| 1957 |
Wildlife in the Rockies ▶ |
William H. Carrick |
|
|
|
|
| 1957 |
Witness for the Prosecution |
Billy Wilder |
1:16 |
|
B&W |
|
| 1958 |
A Stranger In My Arms. |
Universal Pictures Co. Inc. |
88 min. |
35mm |
B&W |
sound |
| 1958 |
Fort Dobbs. |
Warner Bros. Pictures Inc. |
90 min. |
35mm |
B&W |
sound |
| 1958 |
Voice In The Mirror. |
Universal Pictures Co. Inc. |
102 min |
35mm |
B&W |
sound |
| 1958 |
WILDLIFE IN THE ROCKIES |
William H. Carrick |
14 min |
16mm |
Color |
Sound |
| 1959 |
Beloved Infidel. |
Company of Artists Inc. & Twentieth Century-Fox Film Corp. |
117 min |
35mm |
Color |
sound |
| 1959 |
Some like it hot |
unknown |
120 min |
16mm |
B&W |
sound |
| 1959 |
Some like it hot |
MGM/UA |
1:21 |
16mm |
Color |
sound |
| 1959 |
Time Limit. |
CBS Films Inc. |
96 min. |
35mm |
Color |
sound |
| 1959 |
Yellowstone Kelly |
Warner Bros. Pictures Inc. |
90 min |
35mm |
Color |
sound |
| 1960 |
All the Fine Young Cannibals |
Collectors Book Store |
1:13 |
16mm |
Color |
|
| 1960 |
All The Fine Young Cannibals. |
Loew's Inc. & Avon Productions Inc. |
112 min |
35mm |
Color |
sound |
| 1960 |
Can-Can. |
Suffolk-Cummings Productions Inc. & Twentieth Century-Fox Film Corp. |
131 min |
|
Color |
sound |
| 1960 |
Paris: The City and the People |
Coronet Films |
11 min |
|
Color |
|
| 1960 |
Wild River |
Twentieth Century-Fox Film Corp |
105 min |
16mm |
Color |
sound |
| 1960 |
Wild River |
Twentieth Century-Fox Film Corporation |
1:50:00 |
16mm |
Color |
sound |
| 1961 |
Come September |
Robert Mulligan |
112 min |
|
Color |
|
| 1961 |
Come September |
Robert Mulligan |
112 min |
|
Color |
|
| 1961 |
Come September. |
Universal Pictures Co. Inc. 7 Pictures Corp. & Raoul Walsh Enterprises |
112 min |
35mm |
Color |
sound |
| 1961 |
Ring of fire. |
Metro-Goldwyn-Mayer Inc. & Andrew L. Stone Inc. |
90 min |
35mm |
Color |
sound |
| 1961 |
Tender Is The Night. |
Twentieth Century-Fox Film Corp |
146 min |
35mm |
Color |
sound |
| 1961 |
The Comancheros. |
Twentieth Century-Fox Film Corp |
107 min |
35mm |
Color |
sound |
| 1961 |
The Music Man. |
Warner Bros. Pictures Inc. |
151 min |
35mm |
Color |
sound |
| 1962 |
Citizen Diplomacy. |
Governmental Affairs Institute |
10:00 |
16mm |
B&W |
sound |
| 1962 |
Dynamics of solution |
Ellis Katzman Elbert C. Weaver John A. Skarulis William H. Pasfield Ross Lowell Herman J. Engel Robert Braverman Peter Robinson Geraldine Lerner Max J. Rosenberg Fisher Scientific Company |
|
|
|
|
| 1962 |
How the West Was Won |
John Ford, Henry Hathaway, George Marshall |
12:00 |
|
Color |
|
| 1962 |
The Man Who Shot Liberty Valance |
John Ford |
123 min |
16mm |
B&W |
sound |
| 1962 |
The Music Man |
Swanks Inc Modern Dept |
2:55:00 |
16mm |
Color |
sound |
| 1963 |
Mclintock. |
Batjac Productions Inc. |
127 min |
35mm |
Color |
sound |
| 1963 |
The Prize |
Outreach Films / Cathedral Films Inc |
134 min |
16mm |
Color |
sound |
| 1963 |
The Prize |
Mark Robson |
12:00 |
|
Color |
|
| 1963 |
The Prize |
Mark Robson |
134 min |
|
Color |
|
| 1964 |
A Scrap of Paper and A Piece of String ▶ |
Korty John |
300 ft. |
16mm |
Color |
sound |
| 1964 |
Encircling Fascia |
Ohio State Univ Motion Picture Division |
28 min |
16mm |
Color |
sound |
| 1965 |
My Blood Runs Cold. |
Warner Bros. Pictures Inc. |
104 min |
35mm |
B&W |
sound |
| 1965 |
Our Man Flint. |
Twentieth Century-Fox Film Corp |
108 min |
35mm |
Color |
sound |
| 1965 |
Pin Pointers, No. |
Arthur Burton Weiss & William H. Unger |
|
16mm |
Color |
sound |
| 1965 |
Shenandoah. |
Universal Pictures Co. Inc. |
100 min |
35mm |
Color |
sound |
| 1965 |
The Sons Of Katie Elder. |
Paramount Pictures Corp. Hal B. Wallis Joseph H. Hazen & John Wayne |
122 min |
35mm |
Color |
sound |
| 1965 |
The Sound of music |
Films inc. |
167 mi |
16mm |
Color |
sound |
| 1965 |
The Sound Of Music. |
Argyle Enterprises & Twentieth Century-Fox Film Corp. |
174 min |
35mm |
Color |
sound |
| 1965 |
Von Ryan's Express. |
Twentieth Century-Fox Film Corp. & P-R Productions |
117 min |
35mm |
Color |
sound |
| 1966 |
A pair of tights |
Blackhawk Films presents ; Metro-Goldwyn-Mayer ; supervising director, Leo McCarey ; director, Hal Yates ; titles, H.M. Walker. |
20 |
16mm |
B&W |
silent |
| 1966 |
Ducks, of course |
William H. Carrick |
|
|
|
|
| 1966 |
STAGECOACH. |
Twentieth Century-Fox Film Corp. & Martin Rackin Productions |
10 reels |
35mm |
Color |
sound |
| 1966 |
The Rare Breed. |
Universal Pictures Co. Inc. |
97 min |
35mm |
Color |
sound |
| 1966 |
The Sand Pebbles. |
Robert Wise Productions Solar Productions & Twentieth Century-Fox Film Corp. |
179 min |
35mm |
Color |
sound |
| 1966 |
Way Way Out. |
Way Out Co. & Twentieth Century-Fox Film Corp. |
105 min |
35mm |
Color |
sound |
| 1967 |
In Like Flint. |
Twentieth Century-Fox Film Corp |
114 min |
35mm |
Color |
sound |