| 1939 |
BABES IN ARMS. |
Loew's Inc. |
10 reels |
|
B&W |
|
| 1939 |
Judge Hardy And Son. |
George B. Seitz |
9 reels |
|
B&W |
sound |
| 1939 |
The Adventures of Huckleberry Finn |
Films Inc. (FI) |
1600 |
|
B&W |
|
| 1939 |
THE HARDYS RIDE HIGH. |
Metro-Goldwyn-Mayer. |
8 reels |
|
B&W |
|
| 1940 |
Andy Hardy Meets Debutante. |
George B. Seitz |
9 reels |
|
B&W |
sound |
| 1940 |
Young Tom Edison. |
Norman Taurog |
9 reels |
|
B&W |
sound |
| 1941 |
Andy Hardy's Private Secretary. |
George B. Seitz |
10 reels |
|
B&W |
sound |
| 1941 |
Babes on Broadway |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:58:00 |
16mm |
B&W |
sound |
| 1941 |
Babes On Broadway. |
Vincente Minnelli, Busby Berkeley |
13 reels |
|
B&W |
sound |
| 1941 |
Life Begins For Andy Hardy. |
George B. Seitz |
10 reels |
|
B&W |
sound |
| 1941 |
Men Of Boys Town. |
Norman Taurog |
10 reels |
|
B&W |
sound |
| 1941 |
Strike Up The Band. |
Busby Berkeley |
1 reel |
16mm |
B&W |
sound |
| 1942 |
A Yank At Eton. |
Norman Taurog |
9 reels |
|
B&W |
sound |
| 1942 |
Andy Hardy's Double Life. |
George B. Seitz |
9 reels |
|
B&W |
sound |
| 1942 |
The Courtship Of Andy Hardy. |
George B. Seitz |
9 reels |
|
B&W |
sound |
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
SHOW BUSINESS AT WAR ▶ |
March of Time |
|
16mm |
B&W |
|
| 1943 |
The Human Comedy. |
Clarence Brown |
12 reels |
|
B&W |
sound |
| 1943 |
Thousands cheer |
George Sidney |
102 min |
|
Color & B&W |
|
| 1944 |
Andy Hardy's Blonde Trouble. |
George B. Seitz |
11 reels. |
|
B&W |
sound |
| 1944 |
National Velvet. |
Clarence Brown |
13 reels |
16mm |
Color & B&W |
sound |
| 1945 |
National Velvet |
MGM/UA |
123 min |
16mm |
Color |
sound |
| 1946 |
Love Laughs At Andy Hardy. |
Willis Goldbeck |
9 reels |
35mm |
B&W |
sound |
| 1947 |
Killer Mccoy. |
Roy Rowland |
103 min |
35mm |
B&W |
sound |
| 1947 |
Summer Holiday. |
Rouben Mamoulian |
93 min. |
35mm |
Color |
sound |
| 1948 |
Words And Music. |
Norman Taurog |
119 mins |
35mm |
Color |
sound |
| 1950 |
Fireball |
Tay Garnett |
|
|
|
|
| 1950 |
He’s A Cockeyed Wonder. |
Columbia Pictures Corp. |
77 min. |
35mm |
B&W |
sound |
| 1950 |
Quicksand |
Irving Pichel |
|
|
|
|
| 1950 |
THE BIG WHEEL ▶ |
Edward Ludwig |
92 min |
16mm |
B&W |
|
| 1951 |
My outlaw brother. |
Benedict Bogeaus Pictures Inc. |
82 min. |
35mm |
B&W |
sound |
| 1951 |
The Strip. |
Loew's Inc. |
85 min. |
35mm |
B&W |
sound |
| 1952 |
Sound off |
Richard Quine |
83 min |
|
Color |
|
| 1952 |
Sound Off. |
Columbia Pictures Corp. |
83 min. |
35mm |
Color |
sound |
| 1953 |
A Slight Case Of Larceny. |
Loew’s Incorporated |
71 min. |
35mm |
B&W |
sound |
| 1953 |
All Ashore. |
Columbia Pictures Corp. |
80 min. |
35mm |
Color |
sound |
| 1954 |
Drive A Crooked Road. |
Columbia Pictures Corp. |
9 reels |
35mm |
B&W |
sound |
| 1954 |
The Atomic Kid. |
Republic Pictures Corp |
86 min. |
35mm |
B&W |
sound |
| 1955 |
The Bridges At Toko-Ri. |
Paramount Pictures Corp. |
103 min |
35mm |
Color |
sound |
| 1955 |
The Twinkle In God’s Eye. |
Republic Pictures Corp |
73 min. |
35mm |
B&W |
sound |
| 1956 |
Francis In The Haunted House. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1956 |
Magnificent Roughnecks. |
Allied Artists Pictures Corp. |
73 min. |
35mm |
B&W |
sound |
| 1956 |
The Bold And The Brave. |
RKO Teleradio Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1957 |
Baby Face Nelson. |
F-ZS Productions |
85 min. |
35mm |
B&W |
sound |
| 1957 |
Operation Mad Ball. |
Columbia Pictures Corp. |
12 reels |
35mm |
B&W |
sound |
| 1958 |
Andy Hardy Comes Home. |
Loew’s Inc. & Fryman Enterprises Inc. |
80 min. |
35mm |
B&W |
sound |
| 1959 |
The Big Operator |
Charles F. Haas |
91 min |
|
B&W |
|
| 1959 |
THE LAST MILE. |
R. S. Productions Inc. |
81 min. |
35mm |
B&W |
sound |
| 1960 |
Platinum High School. |
Metro-Goldwyn-Mayer Inc. Albert Zugsmith Productions Inc. & Fryman Enterprises Inc. |
95 min |
35mm |
B&W |
sound |
| 1960 |
The Private Lives of Adam and Eve |
Mickey Rooney |
86 min |
|
|
|