| 1984 |
Budgeting |
Peter Robinson |
|
16mm |
|
sound |
| 1984 |
Classic Creatures: Return of the Jedi |
Robert Guenette |
|
16mm |
|
sound |
| 1984 |
Gazelle |
Chermayeff Peter |
|
16mm |
|
sound |
| 1984 |
Ostrich |
PETER CHERMAYEFF |
|
16mm |
|
sound |
| 1984 |
Rhinoceros |
PETER CHERMAYEFF |
|
16mm |
|
sound |
| 1984 |
Wildebeest |
Chermayeff Peter |
|
16mm |
|
sound |
| 1985 |
Szirmok virágok kuszorúk |
= Flowers of reverie / MAFILM ; screenplay, Istvan Kardos, László Lugossy ; director, László Lugossy. |
106 |
16mm |
Color |
sound |
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1986 |
For Sentimental Reasons |
|
2566 min |
|
|
|
| 1986 |
Witness To Apartheid |
California Newsreel |
58 min |
16mm |
Color |
sound |
| 1986 |
Witness to Apartheid |
California Newsreel |
0:56:00 |
16mm |
Color |
sound |
| 1987 |
A child's Christmas in Wales |
Michael MacMillan Joseph Pierson Gillian Richardson Seaton McLean Don McBrearty Peter Kreutzer Jon Glascoe Denholm Elliott Mathonwy Reeves Glynis Davies Michael Fawkes |
|
16mm |
|
|
| 1987 |
The princess bride. |
Rob Reiner |
94 min |
16mm |
Color |
sound |
| 1988 |
A World Apart |
Princess Cruise Lines |
600 |
|
Color |
|
| 1988 |
The Canterville ghost |
Barr Films |
22 |
16mm |
Color |
sound |
| 1988 |
The Canterville Ghost |
Orkin-Flaum Productions. |
95 min |
|
|
|
| 1989 |
Derriere le mur |
la Maison de la culture du Havre, l'Esquisse et La Sept présentent ; un film de Raoul Ruiz ; producteur délégué, Jean-Luc Larguier. |
72 |
16mm |
Color & B&W |
sound |
| 1989 |
Eigenstandige Schweiz-Weltoffene Schweiz |
Peter-Christen Fueter |
29 |
16mm |
Color |
|
| 1989 |
La Suisse En Contrepoint |
Peter-Christen Fueter |
29 |
16mm |
Color |
|
| 1989 |
La Swizzeria |
Peter-Christen Fueter |
29 |
16mm |
Color |
|
| 1989 |
The Architecture of doom |
First Run/Icarus |
119 mi |
16mm |
Color & B&W |
sound |
| 1989 |
The architecture of doom. |
Peter Cohen |
119 min |
16mm |
Color |
sound |
| 1990 |
Across Five Aprils: A Time to Choose |
Robert C. Peters |
|
16mm |
|
sound |
| 1990 |
Across Five Aprils: War and Hope |
Robert C. Peters |
33 |
16mm |
|
sound |
| 1990 |
Everybody wins! |
Karel Reisz |
8:00 |
16mm |
Color |
sound |
| 1991 |
Perfect Harmony |
Will Mackenzie |
10:00 |
|
Color |
|
| 1991 |
Step by Step |
Pyramid |
22 |
16mm |
B&W |
sound |
| 1992 |
Malcolm X |
Spike Lee |
201 min |
16mm |
Color & B&W |
|
| 1993 |
Fish out of Water |
Coronet (CORT) |
96 min |
|
|
|
| 1994 |
The Shadow |
White Lion Pictograph |
108 min |
16mm |
Color |
sound |
| 1994 |
The Shadow |
Russell Mulcahy |
12:00 |
|
Color |
|
| 1995 |
Phantasmagoria |
Oplinger Curtis |
|
16mm |
|
sound |
| 1995 |
The Cure |
Mutual Film Corp |
24 |
16mm |
Color |
sound |
| 1995 |
The Surgeon |
Amer College Of Surgeons |
|
16mm |
|
sound |
| 1996 |
The Battle Over Citizen Kane |
Thomas Lennon |
1:15 |
16mm |
Color |
|
| 1996 |
The Quest |
NFBC |
12:00 |
|
Color |
|
| 1997 |
After The Game |
DOCUMENTARY EDUCATIONAL RESOURCES 5 BRIDGE ST WATERTOWN MA 02172 JOHN MARSHALL |
|
16mm |
|
sound |
| 1998 |
Praise |
Teleculture Inc. |
60 |
16mm |
Color |
sound |
| 1998 |
The Polar Bear |
Phoenix |
90 min |
16mm |
Color |
sound |
| 1999 |
Film 1 |
Sportlite Films |
|
16mm |
|
sound |
| 1999 |
The Sixth Sense |
Walter J Klein Co Ltd |
107 min |
16mm |
Color |
sound |
| 2003 |
Reconstruction |
Graphic Curriculum | National Broadcasting Corporation |
24 0:24:00 |
16mm |
Color |
sound |
| 2004 |
Rumors |
U.S. Army Signal Corps |
|
16mm |
|
|
| 2004 |
Shall We Dance? |
Peter Chelsom |
106 min |
|
Color |
|
| 2005 |
Hibernation |
John Williams |
15 min |
16mm |
|
sound |
| 2005 |
Hibernation |
John Williams |
15 min |
|
|
|
| 2005 |
King Kong |
Films inc. |
1:00 |
16mm |
B&W |
sound |
| 2005 |
King Kong |
Peter Jackson |
187 min |
16mm |
Color |
|
| 2005 |
Lassie. |
Wrather Organization. |
3 reels |
16mm |
B&W |
sound |
| 2005 |
Numbers |
|
43 min |
|
|
|