| 1966 |
War of the gargantuas |
$h [motion pictures]/ Henry G. Saperstein Enterprises ; presenter, United Productions of America ; executive producer, Tomoyuki Tanaka, Henry G. Saperstein and Reuben Bercovitch ; writer, Kaoru Mabuchi and Inoshiro Honda ; direction, Inoshiro Honda. |
89 |
16mm |
Color |
sound |
| 1966 |
War Toys |
Foothill College, Department of Mass Communication, Los Altos Hills, California |
3 min |
|
B&W |
|
| 1966 |
Warning shot. |
Paramount Pictures Corp. & Bob Banner Associates Inc. |
100 min |
35mm |
Color |
sound |
| 1966 |
Watching Them Learn |
Michigan State University, Film Production, Instructional Media Center, East Lansing, Michigan |
2 min |
|
B&W |
|
| 1966 |
Waterfowl - A Resource In Danger |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1966 |
Way Way Out. |
Way Out Co. & Twentieth Century-Fox Film Corp. |
105 min |
35mm |
Color |
sound |
| 1966 |
Wayleggo |
New Zealand Government Travel Commission |
|
16mm |
|
sound |
| 1966 |
What Can You Find |
Karl B Lohmann Jr / Lohmann Films |
2 min |
16mm |
Color |
sound |
| 1966 |
What Is Work |
Southern Illinois Univ Film Productions |
20 min |
16mm |
Color |
sound |
| 1966 |
What on earth! |
Kaj Pindal, Les Drew |
325 |
16mm |
Color |
sound |
| 1966 |
Who's Afraid of Virginia Woolf? |
Chenault Productions |
2:11:00 |
16mm |
B&W |
sound |
| 1966 |
Wholly Communion |
Contemporary Films |
33 min |
16mm |
B&W |
sound |
| 1966 |
Wholly Communion |
McGraw-Hill |
41 |
16mm |
Color |
sound |
| 1966 |
Why Do You Smile, Mona Lisa |
Fleetwood Films Inc |
14 |
16mm |
Color |
sound |
| 1966 |
WILD, WILD WINTER |
Universal Pictures Co. Inc. |
|
35mm |
Color |
sound |
| 1966 |
Wszelkie podobieństwo do znanych sytuacji jest absolutnie przypadkowe / |
Studio Miniatur Filmowych w Warszawie ; Przedstawia Żart Filmowy ; opracowanie plastyczne i reżyseria, Sofia Oraczewska ; scenariusz, A. Kamieńska- Kapińska. |
7 |
16mm |
Color |
sound |
| 1966 |
Years of Glory, Years of Growth |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
22 min |
|
Color |
|
| 1966 |
Yesterday, Today and... |
University of Maryland, Office of University Relations, College Park, Maryland |
23 min |
|
Color |
|
| 1966 |
You'd Like Missoula |
Curran William F |
23 min |
16mm |
Color |
sound |
| 1967 |
[Commercials. Utica Club beer. The evolution of great beer] |
directed by Paul Harvey. |
1 |
16mm |
B&W |
sound |
| 1967 |
[God is dog spelled backwards], or, For the first time, all of 3000 years of fine art in 3 minutes (painting & graphics) / |
a film by Dan McLaughlin. |
4 |
16mm |
Color |
sound |
| 1967 |
[How to succeed in business without really trying --TV trailer] |
United Artists ; directed by David Swift. |
0.33 |
16mm |
Color |
sound |
| 1967 |
A Challenge For Robin Hood. |
Hammer Film Productions Ltd. |
96 min |
35mm |
Color |
sound |
| 1967 |
A countess from Hong Kong |
Universal Pictures Co. (Publisher) |
1:48:00 |
16mm |
Color |
sound |
| 1967 |
A Countess From Hong Kong. |
Universal Pictures Ltd. |
103 min |
35mm |
Color |
sound |
| 1967 |
A Country Coyote Goes Hollywood |
Walt Disney Productions. |
37 min |
16mm |
|
sound |
| 1967 |
A Face Of War. |
Commonwealth United Releasing Organization Inc. |
72 min |
35mm |
B&W |
sound |
| 1967 |
A Further Glimpse Of Joey |
Natl Film Board Of Canada |
27 min |
16mm |
|
sound |
| 1967 |
A Guide For The Married Man. |
Twentieth Century-Fox Film Corp |
90 min |
35mm |
Color |
sound |
| 1967 |
A Place to Stand |
Ontario Government Dept. of Economics & Development |
600 ft. |
|
Color |
|
| 1967 |
A Time For Decision |
301 W 73rd |
251 |
16mm |
|
sound |
| 1967 |
A Time For Killing |
Columbia Pictures Corporation |
88 min |
16mm |
Color |
sound |
| 1967 |
A Touch Of Gold |
Modern Talking Picture Service / A KDI Company |
|
16mm |
|
sound |
| 1967 |
Adolescence |
CTV Television Network Ltd |
|
16mm |
B&W |
sound |
| 1967 |
Africa, Texas Style. |
Vantors Films Ltd. |
108 min |
35mm |
Color |
sound |
| 1967 |
Amok Time |
Joseph Pevney |
1 min |
16mm |
Color |
|
| 1967 |
Anyone Can Play. |
Documento Film |
116 min |
35mm |
Color |
sound |
| 1967 |
Arizona Bushwhackers. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
86 min |
35mm |
Color |
sound |
| 1967 |
BANNING. |
Universal Pictures |
102 min |
35 mm |
Color |
sound |
| 1967 |
Belle de jour |
Five Films: Publisher | Paris-Films-Productions (Publisher) |
1:40:00 |
16mm |
Color |
sound |
| 1967 |
Belle De Jour. |
Paris Film Production |
101 min |
35mm |
Color |
sound |
| 1967 |
Best in the West 1967 |
Produced and directed by Jack Heiter |
|
|
|
|
| 1967 |
Canadian Can-Can. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1967 |
Caprice. |
Melcher-Arcola Productions & Twentieth Century-Fox Film Corp. |
98 min |
35mm |
Color |
sound |
| 1967 |
Catspaw |
NFV |
52 min. |
16mm |
Color |
|
| 1967 |
Charlie The Lonesome Cougar. |
Walt Disney Productions. |
75 min |
35mm |
Color |
sound |
| 1967 |
China: The Roots of Madness |
David Wolper Productions |
1:14:00 |
16mm |
B&W |
sound |
| 1967 |
Color me shameless |
direction, George Kuchar. |
36 |
16mm |
B&W |
sound |
| 1967 |
Congratulations! It's Pink. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1967 |
Cool hand Luke |
Jalem Productions: Publisher |
2:06:00 |
16mm |
Color |
sound |