| 1916 |
LOVELY MARY. |
Columbia Pictures Corp. |
5 reels |
|
B&W |
silent |
| 1919 |
THE BRAND. |
Goldwyn Pictures Corp. |
7 reels |
|
B&W |
|
| 1920 |
BUNTY PULLS THE STRINGS. |
Goldwyn Pictures Corp. |
7 reels |
|
Color |
|
| 1920 |
THE DEADLIER SEX. |
Pathe Exchange Inc. |
60 min |
|
B&W |
|
| 1921 |
SNOWBLIND. |
Goldwyn Pictures Corp. |
6 reels |
|
|
|
| 1923 |
THE HUNTRESS. |
First National Pictures Inc. |
6 reels |
|
B&W |
|
| 1925 |
The Eagle |
Art Finance Corp |
82 min |
16mm |
B&W |
silent |
| 1926 |
LOVEY MARY. |
Metro-Goldwyn-Mayer Corp. |
7 reels |
|
B&W |
|
| 1927 |
Annie Laurie. |
Metro-Goldwyn-Mayer Distributing Corp. |
9 reels |
16mm |
B&W |
sound |
| 1927 |
NOW WE'RE IN THE AIR. |
Paramount Famous Lasky Corp |
6 reels |
|
B&W |
|
| 1927 |
THE FIRST AUTO. |
Warner Bros. Pictures Inc. |
7 reels |
|
B&W |
|
| 1928 |
THE BUSHRANGER. |
Metro-Goldwyn-Mayer Distributing Corp. |
7 reels |
|
B&W |
|
| 1928 |
THE TRAIL OF '98 |
Clarence Brown |
87 min |
16mm |
B&W |
|
| 1929 |
INNOCENTS OF PARIS. |
Paramount Famous Lasky Corp |
7 reels |
|
B&W |
|
| 1929 |
THE TRAIL OF '98. |
Metro-Goldwyn-Mayer Distributing Corp. |
10 reels |
|
B&W |
|
| 1930 |
Billy the kid. |
Metro-Goldwyn-Mayer Distributing Corp. |
11 reels. |
16mm |
B&W |
sound |
| 1931 |
RIDIN' FOR JUSTICE. |
Columbia Pictures Corp. |
6 reels |
|
B&W |
|
| 1931 |
SUSAN LENOX. |
Metro-Goldwyn-Mayer Distributing Corp. |
8 reels |
|
B&W |
|
| 1932 |
LENA RIVERS. |
Tiffany Pictures. |
7 reels |
16mm |
|
Sound |
| 1934 |
CAROLINA. |
Fox Film Corp |
85 min |
|
B&W |
|
| 1935 |
THE COUNTY CHAIRMAN. |
Fox Film Corp |
80 min |
|
B&W |
|
| 1936 |
[San Francisco |
film |
50 |
[San Francisco |
B&W |
|
| 1936 |
PADDY O'DAY. |
Fox Film Corp |
8 reels |
|
B&W |
|
| 1937 |
THAT I MAY LIVE. |
Fox Film Corp |
70 min |
|
B&W |
|
| 1937 |
WILD WEST DAYS. |
Universal Pictures Co. Inc. |
2 reels |
|
B&W |
|
| 1939 |
Drums Along the Mohawk |
Teaching Film Custodians |
1200 ft. |
|
Color & B&W |
|
| 1939 |
Drums Along The Mohawk. |
John Ford |
9 303 ft. |
|
Color & B&W |
|
| 1939 |
Young Mr Lincoln |
Twentieth Century-Fox Film Corporation. |
1:00 |
16mm |
B&W |
sound |
| 1940 |
Santa Fe Trail |
Michael Curtiz |
110 min |
|
Color & B&W |
|
| 1940 |
The Grapes Of Wrath. |
John Ford |
1586 ft. |
|
B&W |
|
| 1940 |
Virginia City. |
Michael Curtiz |
12 reels |
|
B&W |
|
| 1941 |
Swamp Water |
Twentieth Century-Fox Film Corporation |
1:28:00 |
16mm |
B&W |
sound |
| 1941 |
Swamp Water. |
Jean Renoir, Irving Pichel |
7935 ft. |
|
B&W |
|
| 1941 |
Tobacco Road |
McGraw-Hill Films |
84 min |
16mm |
B&W |
sound |
| 1941 |
Tobacco Road. |
John Ford |
7 594 ft. |
|
B&W |
|
| 1944 |
Roaring Guns. |
Jean Negulesco |
20 min. |
|
B&W |
|
| 1944 |
Tall In The Saddle. |
Edwin L. Marin |
87 min. |
|
B&W |
|
| 1946 |
My Darling Clementine. |
John Ford |
97 min. |
35mm |
B&W |
sound |
| 1948 |
Tap Roots. |
George Marshall |
109 min |
35mm |
Color |
sound |
| 1949 |
Comin' Round The Mountain. |
Charles Lamont |
7 min |
35mm |
B&W |
sound |
| 1951 |
Comin’ Round The Mountain. |
Universal Pictures Co. Inc. |
77 min. |
35mm |
B&W |
sound |
| 1952 |
Meet Me At The Fair. |
Universal Pictures Co. Inc. |
10 reels |
35mm |
Color |
sound |
| 1953 |
The Sun Shines Bright |
Ideal Pictures Inc |
90 |
16mm |
B&W |
sound |
| 1955 |
The Lonely Man. |
Revue Productions Inc. |
27 min. |
16mm |
B&W |
sound |
| 1957 |
The Tin Star. |
Perlsea Co. & Paramount Pictures Corp. |
93 min. |
35mm |
B&W |
sound |