| 1998 |
Pleasantville |
Gary Ross |
120 min |
|
Color & B&W |
|
| 1997 |
Air Force One |
Wolfgang Petersen |
124 min |
|
Color |
|
| 1997 |
Boogie nights |
Paul Thomas Anderson |
155 min |
|
Color |
|
| 1993 |
Searching for Bobby Fischer |
Films Incorporated |
107 mi |
16mm |
Color |
sound |
| 1981 |
The Social life of small urban spaces |
Municipal Art Society Of N Y |
58 |
16mm |
Color |
sound |
| 1980 |
Foolin' Around |
Richard T. Heffron |
|
|
|
|
| 1977 |
The Turning Point ▶ |
Herbert Ross |
119 min |
|
Color |
|
| 1973 |
The Sting |
Universal Pictures Co. Inc. |
129 min |
16mm |
Color |
sound |
| 1972 |
The Godfather |
Francis Ford Coppola |
175 min |
|
Color |
|
| 1970 |
Chisum |
Batjac Productions |
111 min |
|
Color |
sound |
| 1970 |
Surgical Orthodontic Correction Of Mandibular Prognathism |
Bell William H |
|
16mm |
|
sound |
| 1969 |
The Maltese Bippy. |
Metro-Goldwyn-Mayer Inc. |
92 min |
35mm |
Color |
sound |
| 1969 |
The Undefeated |
John Wayne, Andrew V. McLaglen |
119 min |
|
Color |
|
| 1969 |
THE UNDEFEATED. |
Twentieth Century-Fox Film Corp |
119 min |
35 mm |
Color |
sound |
| 1969 |
Topaz |
Alfred J. Hitchcock Productions: Publisher | Universal Pictures: Distributor |
2:05:00 |
16mm |
Color |
sound |
| 1968 |
Hellfighters. |
Universal Pictures |
116 min |
35mm |
Color |
sound |
| 1968 |
Pretty poison. |
Twentieth Century-Fox Film Corp. Lawrence Turman Inc. & Molino Productions |
3150 |
35mm |
Color |
sound |
| 1967 |
In Like Flint. |
Twentieth Century-Fox Film Corp |
114 min |
35mm |
Color |
sound |
| 1967 |
The War Wagon. |
Universal Pictures & Batjac Productions Inc. |
97 min |
35mm |
Color |
sound |
| 1967 |
The Way West |
Collectors Book Store |
1:23 |
16mm |
Color |
|
| 1967 |
Valley Of The Dolls. |
Twentieth Century-Fox Film Corp. & Red Lion Productions Inc. |
123 min |
35mm |
Color |
sound |
| 1966 |
A pair of tights |
Blackhawk Films presents ; Metro-Goldwyn-Mayer ; supervising director, Leo McCarey ; director, Hal Yates ; titles, H.M. Walker. |
20 |
16mm |
B&W |
silent |
| 1966 |
Ducks, of course |
William H. Carrick |
|
|
|
|
| 1966 |
STAGECOACH. |
Twentieth Century-Fox Film Corp. & Martin Rackin Productions |
10 reels |
35mm |
Color |
sound |
| 1966 |
The Rare Breed. |
Universal Pictures Co. Inc. |
97 min |
35mm |
Color |
sound |
| 1966 |
The Sand Pebbles. |
Robert Wise Productions Solar Productions & Twentieth Century-Fox Film Corp. |
179 min |
35mm |
Color |
sound |
| 1966 |
Way Way Out. |
Way Out Co. & Twentieth Century-Fox Film Corp. |
105 min |
35mm |
Color |
sound |
| 1965 |
My Blood Runs Cold. |
Warner Bros. Pictures Inc. |
104 min |
35mm |
B&W |
sound |
| 1965 |
Our Man Flint. |
Twentieth Century-Fox Film Corp |
108 min |
35mm |
Color |
sound |
| 1965 |
Pin Pointers, No. |
Arthur Burton Weiss & William H. Unger |
|
16mm |
Color |
sound |
| 1965 |
Shenandoah. |
Universal Pictures Co. Inc. |
100 min |
35mm |
Color |
sound |
| 1965 |
The Sons Of Katie Elder. |
Paramount Pictures Corp. Hal B. Wallis Joseph H. Hazen & John Wayne |
122 min |
35mm |
Color |
sound |
| 1965 |
The Sound of music |
Films inc. |
167 mi |
16mm |
Color |
sound |
| 1965 |
The Sound Of Music. |
Argyle Enterprises & Twentieth Century-Fox Film Corp. |
174 min |
35mm |
Color |
sound |
| 1965 |
Von Ryan's Express. |
Twentieth Century-Fox Film Corp. & P-R Productions |
117 min |
35mm |
Color |
sound |
| 1964 |
A Scrap of Paper and A Piece of String ▶ |
Korty John |
300 ft. |
16mm |
Color |
sound |
| 1964 |
Encircling Fascia |
Ohio State Univ Motion Picture Division |
28 min |
16mm |
Color |
sound |
| 1963 |
Mclintock. |
Batjac Productions Inc. |
127 min |
35mm |
Color |
sound |
| 1963 |
The Prize |
Outreach Films / Cathedral Films Inc |
134 min |
16mm |
Color |
sound |
| 1963 |
The Prize |
Mark Robson |
12:00 |
|
Color |
|
| 1963 |
The Prize |
Mark Robson |
134 min |
|
Color |
|
| 1962 |
Citizen Diplomacy. |
Governmental Affairs Institute |
10:00 |
16mm |
B&W |
sound |
| 1962 |
Dynamics of solution |
Ellis Katzman Elbert C. Weaver John A. Skarulis William H. Pasfield Ross Lowell Herman J. Engel Robert Braverman Peter Robinson Geraldine Lerner Max J. Rosenberg Fisher Scientific Company |
|
|
|
|
| 1962 |
How the West Was Won |
John Ford, Henry Hathaway, George Marshall |
12:00 |
|
Color |
|
| 1962 |
The Man Who Shot Liberty Valance |
John Ford |
123 min |
16mm |
B&W |
sound |
| 1962 |
The Music Man |
Swanks Inc Modern Dept |
2:55:00 |
16mm |
Color |
sound |
| 1961 |
Come September |
Robert Mulligan |
112 min |
|
Color |
|
| 1961 |
Come September |
Robert Mulligan |
112 min |
|
Color |
|
| 1961 |
Come September. |
Universal Pictures Co. Inc. 7 Pictures Corp. & Raoul Walsh Enterprises |
112 min |
35mm |
Color |
sound |
| 1961 |
Ring of fire. |
Metro-Goldwyn-Mayer Inc. & Andrew L. Stone Inc. |
90 min |
35mm |
Color |
sound |