| 1942 |
The Boogie Man Will Get You. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
THE WHITE CLIFFS OF DOVER |
R C M Productions |
127 min |
16mm |
B&W |
sound |
| 1942 |
VALLEY OF THE SUN |
129 N Vermont |
50 |
16mm |
B&W |
sound |
| 1942 |
Valley Of The Sun |
George Marshall |
78 |
|
B&W |
|
| 1942 |
Valley Of The Sun. |
George Marshall |
79 min. |
|
B&W |
|
| 1943 |
Assignment In Brittany. |
Jack Conway |
10 reels |
|
B&W |
sound |
| 1943 |
Background To Danger. |
Raoul Walsh |
80 min. |
|
B&W |
|
| 1943 |
BAPTISM OF FIRE |
|
36 min |
16mm |
Color & B&W |
|
| 1943 |
Casablanca. |
Michael Curtiz |
102 min |
|
B&W |
|
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
Paris After Dark. |
20th Century-Fox |
7734 ft. |
16mm |
B&W |
Sound |
| 1943 |
Sherlock Holmes Faces Death. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1943 |
The Constant Nymph. |
Edmund Goulding |
112 min |
|
B&W |
|
| 1943 |
The Cross Of Lorraine. |
Tay Garnett |
9 reels |
|
B&W |
sound |
| 1943 |
Young Ideas. |
Jules Dassin |
5 reels |
|
B&W |
sound |
| 1944 |
ADDRESS UNKNOWN |
Columbia Pictures. |
2604 |
16mm |
B&W |
sound |
| 1944 |
Address Unknown. |
William Cameron Menzies |
8 reels |
|
B&W |
|
| 1944 |
Arsenic and Old Lace. |
Frank Capra |
4500 |
16mm |
B&W |
sound |
| 1944 |
Destination Tokyo. |
Delmer Daves |
135 min |
|
B&W |
|
| 1944 |
Gypsy Wildcat. |
Roy William Neill |
8 reels |
|
|
|
| 1944 |
House Of Frankenstein. |
Erle C. Kenton |
7 reels |
|
B&W |
|
| 1944 |
Passage to Marseille. |
warner bros. |
4000 |
16mm |
B&W |
sound |
| 1944 |
RESISTING ENEMY INTERROGATION. |
Bernard Vorhaus |
62 min |
16mm |
B&W |
sound |
| 1945 |
Behind City Lights. |
John English |
7 reels |
16mm |
Color & B&W |
sound |
| 1945 |
Christmas In Connecticut. |
Peter Godfrey |
101 min |
|
|
|
| 1945 |
Hollywood Canteen. |
Delmer Daves |
124 min |
|
B&W |
|
| 1945 |
Hotel Berlin. |
Peter Godfrey |
98 min. |
16mm |
B&W |
sound |
| 1945 |
Keep Your Powder Dry. |
Edward Buzzell |
10 reels |
|
B&W |
sound |
| 1945 |
The Clock |
Vincente Minnelli, Fred Zinnemann |
90 min |
|
B&W |
|
| 1945 |
Yolanda And The Thief. |
Vincente Minnelli |
12 reels |
35mm |
Color |
sound |
| 1946 |
Cluny Brown |
Ernst Lubitsch |
1:00 |
|
B&W |
|
| 1946 |
Cluny Brown. |
Ernst Lubitsch |
9100 ft. |
35mm |
B&W |
sound |
| 1946 |
Don't Gamble With Strangers. |
William Beaudine |
7 reels |
35mm |
B&W |
sound |
| 1946 |
Fear. |
Alfred Zeisler |
8 reels |
|
|
|
| 1946 |
One More Tomorrow. |
Peter Godfrey |
87 min. |
35mm |
Color |
sound |
| 1946 |
School for Secrets |
Peter Ustinov |
|
|
|
|
| 1946 |
The beast with five fingers. |
warner bros. |
3185 |
16mm |
Color & B&W |
sound |
| 1946 |
The Scarlet Horseman. |
Lewis D. Collins, Ray Taylor |
2 reels |
|
B&W |
|
| 1946 |
Two Sisters From Boston. |
Henry Koster |
12 reels |
|
B&W |
sound |
| 1946 |
Ziegfeld follies. |
Metro-Goldwyn-Mayer. |
110 min |
16mm |
Color |
silent |
| 1946 |
Ziegfeld Follies. |
Merrill Pye, Charles Walters, Robert Lewis, George Sidney, Roy Del Ruth, Vincente Minnelli, Norman Taurog |
13 reels |
|
Color |
sound |
| 1947 |
Escape Me Never. |
Peter Godfrey |
104 min |
35mm |
B&W |
sound |
| 1947 |
Holiday Camp. |
Gainsborough Pictures. Ltd. |
96 min. |
35mm |
B&W |
sound |
| 1947 |
Mrs. Fitzherbert |
Montgomery Tully |
|
|
|
|
| 1947 |
Northwest Outpost. |
Allan Dwan |
91 min. |
35mm |
B&W |
sound |
| 1947 |
Secretary's Day |
Coronet Films |
10 min |
|
Color |
|
| 1947 |
That Hagen Girl. |
Peter Godfrey |
83 min. |
35mm |
B&W |
sound |
| 1947 |
The Secretary Transcribes |
Coronet |
400 ft. |
|
Color |
|
| 1947 |
THE TWO MRS. CARROLLS. |
Peter Godfrey |
3566 |
16mm |
B&W |
|
| 1947 |
THE TWO MRS. CARROLLS. |
Peter Godfrey |
99 min. |
35mm |
B&W |
sound |