| 1941 |
A Missouri Outlaw. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1941 |
A Place to Live |
Snyder |
1000 ft |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Place to live |
Irving Lerner |
16 min |
|
Color & B&W |
|
| 1941 |
A Very Young Lady. |
Harold D. Schuster |
7129 ft. |
|
B&W |
|
| 1941 |
A woman's face |
Loew's Inc. (Publisher) | Metro Goldwyn Mayer: Publisher |
1:45:00 |
16mm |
B&W |
sound |
| 1941 |
A Woman's Face. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1941 |
Accent On Love. |
Ray McCarey |
5560 ft. |
|
Color |
|
| 1941 |
Across The Sierras. |
D. Ross Lederman |
6 reels |
|
B&W |
|
| 1941 |
Along The Rio Grande. |
Edward Killy |
64 min. |
|
B&W |
|
| 1941 |
AM ABEND AUF DER HEIDE |
Cine-Allianz-Tonfilmprod. GmbH. |
|
16mm |
B&W |
sound |
| 1941 |
Among The Living. |
Stuart Heisler |
8 reels |
|
B&W |
|
| 1941 |
An American march |
Museum of Modern Art |
3 |
16mm |
Color |
sound |
| 1941 |
Angels With Broken Wings. |
Bernard Vorhaus |
9 reels |
|
B&W |
|
| 1941 |
Arizona Cyclone. |
Joseph H. Lewis |
6 reels |
|
B&W |
|
| 1941 |
Babes on Broadway |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:58:00 |
16mm |
B&W |
sound |
| 1941 |
Babes On Broadway. |
Vincente Minnelli, Busby Berkeley |
13 reels |
|
B&W |
sound |
| 1941 |
Baby Blues. |
Edward L. Cahn |
852 ft. |
|
B&W |
sound |
| 1941 |
Back In The Saddle. |
Autry Qualified Interest Trust & The Autry Foundation |
8 reels |
16mm |
B&W |
sound |
| 1941 |
Bad Man Of Deadwood. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1941 |
Badlands Of Dakota. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1941 |
Billy the Kid in Santa Fe. |
Sam Newfield |
1860 |
16mm |
B&W |
sound |
| 1941 |
Billy The Kid Wanted. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1941 |
Billy The Kid's Fighting Pals. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1941 |
Billy The Kid's Range War. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1941 |
Billy The Kid's Round-Up. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1941 |
Blonde Comet. |
William Beaudine |
7 reels |
16mm |
B&W |
sound |
| 1941 |
Blonde Inspiration. |
Busby Berkeley |
7 reels |
|
B&W |
sound |
| 1941 |
Blondie Goes Latin. |
Frank R. Strayer |
7 reels |
|
B&W |
|
| 1941 |
Blondie in society. |
Columbia Pictures. |
2400 |
16mm |
B&W |
sound |
| 1941 |
Blossoms In The Dust. |
Mervyn LeRoy |
10 reels |
|
Color & B&W |
sound |
| 1941 |
Blue, White And Perfect. |
Herbert I. Leeds |
6779 ft. |
|
B&W |
|
| 1941 |
Blues in the Night |
Anatole Litvak |
89 min |
16mm |
B&W |
|
| 1941 |
Blues In The Night. |
Anatole Litvak |
88 min. |
|
B&W |
|
| 1941 |
Border Vigilantes. |
Derwin Abrahams |
6 reels |
|
B&W |
|
| 1941 |
Brothers and sisters of the Toda family |
Audio Brandon |
104 mi |
16mm |
B&W |
sound |
| 1941 |
CALL OF THE CANYON |
Minoco Productions |
|
16mm |
B&W |
sound |
| 1941 |
Carolina Moon. |
Frank McDonald |
1 reel |
16mm |
B&W |
sound |
| 1941 |
Caught In The Act. |
Jean Yarbrough |
7 reels |
|
|
|
| 1941 |
Charley's Aunt. |
Archie Mayo |
7 275 ft. |
|
B&W |
|
| 1941 |
Citadel Of Crime. |
George Sherman |
6 reels |
|
B&W |
|
| 1941 |
Citizen Kane |
Films inc. |
119 min |
16mm |
B&W |
sound |
| 1941 |
Come Back, Miss Pipps. |
Edward L. Cahn |
994 ft. |
|
B&W |
|
| 1941 |
Cornsilk |
Soundies present ; directed by Neil McGuire. |
3 |
16mm |
B&W |
sound |
| 1941 |
Country Fair. |
Frank McDonald |
8 reels |
|
Color |
|
| 1941 |
Cracked Nuts. |
Edward F. Cline |
6 reels |
|
B&W |
|
| 1941 |
Criminals Within. |
Joseph H. Lewis |
7 reels |
|
B&W |
|