| 1953 |
The Vanquished. |
Paramount Pictures Corp. |
84 min. |
35mm |
Color |
sound |
| 1953 |
Thunder Bay. |
Universal Pictures Co. Inc. |
103 min |
35mm |
Color |
sound |
| 1952 |
Confidence Girl. |
Fanwill Productions Inc. in notice: Fanwill Productions Inc.) |
81 min. |
35mm |
B&W |
sound |
| 1952 |
Francis Goes To West Point. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
B&W |
sound |
| 1952 |
Let’s Be At Home In The Water. |
William H. Murray |
10 min. |
16mm |
B&W |
sound |
| 1952 |
Red Skies Of Montana. |
Twentieth Century-Fox Film Corp |
98 min. |
35mm |
Color |
sound |
| 1952 |
The Lion And The Horse. |
Warner Bros. Pictures Inc. |
83 min. |
35mm |
Color |
sound |
| 1952 |
The Outcasts Of Poker Flat |
Brandon Films |
81 min |
16mm |
B&W |
sound |
| 1952 |
THE OUTCASTS OF POKER FLAT. |
Twentieth Century-Fox Film Corp |
81 min. |
35mm |
B&W |
sound |
| 1951 |
Bright Victory. |
Universal Pictures Co. Inc. |
97 min. |
35mm |
B&W |
sound |
| 1951 |
Halls Of Montezuma. |
Twentieth Century-Fox Film Corp |
113 min |
35mm |
Color |
sound |
| 1951 |
Strangers on a train |
Warner Bros Pictures Inc |
1:41:00 |
16mm |
B&W |
sound |
| 1951 |
The Day The Earth Stood Still. ▶ |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
B&W |
sound |
| 1951 |
The Frogmen. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1951 |
The Lady Pays Off. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1951 |
Thunder On The Hill. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
B&W |
sound |
| 1950 |
Deported |
Universal Pictures Company, Inc |
89 min |
16mm |
Color & B&W |
Sound |
| 1950 |
Harvey. |
Universal Pictures Co. Inc. |
104 min |
35mm |
B&W |
sound |
| 1950 |
Three Came Home. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
B&W |
sound |
| 1950 |
Winchester ’73. |
Universal Pictures Co. Inc. |
92 min. |
35mm |
B&W |
sound |
| 1949 |
The Gal Who Took The West. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
Color |
sound |
| 1948 |
Disaster. |
William H. Pine |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Fort Apache |
John Ford |
1:28 |
|
B&W |
|
| 1948 |
Fort Apache. |
129 N Vermont |
128 min |
35mm |
B&W |
sound |
| 1948 |
Race Street. |
Edwin L. Marin |
79 min. |
35mm |
B&W |
sound |
| 1948 |
The Street with No Name |
Twentieth Century-Fox Film Corporation |
1:31:00 |
16mm |
B&W |
sound |
| 1948 |
The Street With No Name. |
William Keighley |
91 min. |
35mm |
B&W |
sound |
| 1947 |
Brute Force. |
Jules Dassin |
98 min. |
35mm |
B&W |
sound |
| 1947 |
Seven Were Saved. |
William H. Pine |
72 min. |
35mm |
B&W |
sound |
| 1946 |
MR. ACE. |
Edwin L. Marin |
82 min. |
35mm |
B&W |
sound |
| 1946 |
Swamp Fire. |
William H. Pine |
69 min. |
35mm |
B&W |
sound |
| 1945 |
Swamp Fire. |
William H. Pine |
1 reel |
16mm |
B&W |
sound |
| 1944 |
I'll Be Seeing You. |
William Dieterle |
1 reel |
16mm |
B&W |
sound |
| 1943 |
Aerial Gunner. |
William H. Pine |
8 reels |
|
B&W |
|
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
High Explosive. |
Frank McDonald |
7 reels |
|
|
|
| 1943 |
Jack London. |
Alfred Santell |
93 min. |
|
B&W |
|
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|
| 1942 |
Wildcat. |
Frank McDonald |
7 reels |
|
B&W |
|
| 1941 |
Love Crazy. |
Jack Conway |
10 reels |
|
B&W |
|
| 1940 |
SAPS AT SEA |
United Artists |
60min |
16mm |
Color & B&W |
Sound |
| 1940 |
The Shop Around The Corner. |
Ernst Lubitsch |
10 reels |
|
B&W |
sound |
| 1939 |
At the circus |
Edward Buzzell |
83 min |
16mm |
B&W |
sound |
| 1939 |
At the circus |
Edward Buzzell |
83 min |
|
B&W |
|
| 1939 |
CAPTAIN FURY |
Hal Roach |
93 min |
|
B&W |
|
| 1939 |
Ninotchka |
MGM/UA |
110 min |
16mm |
B&W |
sound |
| 1939 |
Roamin' holiday. |
Hal Roach |
4:00 |
16mm |
B&W |
sound |
| 1939 |
TOPPER TAKES A TRIP. |
Hal Roach Studios Inc. |
8 reels |
16mm |
B&W |
sound |
| 1938 |
Bear Facts |
Gordon Douglas |
|
|
|
|
| 1938 |
Came the brawn |
Gordon Douglas |
|
16mm |
|
sound |