| 1946 |
West Of The Alamo. |
Oliver Drake |
6 reels |
35mm |
B&W |
sound |
| 1946 |
Who's Cookin' Who? |
Walter Lantz Productions, Inc. & Universal Pictures Company, Inc |
1 reel |
|
|
|
| 1946 |
Wife Wanted. |
Phil Karlson |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Ziegfeld follies. |
Metro-Goldwyn-Mayer. |
110 min |
16mm |
Color |
silent |
| 1947 |
[Animal farm--excerpt] |
produced and directed by John Halas and Joy Batchelor. |
|
16mm |
Color |
sound |
| 1947 |
[California |
film |
97 min |
[California |
Color |
|
| 1947 |
A Cage Of Nightingales. |
Jean Dréville |
9 reels |
35mm |
B&W |
sound |
| 1947 |
A Night At The Follies. |
Excelsior Pictures |
5 reels |
35mm |
B&W |
sound |
| 1947 |
A Tale in a teacup |
Ralph Keene |
|
|
|
|
| 1947 |
Alisher Navoi. |
Tashkent Studio |
3450 |
16mm |
B&W |
sound |
| 1947 |
All Gummed Up. |
Jules White |
18 min. |
35mm |
B&W |
sound |
| 1947 |
Along the Oregon trail |
Republic Pictures Corp |
64 min. |
16mm |
Color |
sound |
| 1947 |
Beat The Band. |
John H. Auer |
67 min. |
35mm |
B&W |
sound |
| 1947 |
Bel Ami. |
Antonio Momplet |
10 reels |
35mm |
B&W |
sound |
| 1947 |
Bells Of San Angelo. |
William Witney |
71 min. |
35mm |
Color |
sound |
| 1947 |
Bells Of San Fernando. |
Terry O. Morse |
74 min. |
35mm |
B&W |
sound |
| 1947 |
Big House Blues. |
Howard Swift |
1 reel |
35mm |
Color |
sound |
| 1947 |
Big Town After Dark. |
William C. Thomas |
70 min. |
35mm |
B&W |
sound |
| 1947 |
Black Hills. |
Ray Taylor |
59 min. |
35mm |
B&W |
sound |
| 1947 |
Black Narcissus |
Emeric Pressburger, Michael Powell |
1:01 |
16mm |
Color |
|
| 1947 |
Blonde Savage. |
Steve Sekely |
62 min. |
35mm |
B&W |
sound |
| 1947 |
Blondie In The Dough. |
Abby Berlin |
69 min. |
35mm |
B&W |
sound |
| 1947 |
Blondie's Anniversary. |
Abby Berlin |
7 reels |
35mm |
B&W |
sound |
| 1947 |
Blondie's Big Moment. |
Abby Berlin |
63 min. |
35mm |
B&W |
sound |
| 1947 |
Born To Speed |
Official Films |
|
|
B&W |
|
| 1947 |
Born To Speed. |
Edward L. Cahn |
61 min. |
35mm |
B&W |
sound |
| 1947 |
Bowery Buckaroos. |
William Beaudine |
66 min. |
35mm |
B&W |
sound |
| 1947 |
Brideless Groom. |
Edward Bernds |
17 min. |
35mm |
B&W |
sound |
| 1947 |
Brute Force. |
Jules Dassin |
98 min. |
35mm |
B&W |
sound |
| 1947 |
Buckaroo From Powder River. |
Ray Nazarro |
55 min. |
35mm |
B&W |
sound |
| 1947 |
Bulldog Drummond Strikes Back. |
Frank McDonald |
7 reels |
35mm |
B&W |
sound |
| 1947 |
Bush Christmas. |
Ralph Smart |
8 reels |
35mm |
B&W |
sound |
| 1947 |
Canada's tackle busters |
Associated Screen Studios, Montreal ; directed by Earl Clark ; scenario, Jack Selinger. |
21 |
16mm |
Color |
sound |
| 1947 |
Carnegie Hall. |
Edgar G. Ulmer |
135 min |
35mm |
B&W |
sound |
| 1947 |
Cheyenne Takes Over. |
Ray Taylor |
58 min. |
35mm |
B&W |
sound |
| 1947 |
Cigarette Girl. |
Gunther von Fritsch |
67 min. |
35mm |
B&W |
sound |
| 1947 |
Code Of The Saddle. |
Thomas Carr |
53 min. |
35mm |
B&W |
sound |
| 1947 |
Code of the West |
Castle Films |
|
|
B&W |
|
| 1947 |
Code Of The West. |
William Berke |
57 min. |
35mm |
B&W |
sound |
| 1947 |
Copacabana. |
Alfred Edward Green |
92 min. |
35mm |
B&W |
sound |
| 1947 |
Cross My Heart. |
John Berry |
83 min. |
35mm |
B&W |
sound |
| 1947 |
Crossfire |
Anti-Defamation League Of B'nai B'rith |
86 1:26:00 |
16mm |
B&W |
sound |
| 1947 |
Danger Street. |
Lew Landers |
66 min. |
35mm |
B&W |
sound |
| 1947 |
Dangerous Venture. |
Hopalong Cassidy Productions Inc. |
59 min. |
35mm |
B&W |
sound |
| 1947 |
Dear Ruth. |
William D. Russell |
95 min. |
35mm |
B&W |
sound |
| 1947 |
Desire Me |
Metro-Goldwyn-Mayer Corp |
1:31:00 |
16mm |
B&W |
sound |
| 1947 |
Desire Me. |
Jack Conway, Victor Saville, George Cukor, Mervyn LeRoy |
91 min. |
35mm |
B&W |
sound |
| 1947 |
Development of the Chick |
Gaumont-British Instructional Films |
|
16mm |
|
|
| 1947 |
Devil in the flesh = |
Diable au corps Transcontinental Films ; director, Claude Autant-Lara ; screenplay by Jean Aurenche and Pierre Bost. |
110 |
16mm |
B&W |
sound |
| 1947 |
Devil Ship. |
Lew Landers |
7 reels |
35mm |
B&W |
sound |