| 1972 |
Alice's adventures in wonderland |
National Film and Video Center |
101 mi |
16mm |
Color |
sound |
| 1972 |
Alice’s Adventures In Wonderland |
BFA |
101 min |
|
Color |
|
| 1972 |
Synchromy = Synchromie |
National Film Board of Canada. |
8 min |
16mm |
Color |
sound |
| 1971 |
Enigma |
by Lillian Schwartz and Ken Knowlton ; music, F.R. Moore. |
6 |
16mm |
Color |
sound |
| 1971 |
The French Connection |
Schine-Moore Productions |
104 min |
|
Color |
sound |
| 1970 |
Myra Breckinridge |
Twentieth Century-Fox Film Corp |
95 min |
|
Color |
sound |
| 1970 |
The Man Who Haunted Himself |
Basil Dearden |
|
|
|
|
| 1969 |
Act Now |
47401 KQED-TV Bay Area Educational TV |
58 |
16mm |
Color |
sound |
| 1969 |
Change Of Habit |
Universal Pictures & NBC Productions |
95 min |
|
Color |
sound |
| 1969 |
Electromagnetic Fields And Waves, Pt. |
Trustees of the University of Pennsylvania (in notice: Moore School of Electrical Engineering the University of Pennsylvania) |
|
16mm |
Color |
sound |
| 1969 |
L'homme multiplié = |
Multiple man / Office National du Film ; direction, George Dufaux, Claude Godbout ; production, Robert Forget, Clément Perron. |
15 |
16mm |
Color & B&W |
sound |
| 1969 |
STAIRCASE. |
Stanley Donen Films Inc. |
90 min |
35 mm |
Color |
sound |
| 1969 |
The Bed-Sitting Room |
Richard Lester |
|
|
|
|
| 1969 |
WINNING. |
Universal Pictures & Newman-Foreman Co. Inc. |
123 min |
35 mm |
Color |
sound |
| 1968 |
30 Is A Dangerous Age, Cynthia. |
Walter Shenson Films Ltd. |
|
35mm |
Color |
sound |
| 1968 |
Assemblage / |
A film by Richard Moore, Phillip Greene, Bill Yahraus, William Winans, and Bernie Stoffer ; a production of the KQED Film Unit. |
58 |
16mm |
Color |
sound |
| 1968 |
Assemblage / |
A film by Richard Moore, Phillip Greene, Bill Yahraus, William Winans, and Bernie Stoffer ; a production of the KQED Film Unit. |
58 |
16mm |
Color |
sound |
| 1968 |
Calamity Join. |
Samuel Moore |
|
16mm |
B&W |
sound |
| 1968 |
Don't Just Stand There |
Universal Pictures |
99 min |
|
Color |
sound |
| 1968 |
Prudence And The Pill. |
Twentieth Century-Fox Film Corp |
92 min |
35mm |
Color |
sound |
| 1968 |
The Fiction Makers |
Roy Ward Baker |
|
|
|
|
| 1968 |
The saints |
Bent Barfod presents ; produced for Kortfilmradet ; director, Bent Barfod. |
4 |
16mm |
Color |
sound |
| 1968 |
Walt Whitman |
Whitman; Walt; 1819-1892; Thomas; Wanda Clayton; Moore; Charles; Leister; Lee; Haas; Richard; Davis; Greg; University of Utah. Department of Speech. Oral Interpretation Workshop; KUED-TV (Television station : Salt Lake City; Utah) |
|
16mm |
|
|
| 1968 |
What's so bad about feeling good? |
George Seaton |
93 min |
16mm |
Color |
sound |
| 1968 |
Where are we going? |
Krishnamurti Richard Moore Fred Cohn Philip Greene Eleanor McKinney Michael McCormack Stanley Kronquest Lee MacArthur KQED Film Unit |
|
16mm |
|
|
| 1968 |
Wild in the Streets |
American International Pictures |
1:37:00 |
16mm |
Color |
sound |
| 1967 |
7362 |
Amer Federation Of Arts |
10 |
16mm |
Color |
sound |
| 1967 |
A Man Called Dagger. |
Global Screen Associates Inc. |
|
35mm |
Color |
sound |
| 1967 |
Young Americans |
Ideal Pictures Inc |
104 min |
16mm |
Color |
sound |
| 1966 |
Bullet and the flesh |
Walter Manley Enterprises presents ; a Marco Film - Rome, Hesperia Films - Madrid, Cineurop - Paris co-production ; production manager, Adriano Merkel ; story and screenplay by Gino de Sanctis ; directed by Fred Wilson. |
85 |
16mm |
Color |
sound |
| 1966 |
Campaign in the City |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
29 min |
|
B&W |
|
| 1966 |
Richard Wilbur and Robert Lowell |
Richard Wilbur Robert Lowell Richard Moore KQED Film Unit San Francisco |
|
16mm |
|
|
| 1966 |
Robert Creeley |
Robert Creeley Richard Moore Philip Greene |
|
16mm |
|
|
| 1966 |
Robert Duncan and John Wieners |
Robert Duncan John Wieners Richard Moore Irving Saraf Philip Greene Stanley Kronquest Stephanie Pincson KQED Film Unit San Francisco Brice Howard |
|
16mm |
|
|
| 1966 |
Teaching, Research And Service |
Univ Of Michigan Medical School |
2 min |
16mm |
Color |
sound |
| 1966 |
The Fastest Guitar Alive. |
Metro-Goldwyn-Mayer Inc. & Four Leaf Productions Inc. |
|
35mm |
Color |
sound |
| 1966 |
Torn curtain |
Alfred J. Hitchcock Productions: Publisher | Universal Pictures: Distributor |
2:09:00 |
16mm |
Color |
sound |
| 1966 |
Torn Curtain. |
Universal Pictures |
122 min |
35mm |
Color |
sound |
| 1966 |
Years of Glory, Years of Growth |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
22 min |
|
Color |
|
| 1965 |
Michigan Reports: 1964-1965 |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
2 min |
|
Color |
|
| 1965 |
Town tamer. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
89 min |
35mm |
Color |
sound |
| 1964 |
Black Spurs. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
81 min |
35mm |
Color |
sound |
| 1964 |
Crack In The World. |
Paramount Pictures Corp. & Security Pictures Inc. |
96 min |
35mm |
Color |
sound |
| 1964 |
Son Of A Gunfighter. |
Metro-Goldwyn-Mayer Inc. |
90 min |
35mm |
Color |
sound |
| 1964 |
The Luck of Ginger Coffey. |
|
100 |
16mm |
B&W |
sound |
| 1963 |
Day Of The Triffids |
Cine World |
|
16mm |
|
sound |
| 1963 |
For love or money. |
Universal Pictures Co. Inc. |
8 reels |
35mm |
Color |
sound |
| 1963 |
Move Over, Darling. |
Melcher-Arcola Productions & Twentieth Century-Fox Film Corp. |
103 min |
35mm |
Color |
sound |
| 1963 |
Take this Hammer |
WNET/13 |
55 |
16mm |
B&W |
|
| 1963 |
The control revolution |
KQED San Francisco Richard Moore Wayne Ensrud Irving Saraf Morton Subotnick Robert Katz Patricia Day Harvey Langee David Shore Imagination Inc. Philip Greene |
|
16mm |
|
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