| 1985 |
Road To Nowhere |
unknown |
244 min |
16mm |
Color |
sound |
| 1985 |
Safe Harbor |
Paulist Productions |
|
16mm |
|
sound |
| 1985 |
Sherman's march. |
Ross McElwee |
5580 |
16mm |
|
sound |
| 1985 |
Shoah. |
Claude Lanzmann |
20196 |
16mm |
Color |
sound |
| 1985 |
Silver feet |
Direct Cinema |
51 |
16mm |
Color |
sound |
| 1985 |
Statue of Liberty |
direct |
30 min. |
16mm |
Color |
sound |
| 1985 |
Tangos, the exile of Gardel |
New Yorker |
125 mi |
16mm |
Color |
sound |
| 1985 |
Tangos, the exile of Gardel. |
Fernando Solanas |
119 min |
16mm |
Color |
sound |
| 1985 |
The Adventures of a two-minute werewolf |
Aims Media |
29 |
16mm |
Color |
sound |
| 1985 |
The Amazing Bone |
Weston Woods |
11 |
16mm |
Color |
sound |
| 1985 |
The Atlanta child murders. |
Finnegan / Pinchuk Productions |
245 min |
16mm |
|
sound |
| 1985 |
The Cosmic eye |
International Film Programs |
71 |
16mm |
Color |
sound |
| 1985 |
The Hobbit |
Rankin/Bass Productions inc. |
74 min |
16mm |
Color |
sound |
| 1985 |
The Hobbit |
Vladimir Latyshev |
12:00 |
|
Color |
|
| 1985 |
The Magic Tree |
Texture Films inc |
400 ft. |
|
|
|
| 1985 |
The Man who envied women |
FIRST RUN FEATURES |
125 mi |
16mm |
Color & B&W |
sound |
| 1985 |
The Masters of Disaster |
Friedman Sonya 1932- screenwriter film director |
|
16mm |
|
sound |
| 1985 |
The Masters of disaster |
Indiana University Audio-Visual Center |
30 |
16mm |
Color |
sound |
| 1985 |
The masters of disaster |
Sonya Friedman |
|
|
|
|
| 1985 |
The Official story |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1985 |
The Silent scream |
American Portrait Films |
28 |
16mm |
Color |
sound |
| 1985 |
The Statue of Liberty |
A Diana Colson Film |
60 min |
|
Color |
|
| 1985 |
Vagabond |
Agnès Varda |
100 min |
16mm |
Color |
|
| 1985 |
Vagabond |
Official Films Inc. |
800 ft. |
|
Color |
|
| 1985 |
VAGABOND |
Agnès Varda |
100 min |
|
Color |
|
| 1985 |
VAGABOND |
Agnès Varda |
100 min |
|
Color |
|
| 1985 |
We were so beloved |
First Run Features/Icarus |
145 mi |
16mm |
Color & B&W |
sound |
| 1985 |
When father was away on business |
Almi/Krypton |
136 mi |
16mm |
Color |
sound |
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1985 |
World of tomorrow |
Direct Cinema |
84 |
16mm |
Color |
sound |
| 1986 |
A Virus knows no morals |
First Run/Icarus |
82 |
16mm |
Color |
sound |
| 1986 |
A Weave of time: the story of a Navajo family 1938-1986 |
Direct Cinema |
60 |
16mm |
Color |
sound |
| 1986 |
An American tail |
SWANK |
80 |
16mm |
Color |
sound |
| 1986 |
Augusta makes herself beautiful |
produced by Hungarofilm. |
5 |
16mm |
Color |
sound |
| 1986 |
Becoming A Family |
Gerber Baby Foods |
|
16mm |
|
sound |
| 1986 |
Chicken Thing |
direct |
12 min. |
16mm |
Color |
sound |
| 1986 |
Cowgirls: Portraits of American ranch |
DIRECT CINEMA LTD |
29 |
16mm |
|
|
| 1986 |
Der Ohrenwurm |
Jenni Olson |
|
|
|
|
| 1986 |
Drive-in blues |
Direct Cinema |
28 |
16mm |
Color |
sound |
| 1986 |
Halloweenie |
Jenni Olson |
|
|
|
|
| 1986 |
Hellfire: a journey from Hiroshima |
FIRST RUN FEATURES |
58 |
16mm |
Color |
sound |
| 1986 |
Hellfire: A journey from Hiroshima. |
Michael Camerini |
1775 |
16mm |
Color |
sound |
| 1986 |
I can do it!--Ed Lewis |
Direct Cinema Los Angeles Calif. 1986 |
Series:The American entrepreneur series pt. 1 |
|
|
|
| 1986 |
I was a Thanksgiving turkey |
Direct Cinema |
4 |
16mm |
Color |
sound |
| 1986 |
Ikwe |
National Film Board of Canada. |
12:00 |
|
|
|
| 1986 |
International Sweethearts of Rhythm |
Cinema Guild |
30 |
16mm |
Color |
sound |
| 1986 |
Isaac In America - A Journey With Isaac Bashevis Singer |
direct |
58 |
16mm |
Color |
sound |
| 1986 |
Life in the Desert |
Opus Films.Sony Corporation of America |
|
|
|
|
| 1986 |
Lion with a white mane. |
Jaromil Jireš |
127 min |
16mm |
Color |
sound |
| 1986 |
Loose corner |
A. Thacher |
10 |
16mm |
Color |
sound |