| 1946 |
The great dawn |
produced by Scalera Film, Rome ; writer, Cesare Zavattini ; directed by G.M. Scotese. |
90 |
16mm |
B&W |
sound |
| 1946 |
The Haunted Mine. |
Derwin Abrahams |
6 reels |
|
B&W |
|
| 1946 |
The Inner Circle. |
Philip Ford |
6 reels |
35mm |
B&W |
sound |
| 1946 |
The Killers. |
Robert Siodmak |
11 reels. |
35mm |
B&W |
sound |
| 1946 |
The Last Chance. |
Leopold Lindtberg |
12 reels |
|
B&W |
sound |
| 1946 |
The last crooked mile. |
Philip Ford |
7 reels |
16mm |
Color |
sound |
| 1946 |
The Locket. |
John Brahm |
86 min. |
35mm |
B&W |
sound |
| 1946 |
The Magnificent Rogue. |
Albert S. Rogell |
74 min. |
35mm |
B&W |
sound |
| 1946 |
The Man Who Dared. |
John Sturges |
7 reels |
|
B&W |
|
| 1946 |
The Mask Of Diijon. |
Lew Landers |
8 reels |
|
B&W |
|
| 1946 |
The Missing Lady. |
Phil Karlson |
6 reels |
35mm |
Color |
sound |
| 1946 |
THE MYSTERIOUS MR. VALENTINE. |
Philip Ford |
|
|
B&W |
|
| 1946 |
The Perfect Marriage. |
Lewis Allen |
9 reels |
|
B&W |
|
| 1946 |
The Phantom Thief. |
D. Ross Lederman |
7 reels |
|
B&W |
|
| 1946 |
The Pilgrim Lady. |
Lesley Selander |
7 reels |
35mm |
Color & B&W |
sound |
| 1946 |
The Potted psalm |
an Evergreen film ; directed by Sidney Peterson, James Broughton. |
25 |
16mm |
B&W |
silent |
| 1946 |
The Razor's Edge |
Twentieth Century-Fox Film Corporation |
2:26:00 |
16mm |
B&W |
sound |
| 1946 |
The Razor's Edge. |
Edmund Goulding |
146 min |
35mm |
B&W |
sound |
| 1946 |
The Reckless Driver |
Walter Lantz Prod |
|
16mm |
|
sound |
| 1946 |
The Return Of Rusty. |
William Castle |
7 reels |
|
B&W |
|
| 1946 |
The Searching Wind. |
William Dieterle |
12 reels |
35mm |
B&W |
sound |
| 1946 |
The Shadow Returns. |
Phil Rosen, William Beaudine |
6 reels |
|
B&W |
|
| 1946 |
The Spiral Staircase |
Robert Siodmak |
83 |
|
B&W |
|
| 1946 |
The spiral staircase |
Dory Schary production ; screenplay by Mel Diuelli ; directed by Robert Siodmak. |
83 |
16mm |
B&W |
sound |
| 1946 |
The Story of Menstruation |
Disney |
10 min |
|
Color |
|
| 1946 |
The Stranger |
Orson Welles |
95 |
|
B&W |
|
| 1946 |
The Stranger. |
Orson Welles |
95 min. |
35mm |
B&W |
sound |
| 1946 |
The Undercover Woman. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
The uninvited pests. |
Connie Rasinski |
2:50 |
16mm |
|
sound |
| 1946 |
The Walls Came Tumbling Down. |
Lothar Mendes |
9 reels |
|
B&W |
sound |
| 1946 |
The wife of Monte Cristo. |
PRC Pictures Inc. |
8 reels |
16mm |
B&W |
sound |
| 1946 |
The World Of Paul Delvaux |
Grove Press-Cinema 16 Film Lib |
11 min |
16mm |
|
sound |
| 1946 |
The Yearling. |
Clarence Brown |
134 min |
35mm |
Color |
sound |
| 1946 |
The Years Between. |
Compton Bennett |
11 reels. |
35mm |
B&W |
sound |
| 1946 |
Three Wise Fools. |
Edward Buzzell |
9 reels |
35mm |
B&W |
sound |
| 1946 |
Thunder Town. |
Harry L. Fraser |
6 reels |
35mm |
B&W |
|
| 1946 |
Till The Clouds Roll By |
Metro-Goldwyn-Mayer. |
120 min |
16mm |
Color |
sound |
| 1946 |
Till The End Of Time |
Edward Dmytryk |
1:05 |
|
Color & B&W |
|
| 1946 |
TILL THE END OF TIME. |
RKO Radio Pictures |
105 min |
16mm |
Color & B&W |
sound |
| 1946 |
Till The End Of Time. |
Edward Dmytryk |
105 min |
35mm |
Color & B&W |
sound |
| 1946 |
TO EACH HIS OWN |
Mitchell Leisen |
12:00 |
16mm |
B&W |
sound |
| 1946 |
To Live In Peace |
ITALY |
87 min |
16mm |
B&W |
sound |
| 1946 |
TRAFFIC IN CRIME |
Lesley Selander |
|
16mm |
Color & B&W |
sound |
| 1946 |
Traffic In Crime. |
Lesley Selander |
6 reels |
35mm |
Color & B&W |
sound |
| 1946 |
Traffic With The Devil. |
Gunther von Fritsch |
2 reels |
35mm |
B&W |
sound |
| 1946 |
Tumbleweed Trail. |
Robert Emmett Tansey |
6 reels |
35mm |
B&W |
sound |
| 1946 |
Two Guys From Milwaukee. |
David Butler |
90 min. |
35mm |
B&W |
sound |
| 1946 |
Two Years Before the Mast |
Paramount News Service |
22 |
16mm |
B&W |
sound |
| 1946 |
Two Years Before The Mast. |
John Farrow |
10 reels |
|
B&W |
|
| 1946 |
Two-Fisted Stranger. |
Ray Nazarro |
5 reels |
|
B&W |
|