| 1972 |
The Will To Win |
Peter S. Brown Productions solely owned by Peter S. Brown. |
|
16mm |
Color |
sound |
| 1972 |
Time For Work And Time For Play |
Royal Danish Consulate General |
15 min |
16mm |
Color |
sound |
| 1972 |
Tomorrow |
Joseph Anthony |
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| 1972 |
Twins Of Evil |
Hammer Film Productions, Ltd |
85 min |
|
Color |
sound |
| 1972 |
Where The Bullets Fly |
Ideal Pictures Inc |
96 min |
16mm |
Color |
sound |
| 1973 |
Ace Eli And Rodger Of The Skies |
Twentieth Century Fox Film Corporation |
93 min |
|
Color |
sound |
| 1973 |
Aguirre the wrath of God |
New Yorker Films; Werner Herzog |
3490 |
16mm |
Color |
sound |
| 1973 |
And Now the Screaming Starts! |
Roy Ward Baker |
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| 1973 |
Assassin |
Peter Crane |
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| 1973 |
Awkward Customers |
Xicom |
24 min. |
16mm |
Color |
|
| 1973 |
Bless This House |
Peter Rogers Productions, Ltd. & G.T. Productions, Ltd |
89 min |
|
Color |
sound |
| 1973 |
Busting |
A Robert Chartoff-Irwin Winkler production |
92 min |
16mm |
Color |
sound |
| 1973 |
Carry On Girls |
Peter Rogers Productions, Ltd. & G.T. Productions, Ltd |
88 min |
|
Color |
sound |
| 1973 |
Chinese Americans |
: early immigrants / Handel Film Corporation ; producer, Norman Foster. |
20 |
16mm |
Color |
sound |
| 1973 |
Cipher In The Snow |
A Brigham Young University |
22 |
16mm |
Color |
sound |
| 1973 |
Directed by John Ford |
Films inc. |
102 mi |
16mm |
Color |
sound |
| 1973 |
Eksamen |
The Bulgarian Cinematography ; screenplay by Nikolai Haitov ; directed by Georgi Dyulgerov. |
53 |
16mm |
B&W |
sound |
| 1973 |
England Made Me |
Atlantic Productions, Inc |
100 min |
16mm |
Color |
sound |
| 1973 |
Frankenstein And The Monster From Hell |
Hammer Film Productions, Ltd |
93 min |
|
Color |
sound |
| 1973 |
Ghost in the Noonday Sun |
Peter Medak |
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| 1973 |
He's Not The Walking Kind |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1973 |
He's Not the Walking Kind |
|
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|
| 1973 |
How Seeds Are Scattered |
Peter Boulton |
11 |
16mm |
B&W |
sound |
| 1973 |
HUNGER |
Peter Foldès |
|
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|
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| 1973 |
Idaho Transfer |
Peter Fonda |
|
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| 1973 |
Kid Blue |
Marvin Schwartz Productions, Inc |
100 min |
|
Color |
sound |
| 1973 |
La Grande Breteche |
Twentieth Century-Fox Film Corporation |
25 min. |
16mm |
Color |
sound |
| 1973 |
Loose Bolts? |
Schlairfer Peter |
|
16mm |
|
sound |
| 1973 |
Loose Bolts? |
Peter Schlaifer |
35 |
16mm |
Color |
sound |
| 1973 |
Papillon. |
Franklin J. Schaffner |
144 min |
16mm |
Color |
sound |
| 1973 |
Robin Hood |
Wolfgang Reitherman |
|
|
|
|
| 1973 |
Saint Peter’S Church: A People On The Move |
Saint Peter’s Lutheran Church of New York City & George C. Stoney Associates |
29 min |
|
B&W |
sound |
| 1973 |
Slaughter’S Big Rip-Off |
American International Productions |
94 min |
|
Color |
sound |
| 1973 |
Slither |
Talent Associates - Norton Simon |
96 min |
|
Color |
sound |
| 1973 |
Steelyard Blues |
warner brothers |
93 min |
16mm |
|
sound |
| 1973 |
Steptoe and Son Ride Again |
Peter Sykes |
|
|
|
|
| 1973 |
Tempo: Australia In The Seventies |
Stanton FIlms |
24 |
16mm |
|
|
| 1973 |
The Animals Are Crying |
PMS |
800 ft. |
|
|
|
| 1973 |
The Asphyx |
Peter Newbrook |
|
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| 1973 |
The Blockhouse |
Clive Rees |
|
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|
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| 1973 |
The Friends Of Eddie Coyle |
Paramount Pictures Corporation |
102 min |
|
Color |
sound |
| 1973 |
The Homecoming |
Peter Hall |
|
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| 1973 |
The House in Nightmare Park |
Peter Sykes |
|
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|
|
| 1973 |
Two People |
Filmmakers Group |
1:40:00 |
16mm |
Color |
sound |
| 1973 |
Under Milk Wood |
Timon Films Ltd |
90 |
16mm |
Color |
sound |
| 1974 |
A Friend in Deed |
Ben Gazzara |
12:00 |
|
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| 1974 |
A Woman Under the Influence |
John Cassavetes |
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| 1974 |
Akenfield |
Peter Hall |
|
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| 1974 |
Ali - Fear Eats The Soul |
New Yorker Films |
690 |
16mm |
Color |
sound |
| 1974 |
Along These Lines |
Bell Telephone Of Canada In-Media Productions |
|
16mm |
|
sound |