| 1962 |
Cash on demand. |
Woodpecker Productions Ltd. |
7000 |
35mm |
B&W |
sound |
| 1962 |
Damn The Defiant. |
G. W. Films Ltd. |
101 |
35mm |
Color |
sound |
| 1962 |
Dynamics of solution |
Ellis Katzman Elbert C. Weaver John A. Skarulis William H. Pasfield Ross Lowell Herman J. Engel Robert Braverman Peter Robinson Geraldine Lerner Max J. Rosenberg Fisher Scientific Company |
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| 1962 |
Five Weeks In A Balloon. |
Cambridge Productions Inc. & Twentieth Century-Fox Film Corp. |
101 min |
35mm |
Color |
sound |
| 1962 |
KILL OR CURE. |
Metro-Goldwyn-Mayer British Studios Ltd. |
1 reel |
35mm |
B&W |
sound |
| 1962 |
Lawrence Of Arabia. |
Horizon Pictures (G. B.) Ltd. |
216 min |
35mm |
Color |
sound |
| 1962 |
Only Two Can Play. |
Vale Film Productions Ltd. |
106 min |
35mm |
B&W |
sound |
| 1962 |
Pressure Point. |
Larcas Productions Inc. |
91 min |
35mm |
B&W |
sound |
| 1962 |
Serena |
Peter Maxwell |
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| 1962 |
Sergeants 3. |
E. C. Productions |
114 min |
35mm |
Color |
sound |
| 1962 |
Split Skin Grafts |
Ballen Peter H State Univ Of N Y |
|
16mm |
|
sound |
| 1962 |
Tales Of Terror |
Amer International Pictures |
89 min |
16mm |
Color |
sound |
| 1962 |
Tarzan Goes To India. |
Allfin A.G. |
86 min |
35mm |
Color |
sound |
| 1962 |
The Break |
Lion International Films Ltd. ; produced by Tom Blakeley ; original story and screenplay by Pip and Jane Baker ; directed by Lance Comfort. |
75 |
16mm |
B&W |
sound |
| 1962 |
The Kiss Of The Vampire. |
Universal Pictures Co. Inc. |
88 min |
35mm |
Color |
sound |
| 1962 |
The L-Shaped Room |
Bryan Forbes |
1:26 |
|
B&W |
|
| 1962 |
The Longest Day. |
Darryl F. Zanuck Productions Inc. & Twentieth Century-Fox Film Corp. |
180 min |
35mm |
B&W |
sound |
| 1962 |
The Manster |
George Breakston |
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| 1962 |
The Pirates Of Blood River |
Ideal Pictures Inc |
87 min |
16mm |
Color |
sound |
| 1962 |
The Pirates Of Blood River. |
Hammer Film Productions |
87 min |
35mm |
Color |
sound |
| 1962 |
To Kill A Mockingbird |
Universal Pictures Co. Inc. |
129 min |
16mm |
Color & B&W |
sound |
| 1962 |
Tomorrow at ten. |
Lance Comfort |
2750 |
16mm |
|
sound |
| 1962 |
Trial and Error |
James Hill |
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| 1963 |
Bitter Harvest |
Peter Graham Scott |
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| 1963 |
Dead Birds |
Gardner Robert |
83 min |
16mm |
Color |
sound |
| 1963 |
Dead Birds |
Harvard University Film Study Ctr |
81 |
16mm |
Color |
sound |
| 1963 |
Filter Techniques |
University of Kansas, Radio-Television, Film Center, Lawrence, Kansas |
20 min |
|
Color |
|
| 1963 |
Hallelujah The Hills |
New Yorker Films |
81 min |
16mm |
Color & B&W |
sound |
| 1963 |
Heavens Above! |
John and Roy Boulting |
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| 1963 |
Hollywood and the stars. |
Funny men. Part 2 sponsored by Purex and Timex ; a David L. Wolper production ; United Artists Television ; production executive, Al Ramrus ; associate producer, Julian Ludwig ; written and produced by Irwin Rosten ; series producer- director, Jack Haley, Jr. |
26 |
16mm |
B&W |
sound |
| 1963 |
Hootenanny Hoot. |
Metro-Goldwyn-Mayer Inc. & Four Leaf Productions Inc. |
|
35mm |
B&W |
sound |
| 1963 |
How Vacuum Tubes Work |
CRM/McGraw-Hill Films |
22 |
16mm |
Color |
sound |
| 1963 |
Impact |
Peter Maxwell |
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|
| 1963 |
In The Cool Of The Day. |
Metro-Goldwyn-Mayer Inc. & John Houseman Productions Inc. |
89 min |
35mm |
Color |
sound |
| 1963 |
It's A Mad, Mad, Mad, Mad World. |
Casey Productions Inc. |
161 min |
35mm |
Color |
sound |
| 1963 |
Old Black Billy |
Hamilton Peter |
|
16mm |
|
sound |
| 1963 |
Stolen Hours. |
Millar/Turman Productions Inc. Mirisch Co. Inc. & Carrollton of Panama S.A. |
|
35mm |
Color |
sound |
| 1963 |
Summer Holiday |
Peter Yates |
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| 1963 |
Tammy and the doctor. |
Universal Pictures Co. Inc. & Ross Hunter Productions Inc. |
88 min |
35mm |
Color |
sound |
| 1963 |
The atomic brain |
Cinema Ventures ; director, Joseph Mascelli. |
65 |
16mm |
|
sound |
| 1963 |
The boxer and death |
director, Peter Solan ; screenplay by Solan, Jozef Hen, Tibor Vichta. |
120 |
16mm |
B&W |
sound |
| 1963 |
THE BRASS BOTTLE. |
Universal Pictures Co. Inc. & Scarus Inc. |
6 reels |
35mm |
Color |
sound |
| 1963 |
The Cracksman |
Peter Graham Scott |
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| 1963 |
The Crawling Hand |
Herbert L. Strock |
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|
| 1963 |
The L-Shaped Room. |
Romulus Films Ltd. |
123 min |
35mm |
B&W |
sound |
| 1963 |
The Man From The Diner's Club. |
Dena Pictures Inc. & Ampersand Co. Inc. |
96 min |
35mm |
B&W |
sound |
| 1963 |
The Man Who Finally Died |
Quentin Lawrence |
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| 1963 |
The old dark house. |
Columbia Pictures Corp. |
9 reels |
35mm |
Color |
sound |
| 1963 |
The Prize |
Mark Robson |
12:00 |
|
Color |
|
| 1963 |
The Switch |
Peter Maxwell |
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