| 1942 |
DIE ENTLASSUNG |
Tobis Filmkunst GmbH |
107 min |
16mm |
B&W |
sound |
| 1942 |
Dixie Dugan. |
Otto Brower |
5 997 ft. |
|
B&W |
|
| 1942 |
Doin' Their Bit. |
Bert Glazer |
999 ft. |
|
B&W |
sound |
| 1942 |
Don't Lie. |
Edward L. Cahn |
985 ft. |
16mm |
B&W |
sound |
| 1942 |
Down Rio Grande Way. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
Down Texas Way. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
DR. BROADWAY. |
Paramount Pictures Inc. |
7 reels |
|
B&W |
|
| 1942 |
Drums Of The Congo. |
Christy Cabanne |
7 reels |
|
B&W |
|
| 1942 |
Dudes are Pretty People |
BLACK |
55 min. |
16mm |
B&W |
sound |
| 1942 |
Dudes Are Pretty People. |
Hal Roach, Jr. |
5 reels |
|
B&W |
|
| 1942 |
Duke Of The Navy. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
En Passant |
New York |
1 min |
16mm |
|
sound |
| 1942 |
Enemy Agents Meet Ellery Queen. |
James P. Hogan |
8 reels |
|
B&W |
|
| 1942 |
Escape From Crime. |
D. Ross Lederman |
51 min. |
|
B&W |
|
| 1942 |
Fighting Frontier. |
Lambert Hillyer |
57 min. |
|
B&W |
|
| 1942 |
Fly-By-Night. |
Robert Siodmak |
8 reels |
|
B&W |
|
| 1942 |
Flying With Music. |
George Archainbaud |
5 reels |
|
B&W |
|
| 1942 |
Food—Weapon Of Conquest. |
Stuart Legg |
2 reels |
|
B&W |
|
| 1942 |
Forbidden Trails. |
Robert N. Bradbury |
6 reels |
|
B&W |
|
| 1942 |
Foreign Agent. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
Frisco Lil. |
Erle C. Kenton |
6 reels |
|
B&W |
|
| 1942 |
Gallant Lady. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
Ghost Town Law. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
Girls' Town. |
Victor Hugo Halperin |
7 reels |
|
|
|
| 1942 |
Give Out, Sisters. |
Edward F. Cline |
8 reels |
16mm |
B&W |
sound |
| 1942 |
GOVERNMENT FILMS |
aerial navigation; utilization of weather reports, radio compasses, directional an- (OE tenna, and automatic compass. (TF l- 327; 30 minutes) 2, 41 7 Radio Antennas: Creation and Be- 1943. havior of Radio Waves Series) U.S. Department of the Air Force |
|
16mm |
|
|
| 1942 |
Heart Of The Golden West. |
Joseph Kane |
7 reels |
|
B&W |
|
| 1942 |
Hello, Annapolis. |
Lew Landers |
6 reels |
|
B&W |
|
| 1942 |
Hen Hop |
NFBC |
5 min |
16mm |
Color |
sound |
| 1942 |
Henry Aldrich, Editor. |
Paramount |
8 reels |
|
B&W |
Sound |
| 1942 |
Henry And Dizzy. |
Hugh Bennett |
7 reels |
|
B&W |
|
| 1942 |
Henry Browne, Farmer |
U.S. Department of Agriculture |
10 min |
16mm |
B&W |
sound |
| 1942 |
Here Comes The Circus |
?pathe |
11 |
16mm |
B&W |
sound |
| 1942 |
Hi, neighbor! |
Minoco Productions |
1:00 |
16mm |
Color |
sound |
| 1942 |
High stakes in the East. |
John Fernhout |
3:50 |
16mm |
Color |
sound |
| 1942 |
Highways By Night. |
Peter Godfrey |
63 min. |
|
B&W |
|
| 1942 |
Hillbilly Blitzkrieg. |
Roy Mack |
7 reels |
|
B&W |
|
| 1942 |
Hitler—Dead Or Alive. |
Nick Grinde |
7 reels |
|
B&W |
|
| 1942 |
Hoppy Serves A Writ. |
George Archainbaud |
66 min. |
|
B&W |
|
| 1942 |
House of errors. |
Bernard B. Ray |
22:00 |
16mm |
B&W |
sound |
| 1942 |
I DOOD IT |
R C M Productions |
102 min |
16mm |
B&W |
sound |
| 1942 |
I Dood It. |
Vincente Minnelli |
1 reel |
16mm |
B&W |
sound |
| 1942 |
I Married An Angel. |
W. S. Van Dyke, Roy Del Ruth, Hunt Stromberg |
10 reels |
|
B&W |
sound |
| 1942 |
I Was Framed. |
D. Ross Lederman |
61 min. |
|
B&W |
|
| 1942 |
Ice-Capades Revue. |
Bernard Vorhaus |
8 reels |
|
Color |
|
| 1942 |
Iceland. |
H. Bruce Humberstone |
7119 ft. |
|
B&W |
|
| 1942 |
In Old California. |
William C. McGann |
9 reels |
|
B&W |
|
| 1942 |
In Which We Serve. |
David Lean, Noël Coward |
12 reels |
|
B&W |
|
| 1942 |
Infanterie im Angriff. |
Heeresfilmstelle |
4:00 |
16mm |
B&W |
sound |
| 1942 |
Inside Fighting China |
National Film Board of Canada; United Artists |
2 reels |
16mm |
B&W |
|