| 1950 |
Pirates of the High Seas |
Spencer Gordon Bennet, Thomas Carr |
|
|
|
|
| 1950 |
Pirates Of The High Seas. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1950 |
Plantation System in Southern Life |
Coronet Films |
11 min |
|
Color |
|
| 1950 |
Pygmy Island. |
Columbia Pictures Corp. |
69 min. |
35mm |
B&W |
sound |
| 1950 |
Short Grass. |
Allied Artists Productions Inc. |
82 min. |
35mm |
B&W |
sound |
| 1950 |
The Clouded Yellow. |
General Film Distributors Ltd. |
96 min. |
35mm |
B&W |
sound |
| 1950 |
The Daltons’ Women. |
Western Adventure Productions Inc. |
77 min. |
35mm |
B&W |
sound |
| 1950 |
West Of The Brazos. |
Lippert Productions Inc. |
59 min. |
35mm |
B&W |
sound |
| 1949 |
A Double Life |
Universal Pictures Co. Inc. |
104 min |
16mm |
B&W |
sound |
| 1949 |
Helter Skelter |
Ralph Thomas |
|
|
|
|
| 1949 |
Siren Of Atlantis. |
Gregg G. Tallas |
75 min. |
35mm |
B&W |
sound |
| 1949 |
Special Agent. |
William C. Thomas |
70 min. |
35mm |
B&W |
sound |
| 1949 |
USE OF FORESTS |
Coronet Films |
10 min |
|
B&W |
|
| 1948 |
A Date with a Dream |
Dicky Leeman |
|
|
|
|
| 1948 |
A double life. |
George Cukor |
103 min |
16mm |
B&W |
sound |
| 1948 |
Big Town Scandal. |
William C. Thomas |
62 min. |
35mm |
B&W |
sound |
| 1948 |
Brick Bradford. |
Spencer Gordon Bennet, Thomas Carr |
2 reels |
35mm |
B&W |
sound |
| 1948 |
Congo Bill. |
Spencer Gordon Bennet, Thomas Carr |
2 reels |
35mm |
B&W |
sound |
| 1948 |
Corridor Of Mirrors. |
Apollo Films |
12 reels |
35mm |
B&W |
sound |
| 1948 |
Energy in Our Rivers |
Coronet Films |
11 |
16mm |
B&W |
sound |
| 1948 |
Key Largo |
John Huston |
1:00 |
16mm |
B&W |
|
| 1948 |
MR. RECKLESS |
Pine-Thomas Productions |
|
16mm |
B&W |
sound |
| 1948 |
News parade of the year 1948 |
Castle Films presents. |
9 |
16mm |
B&W |
sound |
| 1948 |
ONE NIGHT WITH YOU |
Two Cities Films Ltd. |
92 min |
16mm |
B&W |
sound |
| 1948 |
One Night With You. |
Two Cities Films Ltd. |
90 min. |
35mm |
B&W |
sound |
| 1948 |
Superman. |
Spencer Gordon Bennet, Thomas Carr |
2 reels |
35mm |
B&W |
sound |
| 1948 |
The Chicken of Tomorrow |
Patrick Allen |
|
|
|
|
| 1947 |
Big Town After Dark. |
William C. Thomas |
70 min. |
35mm |
B&W |
sound |
| 1947 |
Brooklyn, U.S.A |
Universal Pictures Company, Inc |
1 reel |
|
B&W |
|
| 1947 |
Code Of The Saddle. |
Thomas Carr |
53 min. |
35mm |
B&W |
sound |
| 1947 |
I Cover Big Town. |
William C. Thomas |
63 min. |
|
B&W |
sound |
| 1947 |
Jesse James Rides Again. |
Fred C. Brannon, Thomas Carr |
2 reels |
35mm |
B&W |
sound |
| 1947 |
Men And Machines. |
National Industrial Council |
1 reel |
16mm |
B&W |
sound |
| 1947 |
Song Of The Wasteland. |
Thomas Carr |
56 min. |
35mm |
B&W |
sound |
| 1946 |
Alias Billy The Kid. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
Days Of Buffalo Bill. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
INDIA NAUTCH DANCE |
Thomas Productions |
1:00 |
16mm |
|
silent |
| 1946 |
Melody Time. |
Clyde Geronimi, Jack Kinney, Hamilton Luske, Wilfred Jackson |
18 min. |
35mm |
B&W |
sound |
| 1946 |
Red River Renegades. |
Thomas Carr |
6 reels |
35mm |
Color |
|
| 1946 |
Rio Grande Raiders. |
Thomas Carr |
56 min. |
35mm |
Color |
sound |
| 1946 |
Stars Over Texas. |
Robert Emmett Tansey |
59 min. |
35mm |
B&W |
sound |
| 1946 |
The Dark Mirror. |
Robert Siodmak |
9 reels |
35mm |
B&W |
sound |
| 1946 |
The El Paso Kid. |
Thomas Carr |
6 reels |
35mm |
Color |
sound |
| 1946 |
THE MYSTERIOUS MR. VALENTINE. |
Philip Ford |
|
|
B&W |
|
| 1946 |
The Undercover Woman. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
They Made Me A Killer. |
William C. Thomas |
66 min. |
|
B&W |
|
| 1946 |
Three Wise Fools. |
Edward Buzzell |
9 reels |
35mm |
B&W |
sound |
| 1945 |
Bandits Of The Badlands. |
Thomas Carr |
6 reels |
|
Color |
|
| 1945 |
Midnight Manhunt. |
William C. Thomas |
7 reels |
|
B&W |
|
| 1945 |
Oregon Trail. |
Thomas Carr |
6 reels |
|
Color |
|