| 1973 |
A Charlie Brown Thanksgiving |
Lee Mendelson & Bill Melendez in cooperation with United Feature Syndicate, Inc |
1 reel |
|
Color |
sound |
| 1973 |
A Delicate Balance |
Tony Richardson |
|
|
|
|
| 1973 |
A Resentful Woman |
Lee Yu-seob |
|
|
|
|
| 1973 |
Fist of Unicorn |
Tang Ti |
|
|
|
|
| 1973 |
The Creeping Flesh |
World Film Services, Ltd |
91 min |
|
Color |
sound |
| 1973 |
The Exorcist |
William Friedkin |
|
|
|
|
| 1973 |
The Forgotten aka Don't Look in the Basement |
S.F. Brownrigg |
|
|
|
|
| 1973 |
The Laughing Policeman |
Twentieth Century Fox Film Corporation |
112 min |
|
Color |
sound |
| 1973 |
The Wicker Man |
Robin Hardy |
|
|
|
|
| 1972 |
[Après documenta V] |
film by Michel de Rivaz. |
7 |
16mm |
Color |
silent |
| 1972 |
[Après documenta V] / |
[film by Michel de Rivaz]. |
7 |
16mm |
Color |
silent |
| 1972 |
A Place To Call Home |
See Univ Of Kansas |
|
16mm |
|
sound |
| 1972 |
Brother Sun, Sister Moon |
Paramount Pictures Corporation |
116 min |
16mm |
Color |
sound |
| 1972 |
Dracula AD 1972 |
Alan Gibson |
|
|
|
|
| 1972 |
Fist of Fury |
Lo Wei |
|
|
|
|
| 1972 |
Leisure 2000 |
Lee Robert |
|
16mm |
|
sound |
| 1972 |
Necromancy |
Zenith International Pictures Corp |
82 min |
|
Color |
sound |
| 1972 |
Pocket Money |
First Artists Production Co |
102 min |
|
Color |
sound |
| 1972 |
Portnoy's Complaint |
Warner Bros |
101 min |
|
Color |
sound |
| 1972 |
Prime Cut |
National General Pictures |
86 min |
|
Color |
sound |
| 1972 |
Sickle - Cell Anemia |
Lee Creative Communications Inc |
|
16mm |
|
sound |
| 1972 |
Snoopy, Come Home! |
Lee Mendelson-Bill Melendez Production |
80 min |
|
Color |
sound |
| 1972 |
Thank You |
Family Films |
265 min |
16mm |
|
sound |
| 1972 |
The 217 In 402 |
Don/Lee Productions |
26 min |
|
Color |
sound |
| 1972 |
The Cowboys |
Mark Rydell |
|
|
|
|
| 1972 |
The Doomsday Machine |
Harry Hope, Lee Sholem |
|
|
|
|
| 1972 |
The Magnificent Seven Ride! |
Mirisch Productions |
100 min |
|
Color |
sound |
| 1972 |
The Partners — Headlines For Higgenbottom |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Partners — The Magnificient Perception |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Partners — Two In A Pen |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Partners — Two Or False |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1972 |
The Salzburg Connection |
Twentieth Century-Fox Film Corp |
10 reels |
|
Color |
sound |
| 1972 |
Way of the Dragon |
Bruce Lee |
|
|
|
|
| 1971 |
A Severed Head |
Winkast Film Productions |
96 min |
|
Color |
sound |
| 1971 |
Bad Man's River |
Eugenio Martin |
|
|
|
|
| 1971 |
Hannie Caulder |
Tigon British Film Productions |
85 min |
|
Color |
sound |
| 1971 |
Lawman |
Collectors Book Store |
96 |
16mm |
Color |
|
| 1971 |
Lawman |
Michael Winner |
|
|
|
|
| 1971 |
No Drums, No Bugles |
Jud-Lee Productions |
85 min |
|
Color |
sound |
| 1971 |
Play It Again, Charlie Brown |
Lee Mendelson Film Productions & Bill Melendez Productions |
1 reel |
|
Color |
sound |
| 1971 |
Psychomania |
Don Sharp |
|
|
|
|
| 1971 |
Sometimes a great notion. |
Newman-Foreman Co. Inc. |
113 min |
16mm |
Color |
sound |
| 1971 |
The Comet Strikes |
Lo Wei |
|
|
|
|
| 1971 |
The House That Dripped Blood |
Amicus Productions |
101 min |
|
Color |
sound |
| 1971 |
The Night God Screamed |
Lee Madden |
|
|
|
|
| 1971 |
The North End |
Patricia Lee |
16 min |
|
B&W |
sound |
| 1971 |
The Partners — Abra Cadaver |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1971 |
The Partners — Desperate Ours |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1971 |
The Partners — Have I Got An Apartment For You |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |
| 1971 |
The Partners — Here Comes The Fuzz |
Don/Lee Productions |
Approx. 26 min. each |
|
Color |
sound |