| 1950 |
TRIPLE TROUBLE. |
Monogram Pictures Corp. |
66 min. |
35mm |
B&W |
sound |
| 1950 |
Tripoli. |
Paramount Pictures Corp. |
95 min. |
35mm |
Color |
sound |
| 1950 |
Trouble Indemnity |
Columbia Picture Corp |
2 reels |
16mm |
Color |
sound |
| 1950 |
Tucson. |
William F. Claxton |
64 min. |
35mm |
B&W |
sound |
| 1950 |
Two Flags West. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
B&W |
sound |
| 1950 |
Two Weeks With Love. |
Loew's Inc. |
92 min. |
35mm |
Color |
sound |
| 1950 |
Tyrant Of The Sea. |
Columbia Pictures Corp. |
70 min. |
35mm |
B&W |
sound |
| 1950 |
Under Mexicali Stars. |
Republic Pictures Corp |
67 min. |
35mm |
B&W |
sound |
| 1950 |
Under My Skin. |
Twentieth Century-Fox Film Corp |
86 min. |
35mm |
B&W |
sound |
| 1950 |
Under The Gun. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
B&W |
sound |
| 1950 |
Undercover girl. |
Universal Pictures Co. Inc. |
83 min. |
35mm |
B&W |
sound |
| 1950 |
UNMASKED. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
V. S. Government |
UNLESS otherwise indicated the sets of slides listed a catalog are black-and-white slides. Color slides are s Each set of slides is described as follows: (a) the ti name of the producing agency and the date of productio title if the slides are part of a series; content of the slides; (e) references number of the set of slides if it has such a number, t in the set, the size of the slides, and special notati Following these descriptive data are several numbers i These code numbers refer to specific instructions for slides which are explained on pages 306-329 of this ca to obtain the first set of slides listed below, for ex where under code number 27, directions are given for b slides from the U. S. Public Health Service. Activated Sludge Process U.S. Public Health Service |
|
Filmstrip |
|
|
| 1950 |
Vein stripping |
film produced by Orbit Films ; directed by Dean K. Crystal, MD and Van Kirk Hillman, MD. |
14 |
16mm |
Color |
sound |
| 1950 |
Ventriloquist Cat. |
Loew's Inc. |
7 min |
35mm |
Color |
sound |
| 1950 |
Vigilante Hideout. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Wabash Avenue. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
Color |
sound |
| 1950 |
West Of The Brazos. |
Lippert Productions Inc. |
59 min. |
35mm |
B&W |
sound |
| 1950 |
West Of Wyoming. |
Monogram Pictures Corp. |
57 min. |
35mm |
B&W |
sound |
| 1950 |
Western Pacific Agent. |
Lippert Productions Inc. |
62 min. |
35mm |
B&W |
sound |
| 1950 |
When Willie Comes Marching Home. |
Twentieth Century-Fox Film Corp |
82 min. |
35mm |
B&W |
sound |
| 1950 |
When You’re Smiling. |
Columbia Pictures Corp. |
75 min. |
35mm |
B&W |
sound |
| 1950 |
Where Danger Lives |
John Farrow |
82 |
|
B&W |
|
| 1950 |
Where The Sidewalk Ends. |
Twentieth Century-Fox Film Corp |
95 min. |
35mm |
B&W |
sound |
| 1950 |
WHIRLPOOL. |
Twentieth Century-Fox Film Corp |
97 min. |
35mm |
B&W |
sound |
| 1950 |
Winchester ’73. |
Universal Pictures Co. Inc. |
92 min. |
35mm |
B&W |
sound |
| 1950 |
Winter Storage |
National Geographic |
7 min |
16mm |
Color |
sound |
| 1950 |
With These Hands |
International Ladies’ Garment Workers’ Union |
35 |
16mm |
B&W |
sound |
| 1950 |
Women from headquarters. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Yo Quiero Ser Tonta. |
Importadora Inc. |
73 min. |
35mm |
B&W |
sound |
| 1950 |
You Can Change the World |
Leo McCarey |
|
|
B&W |
|
| 1950 |
YOU CAN CHANGE THE WORLD |
christopher-films |
|
|
B&W |
|
| 1950 |
You can change the world. |
Leo McCarey |
11:50 |
16mm |
B&W |
sound |
| 195-? |
The Magic horse |
Contemporary Films/McGraw-Hill |
10 |
16mm |
B&W |
sound |
| 1949 |
17. S. Government Films |
ALL of the filmstrips listed and described in this cat Unless otherwise indicated, they are silent, black-and frame filmstrips. Color filmstrips and double-frame fi labeled and sound filmstrips are identified by the phr disc" which is, unless otherwise indicated, a 16-inch playing speed of 3353 rpm. Each filmstrip is described as follows: (a) the title the name of the producing agency or agencies and the d (c) title if the filmstrip is part of a seri the series summary of the content of the filmstrip; (e) referenc and (f) the order number of the filmstrip if it has su length in frames, and special notations for color film filmstrips, and sound filmstrips, i.e., the existence recording. Following these descriptive data are several numbers i These code numbers refer to specific instructions for filmstrips which are explained on pages 306-329 of thi how to obtain the first filmstrip listed below, for ex where, under code number 5, directions are given for o Acres in This Place No. 4) R U.S. Bureau of the Census |
30 frames |
16mm |
|
|
| 1949 |
1848 |
Victoria Mercanton, Marguerite de La Mure |
20 min |
|
B&W |
|
| 1949 |
A Connecticut Yankee In King Arthur's Court. |
Universal 16 |
107 min |
35mm |
Color |
sound |
| 1949 |
A Dangerous Profession. |
Ted Tetzlaff |
79 min. |
35mm |
B&W |
sound |
| 1949 |
A Kiss for Corliss. |
Richard Wallace |
88 min. |
16mm |
B&W |
sound |
| 1949 |
A Letter for John |
Malcolm Otton |
|
|
|
|
| 1949 |
A Loaf of bread |
Malcolm Otton |
|
|
|
|
| 1949 |
A Run for your money |
Charles Frend |
85 min |
|
B&W |
|
| 1949 |
A Visit from St Nicholas: a Coronet fantasy |
David A. Smart |
|
|
|
|
| 1949 |
Abbott & Costello Meet Frankenstein |
Universal Pictures Co. Inc. |
83 min. |
16mm |
B&W |
sound |
| 1949 |
Abbott and Costello meet the killer, Boris Karloff. |
Universal Pictures |
3000 |
16mm |
B&W |
sound |
| 1949 |
Across The Rio Grande. |
Oliver Drake |
55 min. |
35mm |
B&W |
sound |
| 1949 |
Adam's rib |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:41:00 |
16mm |
B&W |
sound |
| 1949 |
AIR HOSTESS. |
Columbia Pictures Corp. |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Alias The Champ. |
George Blair |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Amazon Quest. |
Steve Sekely |
70 min. |
35mm |
B&W |
sound |