| 1970 |
A Clear And Present Danger |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
Berlin Affair |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
Dial Hot Line |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
Hauser’S Memory |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
It Takes A Thief — Beyond A Treasonable Doubt |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — Fortune City |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — Nice Girls Marry Stockbrokers |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — Project X |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — Situation Red |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — The Steal-Driving Man |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — The Suzie Simone Caper |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — To Sing A Song Of Murder |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
It Takes A Thief — Touch Of Magic |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Adam |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Angie |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Billy |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Charles |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Doc |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Jilly |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Jimmy |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Lia |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Lori |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Nick |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Nina |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Sheila |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Steve |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Yumiko |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Mccloud |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
Mccloud — Horse Stealing On Fifth Avenue |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Mccloud — Our Man In Paris |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Mccloud — The Concrete Corral |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Mccloud — The Stage Is All The World |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Mccloud — Walk In The Dark |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Mccloud — Who Says You Can’T Make Friends In New York City |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Night Gallery — Room With A View; The Little Black Bag; The Nature Of The Enemy |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Night Gallery — The Dead Man; The Housekeeper |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Night Gallery — The House; Certain Shadows On The Wall |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — A Time For Lying |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — Call Me Ellen |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — Call Me Lee |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — Elegy For Edward Shelby |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — Journey To Nowhere |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — No Place To Hide |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — Ordeal |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — Shattered Idol |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — The Last Grand Tour |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Paris 7000 — To Cage A Lion |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Ritual Of Evil |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
San Francisco International |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
San Francisco International Airport — Crisis On Runway 26 |
Universal City Studios |
Approx. 53 min. each |
|
Color |
sound |