| 1949 |
Australian bushland symphony |
Ken G. Hall |
|
|
|
|
| 1949 |
Australian diary. No. 019 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 020 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 021 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 022 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 023 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 024 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 025 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 026 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 027 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 028 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 029 |
Jack S. Allan |
|
|
|
|
| 1949 |
Australian diary. No. 031 |
Jack S. Allan |
|
|
|
|
| 1949 |
Bad Luck Blackie. |
Tex Avery |
7 min |
35mm |
Color |
sound |
| 1949 |
Bandit King Of Texas. |
Fred C. Brannon |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Bandits Of El Dorado. |
Ray Nazarro |
6 reels |
35mm |
B&W |
sound |
| 1949 |
Begone Dull Care |
National Film Board of Canada. |
9 min. 0:08:00 |
16mm |
Color |
sound |
| 1949 |
Big Jack. |
Richard Thorpe |
85 min. |
35mm |
B&W |
sound |
| 1949 |
Black Midnight. |
Budd Boetticher |
66 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie Hits The Jackpot. |
Edward Bernds |
66 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie's Big Deal. |
Edward Bernds |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Blood of the Beasts |
Georges Franju |
22 |
|
B&W |
|
| 1949 |
Bomba On Panther Island. |
Monogram Pictures Corp. |
76 min. |
35mm |
B&W |
sound |
| 1949 |
Bomba, The Jungle Boy. |
Ford Beebe |
71 min. |
35mm |
B&W |
sound |
| 1949 |
Boston Blackie's Chinese Venture. |
Seymour Friedman |
59 min. |
35mm |
B&W |
sound |
| 1949 |
Brand Of Fear. |
Oliver Drake |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Bride Of Vengeance. |
Mitchell Leisen |
92 min. |
35mm |
B&W |
sound |
| 1949 |
Brighton Rock |
John Boulting |
92 |
|
B&W |
|
| 1949 |
Brimstone. |
Joseph Kane |
90 min. |
16mm |
Color |
sound |
| 1949 |
Brothers In The Saddle. |
Lesley Selander |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Calamity Jane And Sam Bass. |
Universal Pictures Co. Inc. |
85 min. |
35mm |
Color |
sound |
| 1949 |
Call Of The Forest. |
Lippert Productions Inc. |
57 min. |
35mm |
B&W |
sound |
| 1949 |
Campus Capers |
Bill Tytla |
6 min |
16mm |
|
sound |
| 1949 |
Celia. |
Francis Searle |
|
16mm |
|
sound |
| 1949 |
Challenge Of The Range. |
Ray Nazarro |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Challenge To Lassie. |
Richard Thorpe |
76 min. |
35mm |
Color |
sound |
| 1949 |
Chicago Deadline. |
Paramount Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Colorado Territory. |
Raoul Walsh |
94 min. |
|
B&W |
sound |
| 1949 |
Comin' Round The Mountain. |
Charles Lamont |
7 min |
35mm |
B&W |
sound |
| 1949 |
Conspirator. |
Victor Saville |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Cover-Up. |
Alfred Edward Green |
82 min. |
35mm |
B&W |
sound |
| 1949 |
Crashing Thru. |
Ray Taylor |
58 min. |
35mm |
B&W |
sound |
| 1949 |
Criss Cross |
Universal Pictures Co. Inc. (Publisher) |
94 |
16mm |
B&W |
sound |
| 1949 |
D.O.A. |
Rudolph Maté |
83 |
|
B&W |
|
| 1949 |
Daughter Of The West. |
Harold Daniels |
77 min. |
35mm |
Color |
sound |
| 1949 |
Daybreak. |
Compton Bennett |
2 reels |
16mm |
B&W |
sound |
| 1949 |
Desert Vigilante. |
Fred F. Sears |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Dime store |
by Dorsey Alexander. |
6 |
16mm |
Color |
sound |
| 1949 |
Doggone Tired. |
Tex Avery |
8 min |
35mm |
Color |
sound |
| 1949 |
Down Dakota Way. |
William Witney |
67 min. |
35mm |
Color |
sound |