| 1948 |
Angels alley |
Monogram |
67 min. |
16mm |
B&W |
sound |
| 1948 |
Appointment with Murder. |
Jack Bernhard |
67 min. |
16mm |
B&W |
sound |
| 1948 |
April Showers. |
James V. Kern |
94 min. |
35mm |
B&W |
sound |
| 1948 |
Assigned To Danger. |
Budd Boetticher |
66 min. |
35mm |
B&W |
sound |
| 1948 |
Atomisation |
Bill Mason |
|
|
|
|
| 1948 |
Australian diary. No. 009 |
Jack S. Allan |
|
|
|
|
| 1948 |
Australian diary. No. 017 |
Jack S. Allan |
|
|
|
|
| 1948 |
Australian diary. No. 018 |
Jack S. Allan |
|
|
|
|
| 1948 |
Back trail |
Christy Cabanne |
54 min. |
16mm |
B&W |
sound |
| 1948 |
Bad Men Of Tombstone. |
Kurt Neumann |
75 min. |
35mm |
B&W |
sound |
| 1948 |
Bandits Of Dark Canyon. |
Philip Ford |
59 min. |
35mm |
B&W |
sound |
| 1948 |
Beginners please |
Donald Carter |
|
|
|
|
| 1948 |
Beginners please |
Donald Carter |
|
|
|
|
| 1948 |
Behind Locked Doors. |
Budd Boetticher |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Bicycle Thieves |
Vittorio De Sica |
89 |
|
B&W |
|
| 1948 |
Bill And Coo. |
Dean Riesner |
61 min. |
35mm |
Color |
sound |
| 1948 |
Black Bart. |
George Sherman |
80 min. |
35mm |
Color |
sound |
| 1948 |
Black Eagle. |
/ Robert Cohn production; screenplay, Edward Huebsch, Hall Smith; adaptation, Edward Huebsch; based on the O. Henry story, "The Passing of Black Eagle" ; directed by Robert Gordon. |
8 reels |
35mm |
B&W |
sound |
| 1948 |
Blanche Fury. |
Marc Allégret |
93 min. |
35mm |
Color |
sound |
| 1948 |
Blazing Across The Pecos. |
Ray Nazarro |
6 reels |
35mm |
B&W |
sound |
| 1948 |
Blondie's Reward. |
Abby Berlin |
7 reels |
35mm |
B&W |
sound |
| 1948 |
Blondie's Secret. |
Edward Bernds |
68 min. |
35mm |
B&W |
sound |
| 1948 |
Borrowed Trouble. |
George Archainbaud |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Brick Bradford. |
Spencer Gordon Bennet, Thomas Carr |
2 reels |
35mm |
B&W |
sound |
| 1948 |
Caged Fury. |
William Berke |
61 min. |
35mm |
B&W |
sound |
| 1948 |
California firebrand. |
Philip Ford |
63 min. |
16mm |
Color |
sound |
| 1948 |
California's Golden Beginning |
Palmer (W.A.) Films |
|
16mm |
|
sound |
| 1948 |
Campus Honeymoon. |
Richard Sale |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Campus Sleuth. |
Will Jason |
66 min. |
35mm |
B&W |
sound |
| 1948 |
Cane Cutters |
Hugh McInnes |
|
|
|
|
| 1948 |
Cane cutters |
Hugh McInnes |
|
|
|
|
| 1948 |
Carson City Raiders. |
Yakima Canutt |
6 reels |
35mm |
B&W |
sound |
| 1948 |
Cathedral city |
Don Chaffey |
|
|
|
|
| 1948 |
Charmides |
filmmaker, Gregory J. Markopoulos. |
15 |
16mm |
Color |
sound |
| 1948 |
Check Your Guns. |
Ray Taylor |
55 min. |
35mm |
B&W |
sound |
| 1948 |
Christ our savior |
Simpex Co., Inc. ; produced by Ramon Pareda ; adapted by Marilyn Head ; directed by Jose Diaz Morales. |
82 |
16mm |
B&W |
sound |
| 1948 |
Christ the king |
Simpex Co., Inc. ; produced by Ramon Pareda ; adapted by Marilyn Head ; directed by Jose Diaz Morales. |
82 |
16mm |
B&W |
sound |
| 1948 |
Code Of Scotland Yard. |
George King |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Command Decision. |
Sam Wood |
112 min |
35mm |
B&W |
sound |
| 1948 |
Corridor Of Mirrors. |
Apollo Films |
12 reels |
35mm |
B&W |
sound |
| 1948 |
County Fair. |
William Beaudine |
16 min. |
35mm |
B&W |
sound |
| 1948 |
Courtin' Trouble. |
Ford Beebe |
56 min. |
35mm |
B&W |
sound |
| 1948 |
Cowboy Cavalier. |
Derwin Abrahams |
55 min. |
35mm |
B&W |
sound |
| 1948 |
Crime On Their Hands. |
Edward Bernds |
18 min. |
35mm |
B&W |
sound |
| 1948 |
Crossed Trails. |
Lambert Hillyer |
57 min. |
35mm |
B&W |
sound |
| 1948 |
Cry of the city |
Twentieth Century-Fox Film Corp. (Publisher) |
95 min |
16mm |
B&W |
sound |
| 1948 |
Dangers Of The Canadian Mounted. |
Yakima Canutt, Fred C. Brannon |
2 reels |
35mm |
B&W |
sound |
| 1948 |
Daredevils Of The Clouds. |
George Blair |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Daybreak In Udi |
Contemporary Films |
47 min |
16mm |
B&W |
sound |
| 1948 |
Dead Man's Gold. |
Ray Taylor |
60 min. |
35mm |
Color |
sound |