| 1950 |
Vein stripping |
film produced by Orbit Films ; directed by Dean K. Crystal, MD and Van Kirk Hillman, MD. |
14 |
16mm |
Color |
sound |
| 1950 |
Ventriloquist Cat. |
Loew's Inc. |
7 min |
35mm |
Color |
sound |
| 1950 |
Vigilante Hideout. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Wabash Avenue. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
Color |
sound |
| 1950 |
West Of The Brazos. |
Lippert Productions Inc. |
59 min. |
35mm |
B&W |
sound |
| 1950 |
West Of Wyoming. |
Monogram Pictures Corp. |
57 min. |
35mm |
B&W |
sound |
| 1950 |
Western Pacific Agent. |
Lippert Productions Inc. |
62 min. |
35mm |
B&W |
sound |
| 1950 |
When Willie Comes Marching Home. |
Twentieth Century-Fox Film Corp |
82 min. |
35mm |
B&W |
sound |
| 1950 |
When You’re Smiling. |
Columbia Pictures Corp. |
75 min. |
35mm |
B&W |
sound |
| 1950 |
Where Danger Lives |
John Farrow |
82 |
|
B&W |
|
| 1950 |
Where The Sidewalk Ends. |
Twentieth Century-Fox Film Corp |
95 min. |
35mm |
B&W |
sound |
| 1950 |
WHIRLPOOL. |
Twentieth Century-Fox Film Corp |
97 min. |
35mm |
B&W |
sound |
| 1950 |
Winchester ’73. |
Universal Pictures Co. Inc. |
92 min. |
35mm |
B&W |
sound |
| 1950 |
Winter Storage |
National Geographic |
7 min |
16mm |
Color |
sound |
| 1950 |
With These Hands |
International Ladies’ Garment Workers’ Union |
35 |
16mm |
B&W |
sound |
| 1950 |
Women from headquarters. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Yo Quiero Ser Tonta. |
Importadora Inc. |
73 min. |
35mm |
B&W |
sound |
| 1950 |
You Can Change the World |
Leo McCarey |
|
|
B&W |
|
| 1950 |
YOU CAN CHANGE THE WORLD |
christopher-films |
|
|
B&W |
|
| 1950 |
You can change the world. |
Leo McCarey |
11:50 |
16mm |
B&W |
sound |
| 195-? |
The Magic horse |
Contemporary Films/McGraw-Hill |
10 |
16mm |
B&W |
sound |
| 1949 |
17. S. Government Films |
ALL of the filmstrips listed and described in this cat Unless otherwise indicated, they are silent, black-and frame filmstrips. Color filmstrips and double-frame fi labeled and sound filmstrips are identified by the phr disc" which is, unless otherwise indicated, a 16-inch playing speed of 3353 rpm. Each filmstrip is described as follows: (a) the title the name of the producing agency or agencies and the d (c) title if the filmstrip is part of a seri the series summary of the content of the filmstrip; (e) referenc and (f) the order number of the filmstrip if it has su length in frames, and special notations for color film filmstrips, and sound filmstrips, i.e., the existence recording. Following these descriptive data are several numbers i These code numbers refer to specific instructions for filmstrips which are explained on pages 306-329 of thi how to obtain the first filmstrip listed below, for ex where, under code number 5, directions are given for o Acres in This Place No. 4) R U.S. Bureau of the Census |
30 frames |
16mm |
|
|
| 1949 |
A Connecticut Yankee In King Arthur's Court. |
Universal 16 |
107 min |
35mm |
Color |
sound |
| 1949 |
A Dangerous Profession. |
Ted Tetzlaff |
79 min. |
35mm |
B&W |
sound |
| 1949 |
A Kiss for Corliss. |
Richard Wallace |
88 min. |
16mm |
B&W |
sound |
| 1949 |
Abbott & Costello Meet Frankenstein |
Universal Pictures Co. Inc. |
83 min. |
16mm |
B&W |
sound |
| 1949 |
Abbott and Costello meet the killer, Boris Karloff. |
Universal Pictures |
3000 |
16mm |
B&W |
sound |
| 1949 |
Across The Rio Grande. |
Oliver Drake |
55 min. |
35mm |
B&W |
sound |
| 1949 |
Adam's rib |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:41:00 |
16mm |
B&W |
sound |
| 1949 |
AIR HOSTESS. |
Columbia Pictures Corp. |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Alias The Champ. |
George Blair |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Amazon Quest. |
Steve Sekely |
70 min. |
35mm |
B&W |
sound |
| 1949 |
An Old Fashioned Girl. |
Arthur Dreifuss |
82 min. |
35mm |
B&W |
sound |
| 1949 |
And Baby Makes Three. |
Santana Pictures |
83 min. |
35mm |
B&W |
sound |
| 1949 |
Angels In Disguise. |
Jean Yarbrough |
63 min. |
35mm |
B&W |
sound |
| 1949 |
Aoi Sanmyaku |
University of Minnesota |
99 |
16mm |
Color |
|
| 1949 |
Apache Chief. |
Frank McDonald |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Arctic Fury. |
Norman Dawn, Fred R. Feitshans Jr. |
61 min. |
35mm |
B&W |
sound |
| 1949 |
Bad Luck Blackie. |
Tex Avery |
7 min |
35mm |
Color |
sound |
| 1949 |
Bandit King Of Texas. |
Fred C. Brannon |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Bandits Of El Dorado. |
Ray Nazarro |
6 reels |
35mm |
B&W |
sound |
| 1949 |
Begone Dull Care |
National Film Board of Canada. |
9 min. 0:08:00 |
16mm |
Color |
sound |
| 1949 |
Big Jack. |
Richard Thorpe |
85 min. |
35mm |
B&W |
sound |
| 1949 |
Black Midnight. |
Budd Boetticher |
66 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie Hits The Jackpot. |
Edward Bernds |
66 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie's Big Deal. |
Edward Bernds |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Blood of the Beasts |
Georges Franju |
22 |
|
B&W |
|
| 1949 |
Bomba On Panther Island. |
Monogram Pictures Corp. |
76 min. |
35mm |
B&W |
sound |
| 1949 |
Bomba, The Jungle Boy. |
Ford Beebe |
71 min. |
35mm |
B&W |
sound |
| 1949 |
Boston Blackie's Chinese Venture. |
Seymour Friedman |
59 min. |
35mm |
B&W |
sound |