air At Work |
Video Arts Inc |
|
16mm |
|
sound |
| 1983 |
Amazing Ants |
Coronet |
11 |
16mm |
Color |
sound |
| 1983 |
Atomic artist |
Icarus |
29 |
16mm |
Color |
sound |
| 1983 |
Ballet Robotique |
Pyramid Films |
8 min |
16mm |
Color |
sound |
| 1983 |
Ballet robotique |
PYRAMID FILM AND VIDEO |
3 |
16mm |
Color |
sound |
| 1983 |
Best of all a dancer |
DIRECT CINEMA LTD |
11 |
16mm |
|
|
| 1983 |
Biquefarre |
New Yorker Films |
90 |
16mm |
Color |
sound |
| 1983 |
Born in flames |
FIRST RUN FEATURES |
90 |
16mm |
Color |
sound |
| 1983 |
Boys and Girls |
Atlantis Films. |
936 ft. |
|
Color |
|
| 1983 |
Burt Dow: Deep Water Man |
Weston Woods |
10 min. |
16mm |
Color |
sound |
| 1983 |
Cambium / |
a film by Michael Emery. |
3 |
16mm |
B&W |
sound |
| 1983 |
Captive Minds: Hypnosis and Beyond |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1983 |
Classic creatures: return of the Jedi |
Films inc. |
:48 |
16mm |
Color |
sound |
| 1983 |
Daisy: The Story of a Facelift |
National Film Board of Canada. |
|
16mm |
|
sound |