| 1960 |
Technique |
Ansel Adams KQED San Francisco Robert Katz Richard Moore Irving Saraf Denver Sutton Philip D. Greene William Triest |
|
16mm |
|
|
| 1960 |
The Adventures of Huckleberry Finn. |
Loew's Inc. & Formosa Productions Inc. |
10 reels |
35mm |
Color |
sound |
| 1960 |
The Alaskans |
Park Films |
13 min |
16mm |
color |
sound |
| 1960 |
The Navajo : part II |
Dick Hartzell Ralph Patrick John Adair Larry Moore Evon Z. Vogt Office of Television Activities Washington University William Roper Dan Lovins Paul Jones J. Maurice McCabe Anna Wauneka KETC St. Louis |
|
16mm |
|
|
| 1960 |
The Siege Of Sidney Street. |
Mid-Century Film Productions Ltd. |
|
35mm |
B&W |
sound |
| 1960 |
The Sinister Urge. |
Headliner Productions Inc. |
72 min |
35mm |
B&W |
sound |
| 1960 |
The Sins Of Rachel Cade. |
Warner Bros. Pictures Inc. |
124 min |
35mm |
Color |
sound |
| 1960 |
Wake Me When It's Over |
Mervyn LeRoy |
|
|
|
|
| 1960 |
Why Must I Die? |
Roy Del Ruth |
|
|
|
|
| 1961 |
Follow That Dream. |
Mirisch Co. Inc. |
109 min |
35mm |
Color |
sound |
| 1961 |
Professional photography |
Ansel Adams Milton Halberstadt Robert Katz Irving Saraf Denver Sutton Philip D. Greene Richard Moore William Triest KQED San Francisco |
|
16mm |
|
|
| 1961 |
The 300 Spartans. |
Twentieth Century-Fox Film Corp |
114 min |
35mm |
Color |
sound |
| 1961 |
X-15 |
Essex Productions Inc. |
106 min |
35mm |
Color |
sound |
| 1962 |
Architecture Mexico (cored) |
Allen-Moore Productions |
|
|
|
|
| 1962 |
Nine Hours To Rama. |
Twentieth Century-Fox Film Corp |
124 min |
35mm |
Color |
sound |
| 1962 |
Twist Around The Clock. |
Columbia Pictures Corp. |
|
35mm |
B&W |
sound |
| 1962 |
Walk on the Wild Side |
Edward Dmytryk |
114 min |
16mm |
B&W |
|
| 1963 |
Day Of The Triffids |
Cine World |
|
16mm |
|
sound |
| 1963 |
For love or money. |
Universal Pictures Co. Inc. |
8 reels |
35mm |
Color |
sound |
| 1963 |
Move Over, Darling. |
Melcher-Arcola Productions & Twentieth Century-Fox Film Corp. |
103 min |
35mm |
Color |
sound |
| 1963 |
Take this Hammer |
WNET/13 |
55 |
16mm |
B&W |
|
| 1963 |
The control revolution |
KQED San Francisco Richard Moore Wayne Ensrud Irving Saraf Morton Subotnick Robert Katz Patricia Day Harvey Langee David Shore Imagination Inc. Philip Greene |
|
16mm |
|
|
| 1963 |
The Day Of The Triffids. |
Security Pictures Ltd. |
90 min |
35mm |
Color |
sound |
| 1963 |
To Lighten The Shadows |
Southern Illinois Univ |
20 min |
16mm |
B&W |
sound |
| 1964 |
Black Spurs. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
81 min |
35mm |
Color |
sound |
| 1964 |
Crack In The World. |
Paramount Pictures Corp. & Security Pictures Inc. |
96 min |
35mm |
Color |
sound |
| 1964 |
Son Of A Gunfighter. |
Metro-Goldwyn-Mayer Inc. |
90 min |
35mm |
Color |
sound |
| 1964 |
The Luck of Ginger Coffey. |
|
100 |
16mm |
B&W |
sound |
| 1965 |
Michigan Reports: 1964-1965 |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
2 min |
|
Color |
|
| 1965 |
Town tamer. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
89 min |
35mm |
Color |
sound |
| 1966 |
Bullet and the flesh |
Walter Manley Enterprises presents ; a Marco Film - Rome, Hesperia Films - Madrid, Cineurop - Paris co-production ; production manager, Adriano Merkel ; story and screenplay by Gino de Sanctis ; directed by Fred Wilson. |
85 |
16mm |
Color |
sound |
| 1966 |
Campaign in the City |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
29 min |
|
B&W |
|
| 1966 |
Richard Wilbur and Robert Lowell |
Richard Wilbur Robert Lowell Richard Moore KQED Film Unit San Francisco |
|
16mm |
|
|
| 1966 |
Robert Creeley |
Robert Creeley Richard Moore Philip Greene |
|
16mm |
|
|
| 1966 |
Robert Duncan and John Wieners |
Robert Duncan John Wieners Richard Moore Irving Saraf Philip Greene Stanley Kronquest Stephanie Pincson KQED Film Unit San Francisco Brice Howard |
|
16mm |
|
|
| 1966 |
Teaching, Research And Service |
Univ Of Michigan Medical School |
2 min |
16mm |
Color |
sound |
| 1966 |
The Fastest Guitar Alive. |
Metro-Goldwyn-Mayer Inc. & Four Leaf Productions Inc. |
|
35mm |
Color |
sound |
| 1966 |
Torn curtain |
Alfred J. Hitchcock Productions: Publisher | Universal Pictures: Distributor |
2:09:00 |
16mm |
Color |
sound |
| 1966 |
Torn Curtain. |
Universal Pictures |
122 min |
35mm |
Color |
sound |
| 1966 |
Years of Glory, Years of Growth |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
22 min |
|
Color |
|
| 1967 |
7362 |
Amer Federation Of Arts |
10 |
16mm |
Color |
sound |
| 1967 |
A Man Called Dagger. |
Global Screen Associates Inc. |
|
35mm |
Color |
sound |
| 1967 |
Young Americans |
Ideal Pictures Inc |
104 min |
16mm |
Color |
sound |
| 1968 |
30 Is A Dangerous Age, Cynthia. |
Walter Shenson Films Ltd. |
|
35mm |
Color |
sound |
| 1968 |
Assemblage / |
A film by Richard Moore, Phillip Greene, Bill Yahraus, William Winans, and Bernie Stoffer ; a production of the KQED Film Unit. |
58 |
16mm |
Color |
sound |
| 1968 |
Assemblage / |
A film by Richard Moore, Phillip Greene, Bill Yahraus, William Winans, and Bernie Stoffer ; a production of the KQED Film Unit. |
58 |
16mm |
Color |
sound |
| 1968 |
Calamity Join. |
Samuel Moore |
|
16mm |
B&W |
sound |
| 1968 |
Don't Just Stand There |
Universal Pictures |
99 min |
|
Color |
sound |
| 1968 |
Prudence And The Pill. |
Twentieth Century-Fox Film Corp |
92 min |
35mm |
Color |
sound |
| 1968 |
The Fiction Makers |
Roy Ward Baker |
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