| 1948 |
Whirlwind Raiders. |
Vernon Keays |
6 reels |
35mm |
B&W |
sound |
| 1948 |
Who Killed Doc Robbin. |
Bernard Carr |
50 min. |
35mm |
Color |
sound |
| 1948 |
Who Will Teach Your Child |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1948 |
Who Will Teach Your Child? |
National Film Board of Canada |
33 |
16mm |
B&W |
sound |
| 1948 |
Why Won't Tommy Eat |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1948 |
Will It Happen Again. |
Dwain Esper |
7 reels |
35mm |
B&W |
sound |
| 1948 |
Winter Meeting. |
Bretaigne Windust |
104 min |
35mm |
B&W |
sound |
| 1947 |
[Animal farm--excerpt] |
produced and directed by John Halas and Joy Batchelor. |
|
16mm |
Color |
sound |
| 1947 |
[California |
film |
97 min |
[California |
Color |
|
| 1947 |
A Cage Of Nightingales. |
Jean Dréville |
9 reels |
35mm |
B&W |
sound |
| 1947 |
A Night At The Follies. |
Excelsior Pictures |
5 reels |
35mm |
B&W |
sound |
| 1947 |
A Tale in a teacup |
Ralph Keene |
|
|
|
|
| 1947 |
Alisher Navoi. |
Tashkent Studio |
3450 |
16mm |
B&W |
sound |
| 1947 |
All Gummed Up. |
Jules White |
18 min. |
35mm |
B&W |
sound |
| 1947 |
Along the Oregon trail |
Republic Pictures Corp |
64 min. |
16mm |
Color |
sound |
| 1947 |
Australian diary. No. 001 |
Jack S. Allan |
|
|
|
|
| 1947 |
Australian diary. No. 003 |
Jack S. Allan |
|
|
|
|
| 1947 |
Australian diary. No. 004 |
Jack S. Allan |
|
|
|
|
| 1947 |
Australian diary. No. 006 |
Jack S. Allan |
|
|
|
|
| 1947 |
Australian diary. No. 012 |
Jack S. Allan |
|
|
|
|
| 1947 |
Beat The Band. |
John H. Auer |
67 min. |
35mm |
B&W |
sound |
| 1947 |
Bee-keeping on the move |
Shan Benson |
|
|
|
|
| 1947 |
Bel Ami. |
Antonio Momplet |
10 reels |
35mm |
B&W |
sound |
| 1947 |
Bells Of San Angelo. |
William Witney |
71 min. |
35mm |
Color |
sound |
| 1947 |
Bells Of San Fernando. |
Terry O. Morse |
74 min. |
35mm |
B&W |
sound |
| 1947 |
Big House Blues. |
Howard Swift |
1 reel |
35mm |
Color |
sound |
| 1947 |
Big Town After Dark. |
William C. Thomas |
70 min. |
35mm |
B&W |
sound |
| 1947 |
Black Hills. |
Ray Taylor |
59 min. |
35mm |
B&W |
sound |
| 1947 |
Black Narcissus |
Emeric Pressburger, Michael Powell |
1:01 |
16mm |
Color |
|
| 1947 |
Blonde Savage. |
Steve Sekely |
62 min. |
35mm |
B&W |
sound |
| 1947 |
Blondie In The Dough. |
Abby Berlin |
69 min. |
35mm |
B&W |
sound |
| 1947 |
Blondie's Anniversary. |
Abby Berlin |
7 reels |
35mm |
B&W |
sound |
| 1947 |
Blondie's Big Moment. |
Abby Berlin |
63 min. |
35mm |
B&W |
sound |
| 1947 |
Born To Speed |
Official Films |
|
|
B&W |
|
| 1947 |
Born To Speed. |
Edward L. Cahn |
61 min. |
35mm |
B&W |
sound |
| 1947 |
Bowery Buckaroos. |
William Beaudine |
66 min. |
35mm |
B&W |
sound |
| 1947 |
Brideless Groom. |
Edward Bernds |
17 min. |
35mm |
B&W |
sound |
| 1947 |
Brute Force. |
Jules Dassin |
98 min. |
35mm |
B&W |
sound |
| 1947 |
Buckaroo From Powder River. |
Ray Nazarro |
55 min. |
35mm |
B&W |
sound |
| 1947 |
Bulldog Drummond Strikes Back. |
Frank McDonald |
7 reels |
35mm |
B&W |
sound |
| 1947 |
Bush Christmas. |
Ralph Smart |
8 reels |
35mm |
B&W |
sound |
| 1947 |
Canada's tackle busters |
Associated Screen Studios, Montreal ; directed by Earl Clark ; scenario, Jack Selinger. |
21 |
16mm |
Color |
sound |
| 1947 |
Carnegie Hall. |
Edgar G. Ulmer |
135 min |
35mm |
B&W |
sound |
| 1947 |
Cheyenne Takes Over. |
Ray Taylor |
58 min. |
35mm |
B&W |
sound |
| 1947 |
Children Growing Up with Other People |
Margaret Thomson |
|
16mm |
|
Sound |
| 1947 |
Children of the Musgraves |
Edmee Campbell-Dobbie |
|
|
|
|
| 1947 |
Children of the ruins |
Jill Craigie |
|
|
|
|
| 1947 |
Cigarette Girl. |
Gunther von Fritsch |
67 min. |
35mm |
B&W |
sound |
| 1947 |
Code Of The Saddle. |
Thomas Carr |
53 min. |
35mm |
B&W |
sound |
| 1947 |
Code of the West |
Castle Films |
|
|
B&W |
|