| 1945 |
Rough Riders Of Cheyenne. |
Thomas Carr |
6 reels |
|
Color |
|
| 1945 |
The Cherokee Flash. |
Thomas Carr |
55 min. |
|
B&W |
|
| 1945 |
These Are The Men |
British Information Serv Film And Publication Division |
|
16mm |
|
sound |
| 1945 |
Within These Walls. |
H. Bruce Humberstone |
6406 ft. |
|
B&W |
|
| 1945 |
Your National Gallery |
Universal Pictures Inc |
0:11:00 |
16mm |
B&W |
sound |
| 1945 |
Your National Gallery |
Thomas Mead |
|
|
|
|
| 1944 |
Dark Waters. |
André De Toth |
89 min. |
|
B&W |
|
| 1944 |
Phantom Lady |
Universal Pictures Company Inc |
1:27:00 |
16mm |
B&W |
sound |
| 1944 |
PHANTOM LADY. |
Universal Pictures |
3000 |
16mm |
B&W |
|
| 1944 |
Phantom Lady. |
Robert Siodmak |
9 reels |
|
B&W |
|
| 1944 |
Radio bugs. |
Cy Endfield |
4:00 |
16mm |
B&W |
sound |
| 1944 |
Take It Big. |
Pine-Thomas Productions |
8 reels |
16mm |
Color & B&W |
sound |
| 1944 |
Tale of a dog. |
Cy Endfield |
380 |
16mm |
B&W |
sound |
| 1944 |
The Climax. |
Universal Pictures |
9 reels |
16mm |
Color |
sound |
| 1944 |
The Keys Of The Kingdom. |
John M. Stahl |
2 375 ft. |
|
B&W |
|
| 1944 |
Wilson. |
Henry King |
3 861 ft. |
|
Color |
|
| 1943 |
Flesh And Fantasy. |
Universal-International |
94 min. |
16mm |
B&W |
Sound |
| 1943 |
THESE ARE THE MEN |
Dylan Thomas, Alan Osbiston |
|
|
|
|
| 1942 |
Don't Lie. |
Edward L. Cahn |
985 ft. |
16mm |
B&W |
sound |
| 1942 |
He Hired The Boss. |
Thomas Loring |
6 533 ft. |
|
Color & B&W |
|
| 1942 |
Ice-Capades Revue. |
Bernard Vorhaus |
8 reels |
|
Color |
|
| 1942 |
Menace Of The Rising Sun. |
Thomas Mead, Joseph O'Brien |
2 reels |
|
|
|
| 1942 |
THE PRICE OF VICTORY. |
Pine-Thomas Productions |
500 |
16mm |
|
sound |
| 1942 |
Thru Different Eyes. |
Thomas Z. Loring |
5 750 ft. |
|
Color |
|
| 1942 |
Unexpected Riches. |
Bert Glazer |
994 ft. |
|
B&W |
sound |
| 1941 |
Gay nineties live again |
Castle Films presents. |
11 |
16mm |
B&W |
silent |
| 1941 |
LOVE SONG OF RENALDO |
Mario Castegnaro presents. |
1:00 |
16mm |
B&W |
sound |
| 1941 |
Old Mother Riley's Circus |
Thomas Bentley |
|
|
|
|
| 1940 |
All About Hash. |
Edward L. Cahn |
990 ft. |
|
B&W |
sound |
| 1940 |
Angels Over Broadway. |
Ben Hecht, Lee Garmes |
8 reels |
|
B&W |
|
| 1940 |
Bubbling Troubles. |
Edward L. Cahn |
983 ft. |
|
B&W |
sound |
| 1940 |
Castle On The Hudson. |
Anatole Litvak |
8 reels |
|
B&W |
|
| 1940 |
CHOOSE TO LIVE |
Castle Films |
11 min |
16mm |
B&W |
Sound |
| 1940 |
Our Town. |
United Artists Entertainment |
10 reels |
16mm |
B&W |
sound |
| 1940 |
Song of the islands. |
Walter Lang |
2:00 |
16mm |
Color |
sound |
| 1940 |
Swiss Family Robinson. |
The Play's The Thing Productions |
93 min. |
16mm |
Color |
sound |
| 1940 |
The long voyage home. |
Walter Wanger Productions |
12 reels |
16mm |
B&W |
sound |
| 1940 |
Three Cheers For The Irish. |
Lloyd Bacon |
10 reels |
|
B&W |
|
| 1939 |
COMFORT IN THE MAKING. |
Shannon Thomas Peterson |
|
|
|
|
| 1939 |
Gone With The Wind. |
Sam Wood, George Cukor, Victor Fleming |
26 reels |
|
Color |
sound |
| 1939 |
NANCY DREW—REPORTER. |
Warner Bros. Pictures Inc. |
7 reels |
|
B&W |
|
| 1939 |
Only angels have wings |
1939) (theatrical): Distributor |
2:01:00 |
16mm |
B&W |
sound |
| 1939 |
ONLY ANGELS HAVE WINGS. |
Columbia Pictures Corp. |
12 reels |
|
B&W |
|
| 1939 |
Stagecoach |
Films inc. |
110 mi |
16mm |
B&W |
sound |
| 1939 |
Stagecoach |
Masterpiece Productions Inc. presents ; directed by John Ford ; screenplay, Dudley Nichols. |
99 |
16mm |
B&W |
sound |
| 1939 |
The Hunchback of Notre Dame |
Films inc. |
114 mi |
16mm |
B&W |
sound |
| 1939 |
The Hunchback Of Notre Dame. |
William Dieterle |
117 min |
|
B&W |
|
| 1938 |
Came the brawn |
Gordon Douglas |
|
16mm |
|
sound |
| 1938 |
Canned fishing. |
Hal Roach |
4:00 |
16mm |
B&W |
sound |
| 1938 |
Mail and Female |
Fred C. Newmeyer |
10 |
|
|
|