| 1944 |
Show Business. |
Edwin L. Marin |
92 min. |
|
B&W |
|
| 1944 |
Silent Partner. |
George Blair |
6 reels |
|
Color |
|
| 1944 |
Silver City Kid. |
John English |
6 reels |
|
Color |
|
| 1944 |
Sing, Neighbor, Sing. |
Frank McDonald |
8 reels |
|
Color |
|
| 1944 |
SLEEPYTIME GAL |
Albert S. Rogell |
|
16mm |
Color & B&W |
sound |
| 1944 |
Slightly Terrific. |
Edward F. Cline |
7 reels |
16mm |
B&W |
sound |
| 1944 |
Soil Erosion |
March of Time |
0:06:00 |
16mm |
B&W |
sound |
| 1944 |
Song Of Nevada. |
Republic Pictures Corporation |
8 reels |
16mm |
B&W |
sound |
| 1944 |
Song Of The Open Road. |
S. Sylvan Simon |
10 reels |
|
B&W |
|
| 1944 |
Song Of The Range. |
Wallace Fox |
6 reels |
|
B&W |
|
| 1944 |
Sonora Stagecoach. |
Robert Emmett Tansey |
6 reels |
|
B&W |
|
| 1944 |
South Of Dixie. |
Jean Yarbrough |
7 reels |
|
B&W |
|
| 1944 |
Stagecoach To Monterey. |
Lesley Selander |
6 reels |
|
Color & B&W |
|
| 1944 |
Stalingrad. |
Filmcraft (Firm) |
1 reel |
16mm |
B&W |
sound |
| 1944 |
Stars On Parade. |
Lew Landers |
6 reels |
|
B&W |
|
| 1944 |
Step Lively |
Tim Whelan |
88 |
|
B&W |
|
| 1944 |
Step Lively. |
Tim Whelan |
88 min. |
|
B&W |
|
| 1944 |
Storm Over Lisbon. |
George Sherman |
9 reels |
|
B&W |
|
| 1944 |
Strange Affair. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1944 |
Sundown Valley. |
Benjamin H. Kline |
6 reels |
|
B&W |
|
| 1944 |
Supervising Workers on the Job |
20202 Caravel Films Inc |
|
16mm |
B&W |
sound |
| 1944 |
SWEET AND LOW DOWN |
Archie Mayo |
76 min |
16mm |
B&W |
sound |
| 1944 |
Sweet And Low Down. |
Archie Mayo |
6 810 ft. |
|
B&W |
|
| 1944 |
Swing hostess. |
PRC Pictures Inc. |
2550 |
16mm |
B&W |
sound |
| 1944 |
Swing In The Saddle. |
Lew Landers |
69 min. |
|
B&W |
|
| 1944 |
Swing Out The Blues. |
Malcolm St. Clair |
8 reels |
|
B&W |
|
| 1944 |
Tahiti Nights. |
Will Jason |
6 reels |
|
B&W |
|
| 1944 |
TAKE HEED MR. TOJO. |
Shamus Culhane |
|
|
B&W |
|
| 1944 |
Tale of a dog. |
Cy Endfield |
380 |
16mm |
B&W |
sound |
| 1944 |
Tall In The Saddle. |
Edwin L. Marin |
87 min. |
|
B&W |
|
| 1944 |
Tampico. |
Lothar Mendes |
6800 ft. |
|
B&W |
|
| 1944 |
Tanoshiki kana jinsei |
Toho Kabushiki Kaisha |
77 min |
16mm |
B&W |
sound |
| 1944 |
Target Tokyo |
The Pentagon |
|
16mm |
B&W |
sound |
| 1944 |
TARGET TOKYO |
William Keighley |
|
16mm |
B&W |
|
| 1944 |
That's My Baby. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1944 |
The Battle For The Marianas. |
US Navy |
20min |
16mm |
Color |
Sound |
| 1944 |
The Battle of China |
U. S. War Department |
1:07:00 |
16mm |
B&W |
sound |
| 1944 |
The Battle of China |
U.S. War Dept. ; Directed by Frank Capra. |
67 |
16mm |
B&W |
sound |
| 1944 |
The Battle of Russia |
National Audiovisual Center |
80 |
16mm |
B&W |
sound |
| 1944 |
The Battle of Russia |
U.S. War Dept. ; Directed by Frank Capra. |
80 |
16mm |
B&W |
sound |
| 1944 |
The Black Parachute. |
Lew Landers |
7 reels |
|
B&W |
|
| 1944 |
The Chinese Cat. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1944 |
The Climax. |
Universal Pictures |
9 reels |
16mm |
Color |
sound |
| 1944 |
The cold blooded penguin |
Bill Roberts |
|
16mm |
|
sound |
| 1944 |
The Contender. |
Sam Newfield |
7 reels |
|
B&W |
|
| 1944 |
The Desert Hawk. |
B. Reeves Eason |
2 reels |
|
B&W |
|
| 1944 |
The Doughgirls. |
James V. Kern |
102 min |
|
B&W |
|
| 1944 |
The Eve Of St. Mark |
Twentieth Century-Fox Film Corp |
11 reels |
|
B&W |
|
| 1944 |
The Fighting Lady. |
Edward Steichen |
5506 ft. |
|
Color |
|
| 1944 |
The Ghost That Walks Alone. |
Lew Landers |
6 reels |
|
B&W |
|