| 1917 |
THE DARLING OF PARIS. |
Fox Film Corp |
6 reels |
|
B&W |
|
| 1916 |
Behind The Screen |
National Geographic |
20 min 0:21:00 |
16mm |
B&W |
sound |
| 1916 |
HAZEL KIRKE. |
Pathé Frères |
|
|
B&W |
silent |
| 1916 |
PEARL OF THE ARMY. |
Pathe Exchange Inc. |
|
|
B&W |
silent |
| 1916 |
The Fireman |
Mutual Film Corp |
24 0:21:00 |
16mm |
B&W |
sound |
| 1916 |
The Floorwalker |
Blackhawk Films Eastin-Phelan Corp |
24 min |
16mm |
B&W |
sound |
| 1916 |
The floorwalker |
Blackhawk |
20 |
16mm |
B&W |
silent |
| 1916 |
THE IRON CLAW. |
Pathe Exchange Inc. |
|
|
B&W |
silent |
| 1916 |
The Pawnshop |
Blackhawk |
25 |
16mm |
B&W |
silent |
| 1916 |
THE STRONG ARM SQUAD. |
Universal Film Mfg. Co. Inc. |
1 reel |
|
B&W |
silent |
| 1916 |
The Vagabond |
Mutual Film Corp |
24 min |
16mm |
B&W |
sound |
| 1916 |
The vagabond |
written and directed by Charles Chaplin. |
22 |
16mm |
B&W |
sound |
| 1915 |
A night in the show. |
Essanay Film Mfg. Co. |
2 reels |
16mm |
B&W |
silent |
| 1915 |
BARNABY RUDGE. |
Hepworth American Film Corp. |
1 reel |
|
B&W |
silent |
| 1915 |
The bank |
1915) (theatrical): Distributor |
0:25:00 |
16mm |
B&W |
silent |
| 1915 |
THE NEW EXPLOITS OF ELAINE. |
Pathé Frères |
|
|
B&W |
silent |
| 1915 |
The Tramp |
1915) (theatrical): Distributor |
0:21:00 |
16mm |
B&W |
silent |
| 1914 |
Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution |
Ive White; Candelario Ortiz; Eugene Buck; Tom Gardner |
|
|
|
|
| 1914 |
The Perils of Pauline |
Louis J. Gasnier |
|
|
|
|
| 1913 |
A night in town. |
Phillips Smalley |
190 |
16mm |
B&W |
|
| 1912 |
A DAY'S OUTING. |
Biograph Co |
1 reel |
16mm |
|
Sound |
| 1905 |
Life of an American Fireman |
|
8 min |
16mm |
B&W |
|
| 1904 |
[Motion picture primitives] |
. |
4 |
16mm |
B&W |
silent |
| 1900 |
Palace of Electricity |
James H. White |
|
|
|
|
| 1900 |
Scene from the Elevator Ascending Eiffel Tower |
James H. White |
|
|
|
|
| 1900 |
Watermelon Contest |
James H. White |
|
|
|
|
| 19-- |
William Shakespeare's Romeo and Juliet |
a a Films Incorporated presentation ; Paramount Picture ; a BHE Film ; Dino de Laurentiis Cinematografica ; Verona Produzione ; produced by Anthony Havelock-Allen, John Brabourne ; directed by Franco Zeffirelli ; screenplay, Franco Brusati, Masolino D'Amico, Franco Zeffirelli. |
138 |
16mm |
Color |
sound |
|
If Japan Can, Why Can’t We? (Part 1) |
NBC White Paper |
2880 ft. |
|
|
|
|
The Lowell Thomas Jr. Show: Africa (VINEGAR) |
Samish-White |
12:00 |
|
|
|
|
An Engineered System For Sanding Diesel Locomotives |
Whiting Corp |
|
16mm |
|
sound |
|
An Engineered System For Washing Hopper Car Interiors |
Whiting Corp |
|
16mm |
|
sound |
|
Community |
|
22 min |
16mm |
|
sound |
|
For Old Time's Sake |
|
1 reel |
16mm |
|
Sound |
|
Good Time Growing Show - Rules |
White Lion Media |
|
16mm |
|
sound |
|
Grooming The Streamliners |
Whiting Corp |
|
16mm |
|
sound |
|
Oriental Fantasy |
|
1 reel |
16mm |
|
Sound |
|
Ship of Dreams |
|
1 reel |
16mm |
|
Sound |
|
Songs of Yesteryear |
|
1 reel |
16mm |
|
Sound |
|
Stuart Little PT 1 |
E B White |
|
16mm |
|
sound |
|
Typewriting Skill Improvement Program; Orientation. |
White-Rodgers Co. |
2 min |
16mm |
|
sound |
|
What Does The Future Hold |
White Lion Pictograph |
|
16mm |
|
sound |
|
What Is God Like |
White Lion Pictograph |
|
16mm |
|
sound |
|
What Is God Like, And What Does The Future Hold |
White Lion Pictograph |
|
16mm |
|
sound |
|
Wine, Women & Song |
|
1 reel |
16mm |
|
Sound |