| 1941 |
Bahama Passage. |
Edward Griffith |
9 reels |
|
|
sound |
| 1941 |
Virginia. |
Edward H. Griffith |
12 reels |
|
|
sound |
| 1949 |
Manhandled. |
Lewis R. Foster |
96 min. |
35mm |
B&W |
sound |
| 1950 |
The Asphalt Jungle |
Metro-Goldwyn-Mayer Corp |
1:52:00 |
16mm |
B&W |
sound |
| 1950 |
The Asphalt Jungle. |
Loew's Inc. |
112 min |
35mm |
B&W |
sound |
| 1951 |
Flaming Feather. |
Paramount Pictures Corp. |
78 min. |
35mm |
Color |
sound |
| 1951 |
Journey Into Light ▶ |
Aura Productions |
87 min |
16mm |
B&W |
sound |
| 1951 |
Journey into light. |
Twentieth Century-Fox Film Corp |
88 min. |
35mm |
B&W |
sound |
| 1952 |
Denver and Rio Grande |
Byron Haskin |
89 min |
|
Color |
|
| 1952 |
Flat Top. |
Monogram Pictures Corp. |
85 min. |
35mm |
Color |
sound |
| 1952 |
Hellgate. |
R. L. Lippert Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1952 |
The Golden Hawk. |
Columbia Pictures Corp. |
9 reels |
35mm |
Color |
sound |
| 1952 |
THE STAR. |
Twentieth Century-Fox Film Corp |
90 min. |
35mm |
B&W |
sound |
| 1953 |
Fighter Attack. |
Monogram Pictures Corp. |
80 min. |
35mm |
Color |
sound |
| 1953 |
Kansas Pacific. |
Allied Artists Productions |
73 min. |
35mm |
Color |
sound |
| 1953 |
Take Me To Town. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
Color |
sound |
| 1954 |
Arrow in the dust. |
Allied Artists Pictures Corp. |
80 min. |
35mm |
Color |
sound |
| 1954 |
Crime Wave |
André de Toth |
73 min |
|
B&W |
|
| 1954 |
Johnny Guitar. |
Republic Pictures Corp |
12 reels |
35mm |
Color |
sound |
| 1954 |
Naked Alibi |
Jerry Hopper |
12:00 |
|
B&W |
|
| 1954 |
Naked Alibi. |
Universal Pictures Co. Inc. |
86 min. |
35mm |
B&W |
sound |
| 1954 |
Prince Valiant. |
Twentieth Century-Fox Film Corp |
100 min |
35mm |
Color |
sound |
| 1954 |
SO BIG. |
Warner Bros. Pictures Inc. |
101 min |
35mm |
B&W |
sound |
| 1954 |
Suddenly. |
Libra Productions Inc. |
77 min. |
35mm |
B&W |
sound |
| 1954 |
Timberjack. |
Republic Pictures Corp |
10 reels |
35mm |
Color |
sound |
| 1955 |
Battle Taxi. |
Ivan Tors Films Inc. |
80 min. |
35mm |
B&W |
sound |
| 1955 |
Shotgun. |
Allied Artists Pictures Corp. |
80 min. |
35mm |
Color |
sound |
| 1955 |
The Eternal Sea |
Ideal Pictures Inc |
103 min |
16mm |
B&W |
sound |
| 1955 |
The Eternal Sea. |
Republic Pictures Corp |
11 reels. |
35mm |
B&W |
sound |
| 1955 |
THE LAST COMMAND. |
Republic Pictures Corp |
110 min |
35mm |
Color |
sound |
| 1955 |
Top Gun. |
Fame Pictures Inc. |
73 min. |
35mm |
B&W |
sound |
| 1956 |
The Come-On. |
Allied Artists Pictures Corp. |
83 min. |
35mm |
B&W |
sound |
| 1956 |
The Killing. |
Harris-Kubrick Pictures Corp. |
83 min. |
35mm |
B&W |
sound |
| 1957 |
5 Steps to Danger |
Henry S. Kesler |
|
|
B&W |
|
| 1957 |
Crime of Passion |
Gerd Oswald |
84 min |
|
B&W |
|
| 1957 |
Gun Battle At Monterey. |
Allied Artists Pictures Corp. & C. B. Pictures Corp. |
76 min. |
35mm |
B&W |
sound |
| 1957 |
The Iron Sheriff. |
Grand Productions Inc. |
73 min. |
35mm |
B&W |
sound |
| 1957 |
Valerie. |
Hal R. Makelim Productions Inc. |
84 min. |
35mm |
B&W |
sound |
| 1957 |
Zero Hour. |
Paramount Pictures Corp. Carmel Enterprises Inc. & Delta Enterprises Inc. |
81 min. |
35mm |
B&W |
sound |
| 1958 |
Ten Days To Tulara. |
Producciones George Sherman S.A. |
77 min. |
35mm |
B&W |
sound |
| 1958 |
Terror In A Texas Town. |
Seltzer Films Inc. |
80 min. |
35mm |
B&W |
sound |
| 1963 |
Dr. Strangelove, or how I learned to stop worrying and love the bomb |
Films Incorporated |
93 |
16mm |
B&W |
sound |
| 1964 |
Carol for Another Christmas |
Joseph L. Mankiewicz |
|
|
|
|
| 1964 |
Dr. Strangelove |
Stanley Kubrick |
95 |
|
B&W |
|
| 1969 |
Hard Contract. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
Color |
sound |
| 1972 |
The Godfather |
Dist By Aims Media |
175 min |
16mm |
Color |
sound |
| 1972 |
The Godfather |
Francis Ford Coppola |
175 min |
|
Color |
|
| 1973 |
The Long Goodbye |
Robert Altman |
1:12 |
|
Color |
|
| 1978 |
King of the Gypsies |
Frank Pierson |
110 min |
|
Color |
|
| 1979 |
Winter Kills |
William Richert |
97 min |
|
Color |
|