| 1955 |
Paris Follies of 1956 |
Leslie Goodwins |
|
|
|
|
| 1955 |
Stone Age Romeos. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1955 |
Wham-Bam-Slam. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1956 |
Husbands Beware |
Jules White |
|
|
|
|
| 1956 |
The story of printing : the letterpress |
KETC St. Louis Steve Bloomer Dick Hartzell Katherine White Valerie Haynes Don Salper L.J. Gallagher Helen Hagen |
|
16mm |
|
|
| 1956 |
The Young Guns. |
Allied Artists Pictures Corp. |
84 min. |
35mm |
B&W |
sound |
| 1957 |
English Literature: Chaucer and the Medieval Period |
Coronet Films |
13 min |
|
Color |
|
| 1957 |
Ghost Diver. |
Twentieth Century-Fox Film Corp |
76 min. |
35mm |
B&W |
sound |
| 1957 |
God Is My Partner. |
Twentieth Century-Fox Film Corp |
79 min. |
35mm |
B&W |
sound |
| 1957 |
It’s A Date . |
Norman T. White |
. 4 sec |
|
|
sound |
| 1957 |
MUSCLE UP A LITTLE CLOSER |
Jules White |
16 min |
16mm |
B&W |
sound |
| 1957 |
The Monte Carlo Story. |
Tan Films S. A. |
99 min. |
35mm |
Color |
sound |
| 1957 |
Typewriting Skill Improvement Program. |
White-Rodgers Co. PDL Division |
25 reels |
16mm |
Color |
sound |
| 1958 |
Industrial Engineering Series: Basic Motion And Time Study. |
White-Rodgers Co. |
28 min. |
16mm |
B&W |
sound |
| 1958 |
Industrial Engineering Series: Methods Improvement. |
White-Rodgers Co. |
5 min |
16mm |
Color |
sound |
| 1958 |
Macabre. |
Susina Associates |
73 min. |
35mm |
B&W |
sound |
| 1958 |
Marjorie Morningstar. |
Beachwold Pictures Inc. |
123 min |
35mm |
Color |
sound |
| 1958 |
Reading Improvement Program. |
White-Rodgers Co. PDL Division |
7 reels |
16mm |
Color |
sound |
| 1958 |
THE FLY. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
Color |
sound |
| 1958 |
The Key |
White Lion Pictograph |
2:08:00 |
16mm |
B&W |
sound |
| 1958 |
These Thousand Hills. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1958 |
Typewriting Skill Improvement Program; Orientation. |
White-Rodgers Co. |
2 min |
16mm |
Color |
sound |
| 1959 |
Muscle Up a Little Closer |
Jules White |
|
|
|
|
| 1959 |
The parent : part I |
KETC St. Louis Dick Hartzell Ralph Patrick Raymond E. Callahan Robert Hamblin John W.M. Whiting Office of Television Activities Washington University Richard Heffron Harold Barron Dan Lovins |
|
16mm |
|
|
| 1959 |
The parent : part II |
Dick Hartzell Ralph Patrick Raymond E. Callahan Robert Hamblin John W.M. Whiting Office of Television Activities Washington University Richard Heffron Harold Barron Dan Lovins KETC St. Louis |
|
16mm |
|
|
| 1959 |
Triple Crossed. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1959 |
WHITE MOUNTAINS OF NEW HAMPSHIRE |
Produced by Ballantine-Horter for White Mountains Recreation Assn. |
14 min |
16mm |
Color |
Sound |
| 1960 |
Episode In Ruanda |
White Sisters Convent |
15 min |
16mm |
Color |
sound |
| 1960 |
Let's Make Love |
Twentieth Century-Fox Film Corporation |
1:59:00 |
16mm |
Color |
sound |
| 1960 |
Let's Make Love. |
Company of Artists Inc. & Twentieth Century-Fox Film Corp. |
109 min |
35mm |
Color |
sound |
| 1960 |
Tombstone territory |
A Ziv Television Production ; produced by Frank Pittman and Andy White ; written by Robert Turner ; directed by Otto Lang. |
27 |
16mm |
B&W |
sound |
| 1960 |
Two-Way Stretch |
Robert Day |
|
|
|
|
| 1960s |
Work |
Blackhawk Films presents ; written and directed by Charlie Chaplin. |
21 |
16mm |
B&W |
silent |
| 1961 |
Martha White Flour "Ballad" |
Martha White |
|
|
|
|
| 1961 |
The right approach. |
Twentieth Century-Fox Film Corp |
220 |
35mm |
B&W |
sound |
| 1962 |
Especially For Fathers |
San Jose Unified School District Adult Ed Div |
24 |
16mm |
Color |
sound |
| 1962 |
To Kill A Mockingbird |
Universal Pictures Co. Inc. |
129 min |
16mm |
Color & B&W |
sound |
| 1963 |
Cattle King. |
Metro-Goldwyn-Mayer Inc. & Missouri Productions Inc. |
88 min |
35mm |
Color |
sound |
| 1963 |
Children Of The Damned. |
Metro-Goldwyn-Mayer British Studios Ltd. |
90 min |
35mm |
B&W |
sound |
| 1963 |
It's a Mad Mad Mad Mad World |
MGM/UA |
154 min |
16mm |
Color |
|
| 1963 |
The Informers |
Rank Organisation Film Productions, Ltd. England |
105 min |
|
B&W |
sound |
| 1963 |
The making of the President 1960 |
a presentation of David L. Wolper ; in association with ABC News ; produced and directed by Mel Stuart ; written by Theodore H. White. |
90 |
16mm |
B&W |
sound |
| 1963 |
To Kill A Mockingbird. |
Pakula-Mulligan Productions Inc. & Brentwood Productions Inc. |
129 min |
35mm |
B&W |
sound |
| 1964 |
John Goldfarb, Please Come Home. |
Parker-Orchard Productions & Twentieth Century-Fox Film Corp. |
96 min |
35mm |
Color |
sound |
| 1964 |
My Fair Lady. |
Warner Bros. Pictures Inc. |
|
|
Color |
sound |
| 1964 |
White Owl "Sidewalk Cafe" |
White Owl Cigarettes |
|
|
|
|
| 1964 |
White Owl "Sidewalk Cafe" |
White Owl |
|
|
|
|
| 1965 |
Dear Brigitte. |
Twentieth Century-Fox Film Corp |
100 min |
35mm |
Color |
sound |
| 1965 |
Ten Little Indians |
Coronet |
|
16mm |
|
sound |
| 1965 |
War-Gods Of The Deep. |
American International Productions |
85 |
35mm |
Color |
sound |