| 1958 |
Staging the Opera |
WNET/13 |
|
16mm |
|
|
| 1958 |
Style in Writing, Part 1 |
WNET/13 |
29 |
16mm |
B&W |
|
| 1958 |
Tea, Horse, and Crime |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
Teller-Pauling Debate |
WNET/13 |
|
16mm |
|
|
| 1958 |
Terra Cotta |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Alcoholic Criminal |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
The Alphabet |
WNET/13 |
30 |
16mm |
B&W |
|
| 1958 |
The Anthropomorphic Criminal |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Beautiful Book |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Born Criminal |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
The Challenge to American Education, Part 1 |
WNET/13 |
60 |
16mm |
B&W |
|
| 1958 |
The Challenge to American Education, Part 2 |
WNET/13 |
60 |
16mm |
B&W |
|
| 1958 |
The Criminal and How to Neutralize Him |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Criminal and Punishment |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
The Dignity of Man |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Ethnological Criminal |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Illustration and the Text |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Impact of Personalities |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Life of a Tree |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Linguistic Approach to Language Learning |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
The Orchids |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Organization of American States |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Play: Idea For Illusion |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Progress of Science |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Roots of Criminality |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Roving Eye |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Sense of Tragedy |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Size of the Universe |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Sounds of Language |
WNET/13 |
33 |
16mm |
B&W |
sound |
| 1958 |
The Training of a Diplomat |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
The Trial--The Case for the Plaintiff |
WNET/13 |
30 |
16mm |
B&W |
|
| 1958 |
The True Criminal |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
The Witnesses to the Accident |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
The Writer's Tone of Voice |
WNET/13 |
|
16mm |
|
|
| 1958 |
The Written Word: Decline and Revival |
WNET/13 |
|
16mm |
|
|
| 1958 |
Unconscious Understanding |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
Venice, the Perfect Book |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
Viewing the Supernatural |
WNET/13 |
30 |
16mm |
B&W |
sound |
| 1958 |
War |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
Weather Maps, Calendars, and Crime |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
Westward to Greece |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
What Do You Like Best and Least? |
WNET/13 |
|
16mm |
|
|
| 1958 |
What Does the Word Communism Mean to You |
WNET/13 |
|
16mm |
|
|
| 1958 |
What Tones Are |
WNET/13 |
|
16mm |
|
|
| 1958 |
Where Is the Meaning |
WNET/13 |
33 |
16mm |
B&W |
sound |
| 1958 |
Why Science Works |
WNET/13 |
33 |
16mm |
B&W |
|
| 1958 |
Writing Forceful Sentences, Part 1 |
WNET/13 |
30 |
16mm |
B&W |
|
| 1958 |
Writing Forceful Sentences, Part 2 |
WNET/13 |
30 |
16mm |
B&W |
|
| 1957 |
A Policy for a Free World |
WNET/13 |
33 |
16mm |
B&W |
|
| 1957 |
Abstract Art: Part 2 |
WNET/13 |
33 |
16mm |
B&W |
|